The New Yorker Fiction Forum

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Click here to see what's happening in the fiction of each issue of The New Yorker.

Last Five Issues: ____________________________

Links & Stuff

At the FSG blog, Ryan Chapman has a discussion on the state of book jacket design with three of the best designers out there: Susan Mitchell, Charlotte Strick, and Henry Sene Yee.

At Reading Matters, Kim has featured my blog on her Triple Choice Tuesday. My choices? The Ghost Writer, So Long, See You Tomorrow, and Butcher's Crossing. Pop on over and see my fresh, brief write-up of each title.

For Independence Day, the Huffington Post has a slide show of fifteen great independent publishers, featuring a few of my favorites -- Open Letter, Archipelago -- and a few I didn't know about. New Directions is a model of perfection, and I agree. I have stacks and stacks of books from these three presses, and I'm anxious to see what the others have to offer.

This year's Berkshire Wordfest will be held at the beautiful Edith Wharton estate, The Mount, on July 23 - 25. I will be going north that weekend, but I will be stopping at Tarrytown, New York, for some other fun. Still, a trip to the Berkshires is always pleasant, and a literary festival at Edith Wharton's house is a must if you're available.

Michiko Kakutani's review of Jacob de Zoet is surprising in its lack of substance. It's mostly just a plot rehash (which I think gives away a bit too much). It's boring to read and insightless, where I usually enjoy her reviews even if I disagree (as I do here). I'm not saying my reviews are better, surely, but this is pretty poor for The New York Times daily and from a Pulitzer-winning critic.

The PEN American Center has started its first online book club (click here for their page). Their first book is Clarice Lispector's The Hour of the Star, published by the great New Directions.

In the new issue of The New Yorker, James Wood takes a look at The Thousand Autumns of Jacob de Zoet: "This is to argue not that David Mitchell should be more like Tolstoy or Conrad or Beckett but, curiously, that he might be more Mitchellian—that the reader wants a kind of moral or metaphysical pressure that is absent, and that has ceded all the ground to pure storytelling."

KevinfromCanada features a guest post from Kathleen Winter, author of Anabel, which KFC also just reviewed.

The Paris Review blog has a Q&A with Jennifer Egan, author of The Goon Squad, a piece of which was published in The New Yorker and discussed here.

Click here for the Never Let Me Go trailer. I didn't like the book as much as I hoped I would, but the trailer makes the film look good. ____________________________

2010 Book Awards

  • National Book Critics Circle Award
    • Winner: Hilary Mantel's Wolf Hall
  • PEN/Faulkner Award
    • Winner: Sherman Alexie's War Dances
  • Hemingway Foundation/PEN Award
    • Winner: Brigid Pasulka's A Long, Long Time Ago and Essentially True
  • Pulitzer Prize
  • Orange Prize
    • Winner: Barbara Kingsolver's The Lacuna
  • Man Booker Prize
    • Late July
    • Early September
    • Winner: October 12
  • Nobel Prize in Literature
    • Winner: October
  • Giller Prize
    • Longlist: September 20
    • Shortlist: October 5
    • Winner: November 9
  • National Book Award
    • Finalists: October 13
    • Winner: November
____________________________

2009 Book Awards

  • National Book Critics Circle Award
    • Winner: Roberto Bolano's 2666
  • Hemingway Foundation/PEN Award
    • Winner: Michael Dahlie's A Gentleman's Guide to Graceful Living
  • PEN/Faulkner Award
  • Orange Prize
    • Winner: Marilynne Robinson's Home
  • Man Booker Prize
    • Winner: Hilary Mantel's Wolf Hall
  • Nobel Prize in Literature
    • Winner: Herta Müller
  • National Book Award
    • Winner: Colum McCann's Let the Great World Spin

Three Percent: Best Translated Book Award Longlist

Three Percent — a great blog on literature in translation as well as the blog from Open Letter Books, a great publisher of books in translation — postedtheir annual Best Translated Book Award longlist. 

The finalists will be announced on February 16.

