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The New Yorker Fiction Forum

New Yorker Original Cover

Click here to see what's happening in the fiction of each issue of The New Yorker.

Last Five Issues: ____________________________

2012 Book Awards

  • National Book Critics Circle Award
    • Winner: Edith Pearlman's Binocular Vision
  • The Story Prize
  • PEN/Faulkner Award
    • Winner: Julie Otsuka's The Buddha in the Attic
  • Hemingway Foundation/PEN Award
    • Winner: Teju Cole: Open City
  • Pulitzer Prize
    • Winner: No award given
  • Best Translated Book Award
    • Winner: Wieslaw Mysliwski: Stone Upon Stone
  • Orange Prize
    • Winner: May 30, 2012
  • International IMPAC Dublin Literary Award
    • Winner: June 13, 2012
  • Man Booker Prize
    • Winner: October
  • Nobel Prize in Literature
    • Winner: October
  • Giller Prize
    • Shadow Winner: Early November
    • Winner: Early November
  • National Book Award
    • Winner: November
____________________________

2011 Book Awards

  • The Story Prize
    • Winner: Anthony Doerr's Memory Wall
  • PEN/Faulkner Award
    • Winner: Deborah Eisenberg's The Collected Stories of Deborah Eisenberg
  • Hemingway Foundation/PEN Award
    • Winner: Brando Skyhorse: The Madonnas of Echo Park
  • PEN/Malamud Award
    • Winner: Edith Pearlman
  • International IMPAC Dublin Literary Award
    • Winner: Colum McCann's Let the Great World Spin
  • Nobel Prize in Literature
    • Winner: Tomas Tranströmer
  • National Book Award
    • Winner: Jesmyn Ward's Salvage the Bones
____________________________

2010 Book Awards

  • National Book Critics Circle Award
    • Winner: Hilary Mantel's Wolf Hall
  • The Story Prize
    • Winner: Daniyal Mueenuddin's In Other Rooms, Other Wonders
  • PEN/Faulkner Award
    • Winner: Sherman Alexie's War Dances
  • Hemingway Foundation/PEN Award
    • Winner: Brigid Pasulka's A Long, Long Time Ago and Essentially True
  • Pulitzer Prize
  • PEN/Malamud Award
    • Winner: Nam Le & Edward P. Jones
  • Orange Prize
    • Winner: Barbara Kingsolver's The Lacuna
  • International IMPAC Dublin Literary Award
  • Nobel Prize in Literature
    • Winner: Mario Vargas Llosa
____________________________

2009 Book Awards

  • National Book Critics Circle Award
    • Winner: Roberto Bolano's 2666
  • PEN/Faulkner Award
  • Hemingway Foundation/PEN Award
    • Winner: Michael Dahlie's A Gentleman's Guide to Graceful Living
  • Best Translated Book Award
    • Winner: Attila Bartis: Tranquility
  • Orange Prize
    • Winner: Marilynne Robinson's Home
  • International IMPAC Dublin Literary Award
    • Winner: Michael Thomas's Man Gone Down
  • Man Booker Prize
    • Winner: Hilary Mantel's Wolf Hall
  • Nobel Prize in Literature
    • Winner: Herta Müller
  • National Book Award
    • Winner: Colum McCann's Let the Great World Spin

May 24, 2010 — Roddy Doyle: “Ash”

Click here to read the story in its entirety on The New Yorker webpage.

Click for a larger image.

I haven’t read Roddy Doyle before, though I have tried to read a short story or two.  This is the first one I made it through, and I have to say it is probably because it was so short.  The writing is fine.  There are moments I felt I was getting in to it, for a few lines, but I just never got into it.

The story itself is old but good: a marriage is breaking up.  In this case, the stories opening lines are said by the wife: “We’ll still be friends, she said.”  She then goes off, coming home a few times in the first days, but then disappearing for a while.  Meanwhile, the husband takes care of his two daughters (“Where’s Mammy?” “Work.”  “Poor Mammy.” “Yeah.”) and talks to his brother about how to cope. 

I was already not impressed with the story when the ending came along, an ending that pulled meaning from the Icelandic volcanic erruption.  That made me start to wonder just how much time had been spent preparing this story for publication.

3 comments to May 24, 2010 — Roddy Doyle: “Ash”

  • New fiction forum up.

  • My thoughts on “Ash” are up above. From the lack of comments from others I’m going to assume many did what I felt like doing: throwing the story away and simply moving on.

  • Well, I finished the story but I have a similar response. I like Roddy Doyle and his best works (the Barrytown Trilogy for example) feature this kind of every day dialogue, but it just does not work here. An overwhelming impression of “so what”.

    What does trouble me about this story is that I wonder if it indicates a direction that some good writers (and I do think Doyle is one) may be heading: stories as extended Twitter exchanges. That is very much what this reads like and, as someone who thinks in more than 140 characters, it is not a direction that I want to head in my future reading.

    I’m starting to think that I am very glad I have a library of many books that will serve me well for reading for the rest of my life. I’m not sure at all that I want to head into this kind of “story”.

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