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The New Yorker Fiction Forum

New Yorker Original Cover

Click here to see what's happening in the fiction of each issue of The New Yorker.

Last Five Issues: ____________________________

2012 Book Awards

  • National Book Critics Circle Award
    • Winner: Edith Pearlman's Binocular Vision
  • The Story Prize
  • PEN/Faulkner Award
    • Winner: Julie Otsuka's The Buddha in the Attic
  • Hemingway Foundation/PEN Award
    • Winner: Teju Cole: Open City
  • Pulitzer Prize
    • Winner: No award given
  • Best Translated Book Award
    • Winner: Wieslaw Mysliwski: Stone Upon Stone
  • Orange Prize
    • Winner: May 30, 2012
  • International IMPAC Dublin Literary Award
    • Winner: June 13, 2012
  • Man Booker Prize
    • Winner: October
  • Nobel Prize in Literature
    • Winner: October
  • Giller Prize
    • Shadow Winner: Early November
    • Winner: Early November
  • National Book Award
    • Winner: November
____________________________

2011 Book Awards

  • The Story Prize
    • Winner: Anthony Doerr's Memory Wall
  • PEN/Faulkner Award
    • Winner: Deborah Eisenberg's The Collected Stories of Deborah Eisenberg
  • Hemingway Foundation/PEN Award
    • Winner: Brando Skyhorse: The Madonnas of Echo Park
  • International IMPAC Dublin Literary Award
    • Winner: Colum McCann's Let the Great World Spin
  • Nobel Prize in Literature
    • Winner: Tomas Tranströmer
  • National Book Award
    • Winner: Jesmyn Ward's Salvage the Bones
____________________________

2010 Book Awards

  • National Book Critics Circle Award
    • Winner: Hilary Mantel's Wolf Hall
  • The Story Prize
    • Winner: Daniyal Mueenuddin's In Other Rooms, Other Wonders
  • PEN/Faulkner Award
    • Winner: Sherman Alexie's War Dances
  • Hemingway Foundation/PEN Award
    • Winner: Brigid Pasulka's A Long, Long Time Ago and Essentially True
  • Pulitzer Prize
  • Orange Prize
    • Winner: Barbara Kingsolver's The Lacuna
  • International IMPAC Dublin Literary Award
  • Nobel Prize in Literature
    • Winner: Mario Vargas Llosa
____________________________

2009 Book Awards

  • National Book Critics Circle Award
    • Winner: Roberto Bolano's 2666
  • PEN/Faulkner Award
  • Hemingway Foundation/PEN Award
    • Winner: Michael Dahlie's A Gentleman's Guide to Graceful Living
  • Best Translated Book Award
    • Winner: Attila Bartis: Tranquility
  • Orange Prize
    • Winner: Marilynne Robinson's Home
  • International IMPAC Dublin Literary Award
    • Winner: Michael Thomas's Man Gone Down
  • Man Booker Prize
    • Winner: Hilary Mantel's Wolf Hall
  • Nobel Prize in Literature
    • Winner: Herta Müller
  • National Book Award
    • Winner: Colum McCann's Let the Great World Spin

Donald Antrim: “Ever Since”

Click here to read the abstract of the story on The New Yorker webpage (this week’s story is available only for subscribers).  Donald Antrim’s “Ever Since” was originally published in the March 12, 2012 issue of The New Yorker.

Click for a larger image.

My inability to read these short stories is getting frustrating — as frustrating as these posts excusing myself!  At any rate, I have enjoyed Donald Antrim’s work in the past and look forward to this one, but I just have to read the Munro story first.  In the meantime, though, please feel free to comment below.

3 comments to Donald Antrim: “Ever Since”

  • jerry

    Noticed on TNY’s web site that Antrim denies this story is a roman a clef in any fashion. I am sure he has been to his share of parties like the one described in the story though.

  • Jerry, whether it’s “roman a clef” or not, the fact that Antrim needs to deny that it is supports my largest issue with it: it’s boring. There’s nothing here that Carver, Ferris, McInerney, etc. haven’t already said, and better. This exact atmosphere has been described so often, as have its characters — well, to be fair, only Jonathan is really “described” — and Antrim doesn’t take things nearly far enough for this to work; it’s neither comedy (although his attempts to find a cigarette border on the absurd) nor drama (melodrama, at best), and the third-person choice makes Jonathan come across as a touch affected.

    I see exactly what Antrim’s doing here — he’s made it impossible for any reader NOT to — and that makes it fairly easy for me to subsequently dismiss it. At least Munro still has me struggling.

  • Ken

    I rather enjoyed this. It seems like he’s trying to do something small-observing a moment of transition in someone’s life and describing the physical surroundings to the decision which leads to the transition-and has succeded. The fact that one doesn’t know if this decision is good or bad, or how exactly the character feels about the person he’s decided to marry could seem a flaw. I found it a pleasant ambiguity.

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