Review Index

Contact:

Email me at mookseandgripes [at] gmail [dot] com

Follow me @mookse

Transparency Statement

If the book reviewed was sent to me for free by the publisher, I have indicated as much in a caption under the book's cover image.

For a detailed explanation of my review policy, click here.

The New Yorker Fiction Forum

New Yorker Original Cover

Click here to see what's happening in the fiction of each issue of The New Yorker.

Last Five Issues: ____________________________

2012 Book Awards

  • National Book Critics Circle Award
    • Winner: Edith Pearlman's Binocular Vision
  • The Story Prize
  • PEN/Faulkner Award
    • Winner: Julie Otsuka's The Buddha in the Attic
  • Hemingway Foundation/PEN Award
    • Winner: Teju Cole: Open City
  • Pulitzer Prize
    • Winner: No award given
  • Best Translated Book Award
    • Winner: Wieslaw Mysliwski: Stone Upon Stone
  • Orange Prize
    • Winner: May 30, 2012
  • International IMPAC Dublin Literary Award
    • Winner: June 13, 2012
  • Man Booker Prize
    • Winner: October
  • Nobel Prize in Literature
    • Winner: October
  • Giller Prize
    • Shadow Winner: Early November
    • Winner: Early November
  • National Book Award
    • Winner: November
____________________________

2011 Book Awards

  • The Story Prize
    • Winner: Anthony Doerr's Memory Wall
  • PEN/Faulkner Award
    • Winner: Deborah Eisenberg's The Collected Stories of Deborah Eisenberg
  • Hemingway Foundation/PEN Award
    • Winner: Brando Skyhorse: The Madonnas of Echo Park
  • International IMPAC Dublin Literary Award
    • Winner: Colum McCann's Let the Great World Spin
  • Nobel Prize in Literature
    • Winner: Tomas Tranströmer
  • National Book Award
    • Winner: Jesmyn Ward's Salvage the Bones
____________________________

2010 Book Awards

  • National Book Critics Circle Award
    • Winner: Hilary Mantel's Wolf Hall
  • The Story Prize
    • Winner: Daniyal Mueenuddin's In Other Rooms, Other Wonders
  • PEN/Faulkner Award
    • Winner: Sherman Alexie's War Dances
  • Hemingway Foundation/PEN Award
    • Winner: Brigid Pasulka's A Long, Long Time Ago and Essentially True
  • Pulitzer Prize
  • Orange Prize
    • Winner: Barbara Kingsolver's The Lacuna
  • International IMPAC Dublin Literary Award
  • Nobel Prize in Literature
    • Winner: Mario Vargas Llosa
____________________________

2009 Book Awards

  • National Book Critics Circle Award
    • Winner: Roberto Bolano's 2666
  • PEN/Faulkner Award
  • Hemingway Foundation/PEN Award
    • Winner: Michael Dahlie's A Gentleman's Guide to Graceful Living
  • Best Translated Book Award
    • Winner: Attila Bartis: Tranquility
  • Orange Prize
    • Winner: Marilynne Robinson's Home
  • International IMPAC Dublin Literary Award
    • Winner: Michael Thomas's Man Gone Down
  • Man Booker Prize
    • Winner: Hilary Mantel's Wolf Hall
  • Nobel Prize in Literature
    • Winner: Herta Müller
  • National Book Award
    • Winner: Colum McCann's Let the Great World Spin

Saïd Sayrafiezadeh: “A Brief Encounter with the Enemy”

Click here to read the abstract of the story on The New Yorker webpage (this week’s story is available only for subscribers).  Saïd Sayrafiezadeh’s “A Brief Encounter with the Enemy” was originally published in the January 16, 2012 issue of The New Yorker

Click for a larger image.

 As you can see from my complete lack of posts and commentary, I’ve still been under the work bus.  I’ll get caught up eventually — I promise!

3 comments to Saïd Sayrafiezadeh: “A Brief Encounter with the Enemy”

  • jerry

    Really enjoyed his story, “Paranoia” last year in TNY and though I don’t think this story is quite as good, still very effective. Look forward to reading more of his work.

  • It’s funny; I applauded “Paranoia” for leaving so much open, and yet here with “A Brief Encounter” I was hoping for the author to take a little more of a stand on the absurdity of war. Not that this is bad, by any means, but I think that the aimless tone the prose takes on account of the narrator weakens the overall story ever so slightly, and leaves me wondering about a few of the embellishments, like e-girlfriend Becky, or the nature of the war itself. (The lack of redeployment is odd, especially if so many American troops are dying on the front lines.)

    Still, I like the overall thoughts about the “right” reasons for joining a war, the vague concept of “enemy,” and the way in which the two flashbacks work hand-in-hand with Luke’s decision to finally shoot and then to just as abruptly backpedal on his action due to the shame of it. More thoughts here: http://bit.ly/zuUfz7

  • Ken

    I liked that the tone fit the ideas-bland, pointless, affectless. The use of slightly fantastic elements made this more universal and yet still clearly dealing with modern America’s blunders in the Middle East. War as sad-sack surrealism and emptiness within a modern empty America of office work and consumption. The military is simply a mirror of the same pointlessness at home and yet it also exists as a justification and locus of pride which can make the whole nation feel o.k. Sad, true. I liked it.

Leave a Reply

 

 

 

You can use these HTML tags

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

Baymak Kombi Servisi geciktirici sprey online dizi izle