Of particular interest is the range: authors from 23 countries, writing in 17 languages, published by 15 publishers.  Literature in translation may not be as big on the map as it should be, but there are those devoted to it, and we are the fortunate beneficiaries. 

Here they are, all twenty-five of them.  The links are to my reviews:

  • Ghosts by César Aira, translated from the Spanish by Chris Andrews
  • The Ninth by Ferenc Barnás, translated from the Hungarian by Paul Olchváry
  • Anonymous Celebrity by Ignácio de Loyola Brandão, translated from the Portuguese by Nelson Vieira
  • The Twin by Gerbrand Bakker, translated from the Dutch by David Colmer
  • The Skating Rink by Roberto Bolaño, translated from the Spanish by Chris Andrews
  • Wonder by Hugo Claus, translated from the Dutch by Michael Henry Heim
  • Every Man Dies Alone by Hans Falada, translated from the German by Michael Hofmann
  • Op Oloop by Juan Filroy, translated from the Spanish by Lisa Dillman
  • Vilnius Poker by Ricardas Gavelis, translated from the Lithuanian by Elizabeth Novickas
  • The Zafarani Files by Gamal al-Ghitani, translated from the Arabic by Farouk Abdel Wahab
  • The Weather Fifteen Years Ago by Wolf Haas, translated from the German by Stephanie Gilardi and Thomas S. Hansen
  • The Confessions of Noa Weber by Gail Hareven, translated from the Hebrew by Dalya Bilu
  • The Discoverer by Jan Kjærstad, translated from the Norwegian by Barbara Haveland
  • Memories of the Future by Sigizmund Krzhizhanovsky, translated from the Russian by Joanne Turnbull
  • Desert by J.M.G. Le Clézio, translated from the French by C. Dickson
  • There’s Nothing I Can Do When I Think of You Late at Night by Cao Naigian, translated from the Chinese by John Balcom
  • The Museum of Innocence by Orhan Pamuk, translated from the Turkish by Maureen Freely
  • News from the Empire by Fernando del Paso, translated from the Spanish by Alfonso González and Stella T. Clark
  • The Mighty Angel by Jerzy Pilch, translated from the Polish by Bill Johnston
  • Rex by José Manuel Prieto, translated from the Spanish by Esther Allen
  • Death in Spring by Mercè Rodoreda, translated from the Catalan by Martha Tennent
  • Landscape with Dog and Other Stories by Ersi Sotiropoulos, translated from the Greek by Karen Emmerich
  • Brecht at Night by Mati Unt, translated from the Estonian by Eric Dickens
  • In the United States of Africa by Abdourahman Waberi, translated from the French by David and Nicole Ball
  • The Tanners by Robert Walser, translated from the Gernamn by Susan Bernofsky

I actually read There’s Nothing I Can Do When I Think of You Late at Night last May, but I couldn’t think of anything to say about it when I was done.  I both liked and didn’t like it.  I both admired and detested the translation.  What I appreciated was the fact that Cao Naigian wrote it while holding other jobs — he wasn’t really a writer.  I’m going to refresh my memory of it and see if it was just me at that time of my life.  I also have copies of The Twin and The Discoverer that I frequently think I should read begin (though The Discoverer is the third book in the Wergeland trilogy, so I probably won’t get to it for a while — I have the second book, The Conqueror, but not the first, The Seducer).

Of the ones I’ve already read and reviewed, I am not surprised they are on this list.  Ghosts, The Tanners, and Desert were all supreme books and supremely translated.  I also thoroughly enjoyed — just not as much — The Skating Rink and Death in Spring.  There are three books I’m surprised didn’t make the cut: Guillermo Rosales’s The Halfway House, Horacio Castellanos Moya’s The She-Devil in the Mirror, and Michal Ajvaz’s The Other City.  But New Directions and Dalkey are both well represented in the list.  Plus, that makes the list more interesting to me because it leaves more I haven’t read.

If you’ve read and reviewed any of the books above, please leave a link in the comments.

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