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If the book reviewed was sent to me for free by the publisher, I have indicated as much in a caption under the book's cover image.

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The New Yorker Fiction Forum

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Click here to see what's happening in the fiction of each issue of The New Yorker.

Last Five Issues: ____________________________

2013 Book Awards

  • National Book Critics Circle Award
    • Winner: Ben Fountain's Billy Lynn's Long Halftime Walk
  • The Story Prize
    • Winner: Claire Vaye Watkins' Battleborn
  • PEN/Faulkner Award
    • Winner: Benjamin Alire Sáenz's Everything Begins and Ends at the Kentucky Club
  • Hemingway Foundation/PEN Award
    • Winner: Kevin Powers' The Yellow Birds
  • Pulitzer Prize
    • Winner: April
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    • Winner: May
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    • Winner: June
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    • Winner: June
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    • Winner: October
  • Nobel Prize in Literature
    • Winner: October
  • Giller Prize
    • Shadow Winner: November
    • Winner: November
  • National Book Award
    • Winner: November
____________________________

2012 Book Awards

  • National Book Critics Circle Award
    • Winner: Edith Pearlman's Binocular Vision
  • The Story Prize
  • PEN/Faulkner Award
    • Winner: Julie Otsuka's The Buddha in the Attic
  • Hemingway Foundation/PEN Award
    • Winner: Teju Cole: Open City
  • Pulitzer Prize
    • Winner: No award given
  • Orange Prize
    • Winner: Madeline Miller: The Song of Achilles
  • International IMPAC Dublin Literary Award
    • Winner: Jon McGregor: Even the Dogs
  • Man Booker Prize
    • Winner: Hilary Mantel: Bring Up the Bodies
  • Nobel Prize in Literature
    • Winner: Mo Yan
____________________________

2011 Book Awards

  • The Story Prize
    • Winner: Anthony Doerr's Memory Wall
  • PEN/Faulkner Award
    • Winner: Deborah Eisenberg's The Collected Stories of Deborah Eisenberg
  • Hemingway Foundation/PEN Award
    • Winner: Brando Skyhorse: The Madonnas of Echo Park
  • PEN/Malamud Award
    • Winner: Edith Pearlman
  • International IMPAC Dublin Literary Award
    • Winner: Colum McCann's Let the Great World Spin
  • Nobel Prize in Literature
    • Winner: Tomas Tranströmer
  • National Book Award
    • Winner: Jesmyn Ward's Salvage the Bones
____________________________

2010 Book Awards

  • National Book Critics Circle Award
    • Winner: Hilary Mantel's Wolf Hall
  • The Story Prize
    • Winner: Daniyal Mueenuddin's In Other Rooms, Other Wonders
  • PEN/Faulkner Award
    • Winner: Sherman Alexie's War Dances
  • Hemingway Foundation/PEN Award
    • Winner: Brigid Pasulka's A Long, Long Time Ago and Essentially True
  • Pulitzer Prize
  • PEN/Malamud Award
    • Winner: Nam Le & Edward P. Jones
  • Orange Prize
    • Winner: Barbara Kingsolver's The Lacuna
  • International IMPAC Dublin Literary Award
  • Nobel Prize in Literature
    • Winner: Mario Vargas Llosa
____________________________

2009 Book Awards

  • National Book Critics Circle Award
    • Winner: Roberto Bolano's 2666
  • PEN/Faulkner Award
  • Hemingway Foundation/PEN Award
    • Winner: Michael Dahlie's A Gentleman's Guide to Graceful Living
  • Best Translated Book Award
    • Winner: Attila Bartis: Tranquility
  • Orange Prize
    • Winner: Marilynne Robinson's Home
  • International IMPAC Dublin Literary Award
    • Winner: Michael Thomas's Man Gone Down
  • Man Booker Prize
    • Winner: Hilary Mantel's Wolf Hall
  • Nobel Prize in Literature
    • Winner: Herta Müller
  • National Book Award
    • Winner: Colum McCann's Let the Great World Spin

Tony Earley: “Jack and the Mad Dog”

Click here to read the abstract of the story on The New Yorker webpage (this week’s story is available only for subscribers).  Tony Earley’s “Jack and the Mad Dog” was originally published in the October 1, 2012 issue of The New Yorker.

Click for a larger image.

Tony Earley has been writing short stories for some time now, but I’ve never read his work before. I’m looking forward to this one and will post my thoughts here soon. In the meantime, leave any comments you may have below.

7 comments to Tony Earley: “Jack and the Mad Dog”

  • Of all the many years I read the short stories there were two that stand out with their originality and total weirdness. This is the third one. O loved it as I grew up loving fairy tales.Growing up without TV, movies, it was all this magic in folk tales.Thanks for publishing this.

  • Sorry about the “O”. Meant to be “I’.

  • Dan Madeley

    Not bad.

  • Dan Madeley

    I read it as an allegory about becoming an adult and looking back with shame on some of the things you did as a child.

  • Ken

    Strikes me as Reflexive Deconstruction 101 but entertaining enough.

  • I know I’m too late to the party for Miriam to read this, but you’re hitting on the key point of where I struggled with this piece. As someone who has seen “Into the Woods” and read “Fables” (to say nothing of the thematic style of Neil Gaiman or Tom Stoppard), I didn’t find there to be *anything* original about this piece, and while I kept waiting for the allegory Dan speaks of to develop, the only thing I really got was an awareness that Earley was attempting to say something really general about how the mythic holds up in the light of realism.

    Trevor, if you’re still planning to catch up, I’ll be interested to see which side you fall on, as I’m sure you’ve been exposed to this type of literary fiction before. More thoughts, as always, here: http://bit.ly/UAUzY7

  • Oh, I’ll get back here eventually, Aaron. My goal is to pick up the slack I’ve created over the past few years — and I’ll really do it, someday :) .

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