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If the book reviewed was sent to me for free by the publisher, I have indicated as much in a caption under the book's cover image.

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The New Yorker Fiction Forum

New Yorker Original Cover

Click here to see what's happening in the fiction of each issue of The New Yorker.

Last Five Issues: ____________________________

2013 Book Awards

  • National Book Critics Circle Award
    • Winner: Ben Fountain's Billy Lynn's Long Halftime Walk
  • The Story Prize
    • Winner: Claire Vaye Watkins' Battleborn
  • PEN/Faulkner Award
    • Winner: Benjamin Alire Sáenz's Everything Begins and Ends at the Kentucky Club
  • Hemingway Foundation/PEN Award
    • Winner: Kevin Powers' The Yellow Birds
  • Pulitzer Prize
    • Winner: April
  • Best Translated Book Award
    • Winner: May
  • PEN/Malamud Award
    • Winner: May
  • Orange Prize
    • Winner: June
  • International IMPAC Dublin Literary Award
    • Winner: June
  • Man Booker Prize
    • Winner: October
  • Nobel Prize in Literature
    • Winner: October
  • Giller Prize
    • Shadow Winner: November
    • Winner: November
  • National Book Award
    • Winner: November
____________________________

2012 Book Awards

  • National Book Critics Circle Award
    • Winner: Edith Pearlman's Binocular Vision
  • The Story Prize
  • PEN/Faulkner Award
    • Winner: Julie Otsuka's The Buddha in the Attic
  • Hemingway Foundation/PEN Award
    • Winner: Teju Cole: Open City
  • Pulitzer Prize
    • Winner: No award given
  • Orange Prize
    • Winner: Madeline Miller: The Song of Achilles
  • International IMPAC Dublin Literary Award
    • Winner: Jon McGregor: Even the Dogs
  • Man Booker Prize
    • Winner: Hilary Mantel: Bring Up the Bodies
  • Nobel Prize in Literature
    • Winner: Mo Yan
____________________________

2011 Book Awards

  • The Story Prize
    • Winner: Anthony Doerr's Memory Wall
  • PEN/Faulkner Award
    • Winner: Deborah Eisenberg's The Collected Stories of Deborah Eisenberg
  • Hemingway Foundation/PEN Award
    • Winner: Brando Skyhorse: The Madonnas of Echo Park
  • PEN/Malamud Award
    • Winner: Edith Pearlman
  • International IMPAC Dublin Literary Award
    • Winner: Colum McCann's Let the Great World Spin
  • Nobel Prize in Literature
    • Winner: Tomas Tranströmer
  • National Book Award
    • Winner: Jesmyn Ward's Salvage the Bones
____________________________

2010 Book Awards

  • National Book Critics Circle Award
    • Winner: Hilary Mantel's Wolf Hall
  • The Story Prize
    • Winner: Daniyal Mueenuddin's In Other Rooms, Other Wonders
  • PEN/Faulkner Award
    • Winner: Sherman Alexie's War Dances
  • Hemingway Foundation/PEN Award
    • Winner: Brigid Pasulka's A Long, Long Time Ago and Essentially True
  • Pulitzer Prize
  • PEN/Malamud Award
    • Winner: Nam Le & Edward P. Jones
  • Orange Prize
    • Winner: Barbara Kingsolver's The Lacuna
  • International IMPAC Dublin Literary Award
  • Nobel Prize in Literature
    • Winner: Mario Vargas Llosa
____________________________

2009 Book Awards

  • National Book Critics Circle Award
    • Winner: Roberto Bolano's 2666
  • PEN/Faulkner Award
  • Hemingway Foundation/PEN Award
    • Winner: Michael Dahlie's A Gentleman's Guide to Graceful Living
  • Best Translated Book Award
    • Winner: Attila Bartis: Tranquility
  • Orange Prize
    • Winner: Marilynne Robinson's Home
  • International IMPAC Dublin Literary Award
    • Winner: Michael Thomas's Man Gone Down
  • Man Booker Prize
    • Winner: Hilary Mantel's Wolf Hall
  • Nobel Prize in Literature
    • Winner: Herta Müller
  • National Book Award
    • Winner: Colum McCann's Let the Great World Spin

Rivka Galchen: “Appreciation”

Click here to read the abstract of the story on The New Yorker webpage (this week’s story is available only for subscribers).  Rivka Galchen’s “Appreciation” was originally published in the March 19, 2012 issue of The New Yorker.

Click for a larger image.

I have read little by Rivka Galchen, but didn’t really enjoy the last piece she published in The New Yorker, “The Entire Northern Side Was Covered With Fire,” which was part of the “20 Under 40″ (now nearly two years ago!).  This is a short one, but, you guessed it, I haven’t been able to read it yet.  I’m still hung up on the fact I haven’t read Munro’s latest, so how can I move on until then?  I do have the goal — I promise — to catch up completely and be more timely.  In the meantime, I’m enjoying your comments!

3 comments to Rivka Galchen: “Appreciation”

  • Ken

    Well, I guess I’m the first! I liked this. It is the kind of story I appreciate-where the narrator (whether a character or, in this case, not a specific character) has a strong, flowing voice. This reminded me, in some ways, of a lighter, less challenging David Foster Wallace. Like with Wallace, there are long sentences and it ends rather abruptly without any closure. A mother and daughter meet for coffee. The mother has many opinions about how the daughter should live her life and is somewhat holding her over a financial barrel. She had bought a condo in the daughter’s name and has sold it for a tidy profit but doesn’t want to relinquish the money and yet is hardly trying to cheat the daughter. She wants to give the daughter the money once the daughter does what she, the mother, thinks she should do-go back to her husband and have kids. Do we simply want to control people when we try to guide their actions? Or is a form of love? Is it, perhaps, both? No answer here but I was caught up in the narration. I also, unlike some readers at this site, liked El Morro by David Means which also had a breathless narration.

  • Ken, I’m in total agreement, and it’s absolutely DFW-esque. I wrote about it here (http://shortaday.wordpress.com/2012/03/17/rivka-galchen-appreciation/).

    However, I do think there’s closure here, and the author works well both within and toward the theme of the story, this double sense of “appreciation.” Agreed, though, in that there’s no true answer. Just tangled facts, left to the reader to escape from!

  • Saffta

    You guys are so analytical! Sometimes I just like to relax and enjoy what I’m reading. To me the story was a perfect representation of so many conversations I have had with my mother and my daughters. But then again I am a similar demographic to her mother so there is little wonder it resonates with me. It also was very reminiscent of Woody Allen and Cynthia Ozick in its tone and substance.

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