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Last Five Issues: ____________________________

Links & Stuff

At the FSG blog, Ryan Chapman has a discussion on the state of book jacket design with three of the best designers out there: Susan Mitchell, Charlotte Strick, and Henry Sene Yee.

At Reading Matters, Kim has featured my blog on her Triple Choice Tuesday. My choices? The Ghost Writer, So Long, See You Tomorrow, and Butcher's Crossing. Pop on over and see my fresh, brief write-up of each title.

For Independence Day, the Huffington Post has a slide show of fifteen great independent publishers, featuring a few of my favorites -- Open Letter, Archipelago -- and a few I didn't know about. New Directions is a model of perfection, and I agree. I have stacks and stacks of books from these three presses, and I'm anxious to see what the others have to offer.

This year's Berkshire Wordfest will be held at the beautiful Edith Wharton estate, The Mount, on July 23 - 25. I will be going north that weekend, but I will be stopping at Tarrytown, New York, for some other fun. Still, a trip to the Berkshires is always pleasant, and a literary festival at Edith Wharton's house is a must if you're available.

Michiko Kakutani's review of Jacob de Zoet is surprising in its lack of substance. It's mostly just a plot rehash (which I think gives away a bit too much). It's boring to read and insightless, where I usually enjoy her reviews even if I disagree (as I do here). I'm not saying my reviews are better, surely, but this is pretty poor for The New York Times daily and from a Pulitzer-winning critic.

The PEN American Center has started its first online book club (click here for their page). Their first book is Clarice Lispector's The Hour of the Star, published by the great New Directions.

In the new issue of The New Yorker, James Wood takes a look at The Thousand Autumns of Jacob de Zoet: "This is to argue not that David Mitchell should be more like Tolstoy or Conrad or Beckett but, curiously, that he might be more Mitchellian—that the reader wants a kind of moral or metaphysical pressure that is absent, and that has ceded all the ground to pure storytelling."

KevinfromCanada features a guest post from Kathleen Winter, author of Anabel, which KFC also just reviewed.

The Paris Review blog has a Q&A with Jennifer Egan, author of The Goon Squad, a piece of which was published in The New Yorker and discussed here.

Click here for the Never Let Me Go trailer. I didn't like the book as much as I hoped I would, but the trailer makes the film look good. ____________________________

2010 Book Awards

  • National Book Critics Circle Award
    • Winner: Hilary Mantel's Wolf Hall
  • PEN/Faulkner Award
    • Winner: Sherman Alexie's War Dances
  • Hemingway Foundation/PEN Award
    • Winner: Brigid Pasulka's A Long, Long Time Ago and Essentially True
  • Pulitzer Prize
  • Orange Prize
    • Winner: Barbara Kingsolver's The Lacuna
  • Man Booker Prize
    • Late July
    • Early September
    • Winner: October 12
  • Nobel Prize in Literature
    • Winner: October
  • Giller Prize
    • Longlist: September 20
    • Shortlist: October 5
    • Winner: November 9
  • National Book Award
    • Finalists: October 13
    • Winner: November
____________________________

2009 Book Awards

  • National Book Critics Circle Award
    • Winner: Roberto Bolano's 2666
  • Hemingway Foundation/PEN Award
    • Winner: Michael Dahlie's A Gentleman's Guide to Graceful Living
  • PEN/Faulkner Award
  • Orange Prize
    • Winner: Marilynne Robinson's Home
  • Man Booker Prize
    • Winner: Hilary Mantel's Wolf Hall
  • Nobel Prize in Literature
    • Winner: Herta Müller
  • National Book Award
    • Winner: Colum McCann's Let the Great World Spin

March 1, 2010 — Saïd Sayrafiesadeh: “Appetite”

Click here to read the story in its entirety on The New Yorker webpage.

Click for a larger image.

Last night I read this short story on the way home from work.  I have indicated elsewhere that I am not a February person.  With all the false starts to Spring, I start to get cranky!  Surprisingly, that worked for this story — at least somewhat.

First, I liked the way the story opened.  The narrator is nervously trying to figure out how to ask for a raise.  We know it’s not a great job because he wants a raise from $8 to $10 (or to $10 from $8, or up to $10, etc.).  It’s nothing new, but I felt the writing didn’t get in the way, and, as I said above, February may have affected me: either I sympathized with the poor guy, or I liked watching him squirm.

Turns out the narrator is on a dead-end job at a cheap restaurant, the kind where you might get a grilled cheese sandwich that is burned on the outside but where the cheese is not melted.  He’s 25 and resents the high school valedictorian who said something along these lines: “some of us will go to college, some of us to the military, and some of us will immediately join the work force.”

