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If the book reviewed was sent to me for free by the publisher, I have indicated as much in a caption under the book's cover image.

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2013 Book Awards

  • National Book Critics Circle Award
    • Winner: Ben Fountain's Billy Lynn's Long Halftime Walk
  • The Story Prize
    • Winner: Claire Vaye Watkins' Battleborn
  • PEN/Faulkner Award
    • Winner: Benjamin Alire Sáenz's Everything Begins and Ends at the Kentucky Club
  • Hemingway Foundation/PEN Award
    • Winner: Kevin Powers' The Yellow Birds
  • Pulitzer Prize
    • Winner: Adam Johnson's The Orphan Master's Son
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    • Winner: George Saunders
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    • Winner: A.M. Homes' May We Be Forgiven
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    • Winner: Kevin Barry's City of Bohane
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    • Winner: October
  • Nobel Prize in Literature
    • Winner: October
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    • Shadow Winner: November
    • Winner: November
  • National Book Award
    • Winner: November
__________________________

2012 Book Awards

  • National Book Critics Circle Award
    • Winner: Edith Pearlman's Binocular Vision
  • The Story Prize
  • PEN/Faulkner Award
    • Winner: Julie Otsuka's The Buddha in the Attic
  • Hemingway Foundation/PEN Award
    • Winner: Teju Cole: Open City
  • Pulitzer Prize
    • Winner: No award given
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    • Winner: Madeline Miller: The Song of Achilles
  • International IMPAC Dublin Literary Award
    • Winner: Jon McGregor: Even the Dogs
  • Man Booker Prize
    • Winner: Hilary Mantel: Bring Up the Bodies
  • Nobel Prize in Literature
    • Winner: Mo Yan
__________________________

2011 Book Awards

  • The Story Prize
    • Winner: Anthony Doerr's Memory Wall
  • PEN/Faulkner Award
    • Winner: Deborah Eisenberg's The Collected Stories of Deborah Eisenberg
  • Hemingway Foundation/PEN Award
    • Winner: Brando Skyhorse: The Madonnas of Echo Park
  • PEN/Malamud Award
    • Winner: Edith Pearlman
  • International IMPAC Dublin Literary Award
    • Winner: Colum McCann's Let the Great World Spin
  • Nobel Prize in Literature
    • Winner: Tomas Tranströmer
  • National Book Award
    • Winner: Jesmyn Ward's Salvage the Bones
__________________________

2010 Book Awards

  • National Book Critics Circle Award
    • Winner: Hilary Mantel's Wolf Hall
  • The Story Prize
    • Winner: Daniyal Mueenuddin's In Other Rooms, Other Wonders
  • PEN/Faulkner Award
    • Winner: Sherman Alexie's War Dances
  • Hemingway Foundation/PEN Award
    • Winner: Brigid Pasulka's A Long, Long Time Ago and Essentially True
  • Pulitzer Prize
  • PEN/Malamud Award
    • Winner: Nam Le & Edward P. Jones
  • Orange Prize
    • Winner: Barbara Kingsolver's The Lacuna
  • International IMPAC Dublin Literary Award
  • Nobel Prize in Literature
    • Winner: Mario Vargas Llosa
__________________________

2009 Book Awards

  • National Book Critics Circle Award
    • Winner: Roberto Bolano's 2666
  • PEN/Faulkner Award
  • Hemingway Foundation/PEN Award
    • Winner: Michael Dahlie's A Gentleman's Guide to Graceful Living
  • Best Translated Book Award
    • Winner: Attila Bartis: Tranquility
  • Orange Prize
    • Winner: Marilynne Robinson's Home
  • International IMPAC Dublin Literary Award
    • Winner: Michael Thomas's Man Gone Down
  • Man Booker Prize
    • Winner: Hilary Mantel's Wolf Hall
  • Nobel Prize in Literature
    • Winner: Herta Müller
  • National Book Award
    • Winner: Colum McCann's Let the Great World Spin

Ricardo Lísias: “Evo Morales”

Granta-121Ricardo Lísias’s ”Evo Morales” (tr. from the Portuguese by Nick Caistor) is the fourth story in Granta 121: The Best of Young Brazilian Novelists. For an overview of the issue and links to my reviews of its other stories, please click here.

Before I read “Evo Morales” I read the tiny biography of Lísias in the magazine. He has written one short story collection and four novels, and his work has been featured in Granta em português twice. I was surprised, then, to find the first few pages of the story strangely off. The concepts felt stretched, the encounters a bit too coincidental, for a writer who at such a young age is relatively established. Here is how the story begins:

The first time I had coffee with Evo Morales, he had not yet been elected president of Bolivia, and I was a long way from winning the title of World Chess Champion.

Yes, this is the real Evo Morales, and according to the story he became president of Bolivia a couple of years after this encounter, so this first encounter was sometime around 2003 or 2004. It’s a brief encounter, and as the narrator says, neither has made their name yet. Still, a few years later, when they run into each other again, Morales remembers the chess champion, and they seem to strike up a slight friendship, the kind you might strike up with someone you run into while travelling but at no other time.

Our narrator goes on to train and prepare for his chess tournaments, hoping he might run into Morales again (it’s kind of like good luck). He’s a lonely person. In fact, he took up chess in an effort to get out of his shyness, as if chess doesn’t just make such things worse. He seems to have adjusted to life, though:

Once you get used to it, being alone is no longer sad. It’s like feeling cold, for example: you simply have to get used to it. Those with experience know the ideal (both for the cold and for loneliness) is to slip under the duvet until you fall asleep, or, on the contrary, get up and move around.

Despite the simplicity (so far), I was engaged in the story. I remember stopping reading and wondering just why I was still interested. Nothing much was happening. Most passages were simply about the next chess tournament or the next flight, during which the narrator hoped to run into Morales again; passages like the one above, the one about loneliness, are few and far between. Even now, thinking back, I can’t quite say why these early pages kept me engaged. It must have been the inkling that something was off, that our narrator was not all there, even if at the time I wondered if it was just shoddy writing.

I started to understand that things were not all as they seemed when the narrator starts to refer to Morales as his “best friend.” The story itself suddenly becomes epistolary and, until the end, we read letters the narrator has been writing to Morales. He’s becoming increasingly unhinged. Loneliness and chess . . . and Evo Morales.

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