At the
FSG blog, Ryan Chapman has a discussion on the state of book jacket design with three of the best designers out there: Susan Mitchell, Charlotte Strick, and Henry Sene Yee.
At Reading Matters, Kim has featured my blog on her
Triple Choice Tuesday. My choices?
The Ghost Writer,
So Long, See You Tomorrow, and
Butcher's Crossing. Pop on over and see my fresh, brief write-up of each title.
For Independence Day, the Huffington Post has a slide show of
fifteen great independent publishers, featuring a few of my favorites --
Open Letter,
Archipelago -- and a few I didn't know about.
New Directions is a model of perfection, and I agree. I have stacks and stacks of books from these three presses, and I'm anxious to see what the others have to offer.
This year's
Berkshire Wordfest will be held at the beautiful Edith Wharton estate,
The Mount, on July 23 - 25. I will be going north that weekend, but I will be stopping at
Tarrytown, New York, for some
other fun. Still, a trip to the Berkshires is always pleasant, and a literary festival at Edith Wharton's house is a must if you're available.
Michiko Kakutani's
review of Jacob de Zoet is surprising in its lack of substance. It's mostly just a plot rehash (which I think gives away a bit too much). It's boring to read and insightless, where I usually enjoy her reviews even if I disagree (as I do here). I'm not saying my reviews are better, surely, but this is pretty poor for
The New York Times daily and from a Pulitzer-winning critic.
The PEN American Center has started its first online book club (
click here for their page). Their first book is Clarice Lispector's
The Hour of the Star, published by the great
New Directions.
In the new issue of
The New Yorker, James Wood
takes a look at The Thousand Autumns of Jacob de Zoet: "This is to argue not that David Mitchell should be more like Tolstoy or Conrad or Beckett but, curiously, that he might be more Mitchellian—that the reader wants a kind of moral or metaphysical pressure that is absent, and that has ceded all the ground to pure storytelling."
KevinfromCanada features
a guest post from Kathleen Winter, author of
Anabel, which KFC also just
reviewed.
The Paris Review blog has a
Q&A with Jennifer Egan, author of
The Goon Squad, a piece of which was published in
The New Yorker and discussed
here.
Click
here for the
Never Let Me Go trailer. I didn't like the book as much as I hoped I would, but the trailer makes the film look good.
____________________________
Click here to see what's happening in the fiction of each issue of The New Yorker.
Last Five Issues:
____________________________
Thanks Trevor for a most interesting link.
I think what disturbs me most about it (and this is not a comment on the blogger) is that for the second year in a row it looks like punters betting on Nobel winners have inside information that they use in making bookie bets.
I am a gambler, but I don’t take part in betting on events where people with inside information tilt the odds. Sure looks to me that the Nobel has that problem. Which, frankly, seriously decreases the credibility of the Prize.
There certainly is no other explanation for how Müller’s odds increased from 50-1 to 3-1, especially when a similar, though less drastic move, occurred last year with le Clezio. However, if only you’d bet on Müller at the 50-1 phase!
I’m betting they’ll do their best to block the leak next year. I think the reason the Saloon had as many hits as he did was because they were trying to research what went wrong this year, and his is the best report out there.
Click here for a Wall Street Journal article: “Discovering Herta Müller.”