The story takes on a new dimension about halfway through when an annorexic girl joins the workforce at the restaurant as a new waiter.  I’m not sure I followed all that comes after, and, sadly, I didn’t really care to put forth the work necessary to follow the story.  And I don’t think it was February because the story had already been at least somewhat enjoyable.  That’s not to say it was a complete failure — I’m just going to tack this one up as a below par week but not an out-and-out stinker.

12 comments to March 1, 2010 — Saïd Sayrafiesadeh: “Appetite”

  • The forum for this week’s New Yorker offering is up. Feel free to comment.

  • Joe

    After two stories in a row that I really enjoyed (Bolaño, Keegan), I have to say I had a pretty rough time with this one.

    First, a lot of the writing felt amateurish to me. There are too many inelegant sentences that sound like a high school student trying to impress his teacher. For example, “In the rare instances that things did not follow accordingly, the onus was, of course, on you and your own ineptitude.”

    And looking at the bigger picture, there doesn’t seem to be much insight here. There’s something too easy (and even offensive?) about the character of the “anorexic waitress” and the connection between the narrator and the waitress in the last few paragraphs feels unmotivated.

    I’m eager to hear what others think… maybe I’ve missed something!

  • By the way, yesterday I posted my thoughts on the forum, but I forget that there is no way of knowing that from my homepage unless I leave a comment. So — here is my announcement! Not great, not terrible, not to me, anyway.

  • Joe, I agree with your assessment of the ending. I didn’t like it much at all, though I was pretty blah’ed out by that time and didn’t care. I did like the beginning — well, that’s too strong — I found the beginning easy to get into, which I think, when struck against the ending, kind of balanced this story out just to the negative side of even.

  • Colette Jones

    I didn’t have any sympathy for the narrator. He seemed to want a raise but didn’t bother to do his job very well. I think that may have been part of the point – he wants things for nothing. If he can’t make a grilled cheese sandwich, does he even deserve the job, let along a raise? Another example: He doesn’t take the office job because it’s going to take some effort to get there every day.

    What did the waitress have to do with anything, and what is the significance of the ending? I don’t know.

  • I rather liked this story. Perhaps influenced by the author’s name, I did assume that while the narrator might be “white” he does not come from a long line of Americans. And I did find a certain poignancy in the way he was screwing up us courage to ask for a $2 raise after seven years on the job, when the yearly increment appears to be 25 cents. I was willing to forgive him his failures with grilled cheese — we had a fascinating discussion the other night with a friend that clearly showed three people had three very, very different opinions about what the perfect grilled cheese is (I voted for Kraft processed pretty much glued to the bread, our friend much prefers real cheddar that is not completely melted).

    And I thought the anorexic waitress was a symbol for how low “hope” can go when you are stuck in dead-end circumstances. The fact that she picked him up and toyed with him (“pretty boy”) just underlined how far back in the pack he ranks.

    Despite those thoughts, it was still a story that was just on the positive side of neutral for me.

  • I think we felt similarly about the story, Kevin, only he lost my positive side of nuetral toward the end, landing just on the negative side.

    By the way, as a foodie, how can you like a grilled cheese made with Kraft? It’s lunch time for me right now, and that still doesn’t tempt :) . My preferred method is sharp cheddar grilled with a cover so all the cheese melts while the outside gets golden brown.

  • Grilled cheese with Kraft cheese? Childhood memory. Now I will say that in the three years we lived in Pittsburgh, we did discover an American processed cheddar that was even better — it got every bit as gooey and had way more taste. And I will also admit that I make a lot more with sharp cheddar than with Kraft — what would I do with the other seven slices?

    Don’t get me going on minature marshmellows.

  • I should also admit that I was very sympathetic to the burnt bread, unmelted cheese issue. Mrs. KfC almost always gets a version of that, but after one test run (hers) the next (mine) comes out perfect.

  • Mrs. Berrett

    Miniature marshmallows? I would like to get you started on that.
    As a side note, the tangy zip of Miracle Whip seriously improves a grilled cheese sandwich.

  • We do have a container of Miracle Whip in the fridge and it does come out (usually with chicken or turkey sandwiches). Not with grilled cheese, I must say.

    And I will only respond when it comes to miniature marshmellows, although I suspect those with young children know much more about that hazard than I do.

  • We are lucky enough in our household to enjoy Mrs. Berrett’s home-made marshmellows, Kevin, though I’m not sure we’ve avoided all of the hazards of having them in a house with children. Still, I think these are worth it, where the minis might not be :).

    On a similar note, Kevin, I didn’t know you cooked, though I knew you appreciated food. I’m no fancy chef, but Sherry did tell me the other day that when she’s rich she’d pay for me to go to a culinary arts school — because she knows I like cooking, not because she was disappointed in anything I made recently.

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