{"id":17803,"date":"2016-03-29T10:00:53","date_gmt":"2016-03-29T14:00:53","guid":{"rendered":"http:\/\/mookseandgripes.com\/reviews\/?p=17803"},"modified":"2016-03-29T10:00:53","modified_gmt":"2016-03-29T14:00:53","slug":"the-2016-best-translated-book-award-longlist","status":"publish","type":"post","link":"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/","title":{"rendered":"The 2016 Best Translated Book Award Longlist"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" data-attachment-id=\"17804\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/btba-2016-banner\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/BTBA-2016-Banner.jpg?fit=800%2C340&amp;ssl=1\" data-orig-size=\"800,340\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"BTBA 2016 Banner\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/BTBA-2016-Banner.jpg?fit=300%2C128&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/BTBA-2016-Banner.jpg?fit=800%2C340&amp;ssl=1\" class=\"aligncenter size-full wp-image-17804\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/BTBA-2016-Banner.jpg?resize=800%2C340\" alt=\"BTBA 2016 Banner\" width=\"800\" height=\"340\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/BTBA-2016-Banner.jpg?resize=300%2C128&amp;ssl=1 300w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/BTBA-2016-Banner.jpg?resize=768%2C326&amp;ssl=1 768w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/BTBA-2016-Banner.jpg?fit=800%2C340&amp;ssl=1 800w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>The\u00a02016 Best Translated Book Award longlist has been announced!<\/p>\n<p>As I&#8217;ve said in years\u00a0past, this is my favorite book prize. It has introduced me\u00a0to many of my favorite books, and through them to the great publishers out there who support literature in translation.<\/p>\n<p>Below, find the twenty-five books, their descriptions, and links to reviews.<\/p>\n<p>Let me know what you think, whether below or over at the new GoodReads Group (<a href=\"https:\/\/www.goodreads.com\/group\/show\/186163-the-mookse-and-the-gripes\" target=\"_blank\">here;<\/a> we&#8217;d love you to come join us)!<\/p>\n<p>I&#8217;ve put together some stats and thoughts at the bottom of this post.<\/p>\n<p>The shortlist will be announced on April 19 (that&#8217;s soon!); the winner on May 4.<\/p>\n<hr \/>\n<p><span style=\"color: #003366;\"><strong><em>A General Theory of Oblivion<\/em><\/strong><\/span><br \/>\n<span style=\"color: #808080;\">by Jos\u00e9 Eduardo Agualusa<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Portuguese by Daniel Hahn<\/span><br \/>\n<span style=\"color: #808080;\">Angola<br \/>\n<\/span><\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div data-carousel-extra='{\"blog_id\":1,\"permalink\":\"https:\\\/\\\/mookseandgripes.com\\\/reviews\\\/2016\\\/03\\\/29\\\/the-2016-best-translated-book-award-longlist\\\/\"}' id='gallery-1' class='gallery galleryid-17803 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"254\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/A-General-Theory-of-Oblivion-US.jpg?fit=254%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-17717\" data-attachment-id=\"17717\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/09\/2016-man-booker-international-prize-longlist\/a-general-theory-of-oblivion-us\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/A-General-Theory-of-Oblivion-US.jpg?fit=254%2C300&amp;ssl=1\" data-orig-size=\"254,300\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"A General Theory of Oblivion US\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. from Archipelago Books&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/A-General-Theory-of-Oblivion-US.jpg?fit=254%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/A-General-Theory-of-Oblivion-US.jpg?fit=254%2C300&amp;ssl=1\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-17717'>\n\t\t\t\tAvailable in the U.S. from Archipelago Books\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"188\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/A-General-Theory-of-Oblivion.jpg?fit=188%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/A-General-Theory-of-Oblivion.jpg?resize=188%2C300&amp;ssl=1 188w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/A-General-Theory-of-Oblivion.jpg?fit=314%2C500&amp;ssl=1 314w\" sizes=\"(max-width: 188px) 100vw, 188px\" data-attachment-id=\"17703\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/09\/2016-man-booker-international-prize-longlist\/a-general-theory-of-oblivion\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/A-General-Theory-of-Oblivion.jpg?fit=314%2C500&amp;ssl=1\" data-orig-size=\"314,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"A General Theory of Oblivion\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/A-General-Theory-of-Oblivion.jpg?fit=188%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/A-General-Theory-of-Oblivion.jpg?fit=314%2C500&amp;ssl=1\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>On the eve of Angolan independence, an agoraphobic woman named Ludo bricks herself into her Luandan apartment for 30 years, living off vegetables and the pigeons she lures in with diamonds, burning her furniture and books to stay alive and writing her story on the apartment\u2019s walls.<\/p>\n<p>Almost as if we\u2019re eavesdropping, the history of Angola unfolds through the stories of those she sees from her window.<\/p>\n<ul>\n<li>In a line that was surely included to bait book reviewers, one of the novel\u2019s characters declares: \u201cA man with a good story is practically a king.\u201d If this is true, then Agualusa can count himself among the continent\u2019s new royals. ~Angel Gurria-Quintana in <em>The Financial Times<\/em><\/li>\n<li>Fragmented and densely layered, <i>Oblivion<\/i> unfolds within the possibility &#8212; and the tension &#8212; inherent between writing and identity, text and meaning, story and life. ~Dustin Illingworth in <em>The Quarterly Conversation<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">Arvida<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Samuel Archibald<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0French by Donald Winkler<\/span><br \/>\n<span style=\"color: #808080;\">Canada<br \/>\n<\/span><\/p>\n<div id=\"attachment_17807\" style=\"width: 201px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17807\" data-attachment-id=\"17807\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/arvida\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/arvida.jpg?fit=1576%2C2476&amp;ssl=1\" data-orig-size=\"1576,2476\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"arvida\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. and the U.K. from Biblioasis&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/arvida.jpg?fit=191%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/arvida.jpg?fit=652%2C1024&amp;ssl=1\" class=\"size-medium wp-image-17807\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/arvida-191x300.jpg?resize=191%2C300\" alt=\"Available in the U.S. and the U.K. from Biblioasis\" width=\"191\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/arvida.jpg?resize=191%2C300&amp;ssl=1 191w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/arvida.jpg?resize=652%2C1024&amp;ssl=1 652w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/arvida.jpg?resize=768%2C1207&amp;ssl=1 768w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/arvida.jpg?fit=1576%2C2476&amp;ssl=1 1576w\" sizes=\"(max-width: 191px) 100vw, 191px\" \/><p id=\"caption-attachment-17807\" class=\"wp-caption-text\">Available in the U.S. and in the U.K. from Biblioasis<\/p><\/div>\n<p>Like a Proust-obsessed Cormac McCarthy,\u00a0Samuel Archibald\u2019s portrait of his hometown\u00a0is filled with innocent children and wild\u00a0beasts, attempted murder and ritual mutilation,\u00a0haunted houses and road trips to nowhere, bad\u00a0men and mysterious women. Gothic, fantastical,\u00a0and incandescent, filled with stories of\u00a0everyday wonder and terror, longing and love,\u00a0<em>Arvida<\/em> explores the line which separates memory\u00a0from story, and heralds the arrival of an\u00a0important new voice.<\/p>\n<ul>\n<li>Determining the exact dramaturgy of <em>Arvida<\/em>\u2019s narrative universe can be challenging, and certain character types and situations recur like musical leitmotifs (including sexually victimized women, whose experiences are rendered vividly without crossing the line into exploitation). What\u2019s fascinating is the sense of people haunted by a place instead of the other way around. By beginning and ending the book with references to Proust, Archibald risks over-determining his artistic motives, but he writes so eloquently about the double-edged nature of memory\u00a0&#8212; of remembering as a gift and a curse\u00a0&#8212; that he earns his allusions. ~Adam Nayman in <em>Quill and Quire<\/em><\/li>\n<li>To say that <em>Arvida<\/em> skewers our expectations of a \u201clinked\u201d short story collection would, of course, be a gross understatement. So pungent are the stylistic shifts and contrasts in this book, that the less-generous reader may feel a bit baffled by them. But the reason this book has been such a success \u2013 25,000 copies and counting sold in its original French; its nod from the Giller for the English translation \u2013 is because it breaks new ground in that very genre. ~Mark Sampson in <em>Numero Cinq Magazine<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">Nowhere to\u00a0Be Found<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Bae Suah<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Korean by\u00a0Sora Kim-Russell<\/span><br \/>\n<span style=\"color: #808080;\">South Korea<br \/>\n<\/span><\/p>\n<div id=\"attachment_17808\" style=\"width: 225px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17808\" data-attachment-id=\"17808\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/nowhere-to-be-found-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Nowhere-to-Be-Found.jpg?fit=357%2C499&amp;ssl=1\" data-orig-size=\"357,499\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Nowhere to Be Found\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. and the U.K. from AmazonCrossing&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Nowhere-to-Be-Found.jpg?fit=215%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Nowhere-to-Be-Found.jpg?fit=357%2C499&amp;ssl=1\" class=\"size-medium wp-image-17808\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Nowhere-to-Be-Found-215x300.jpg?resize=215%2C300\" alt=\"Available in the U.S. and the U.K. from AmazonCrossing\" width=\"215\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Nowhere-to-Be-Found.jpg?resize=215%2C300&amp;ssl=1 215w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Nowhere-to-Be-Found.jpg?fit=357%2C499&amp;ssl=1 357w\" sizes=\"(max-width: 215px) 100vw, 215px\" \/><p id=\"caption-attachment-17808\" class=\"wp-caption-text\">Available in the U.S. and in the U.K. from AmazonCrossing<\/p><\/div>\n<p>A nameless narrator passes through her life, searching for meaning and connection in experiences she barely feels. For her, time and identity blur, and all action is reaction. She can\u2019t quite understand what motivates others to take life seriously enough to focus on anything\u2014for her existence is a loosely woven tapestry of fleeting concepts. From losing her virginity to mindless jobs and a splintered, unsupportive family, the lessons learned have less to do with the reality we all share and more to do with the truth of the imagination, which is where the narrator focuses to discover herself.<\/p>\n<ul>\n<li>Bae relates that distant \u201cme alone\u201d to us with an almost preternatural poetic vision and an architect\u2019s structural precision. The only fully inhabited space in <em>Nowhere to Be Found <\/em>is what Bae described in the same interview as the \u201clandscape of my youth,\u201d which she then clarified: \u201canxiety.\u201d Another symptom of the narrator\u2019s <em>fernweh<\/em> is her inability to hold down a conversation with friends, family, acquaintances or lovers, and Bae and Kim-Russell\u2019s dialogue is convincingly stilted. Bae\u2019s protagonist becomes truly unsettling: moving furtively through the city, trusting no one, shunning companionship, each relating only to her own thoughts, without any explanations for her actions &#8212; he is a law unto herself; an island, never <em>anywhere <\/em>to be found because there is no one to witness her. She is, in effect, a ghost, and appropriately enough this word appears for the first time in the last scene, \u201cthe center of [her] bleak hour\u201d where she spots, in the flesh, an allegedly murderous couple she had read about (much earlier in the novel) on an old wanted sign: \u201cIt is so dark out that I see them brushing past the car like ghosts, but he [her companion] does not.\u201d By the end of <em>Nowhere<\/em>, the narrator has fully assumed her condition as a ghostly, impervious being: \u201cAnd that is how I became an absolutely meaningless thing and survived time,\u201d she concludes. ~Sophie Hughes in <em>Music &amp; Literature<\/em><\/li>\n<li><em>Nowhere to Be Found<\/em> is a compact, personal account of anomie and withdrawal in a time of rapid social and economic change (something that bubbles constantly in the novel-background). The narrative conveys the sense of drift &#8212; in part in its very precision. With few wasted words or scenes &#8212; even as many of the events she describes and her observations can seem, superficially, to be almost trivial &#8212; <i>Nowhere to Be Found<\/i> is an easily digested short book that nevertheless feels much very substantial &#8212; a very full story. ~M.A. Orthofer in <em>The Complete Review<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">The Meursault Investigation<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Kamel Daoud<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0French by\u00a0John Cullen<\/span><br \/>\n<span style=\"color: #808080;\">Algeria<br \/>\n<\/span><\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div data-carousel-extra='{\"blog_id\":1,\"permalink\":\"https:\\\/\\\/mookseandgripes.com\\\/reviews\\\/2016\\\/03\\\/29\\\/the-2016-best-translated-book-award-longlist\\\/\"}' id='gallery-2' class='gallery galleryid-17803 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"194\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Meursault-Investigation-US.jpg?fit=194%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-17809\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Meursault-Investigation-US.jpg?resize=194%2C300&amp;ssl=1 194w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Meursault-Investigation-US.jpg?resize=662%2C1024&amp;ssl=1 662w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Meursault-Investigation-US.jpg?resize=768%2C1187&amp;ssl=1 768w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Meursault-Investigation-US.jpg?fit=982%2C1518&amp;ssl=1 982w\" sizes=\"(max-width: 194px) 100vw, 194px\" data-attachment-id=\"17809\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/the-meursault-investigation-us\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Meursault-Investigation-US.jpg?fit=982%2C1518&amp;ssl=1\" data-orig-size=\"982,1518\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Meursault Investigation US\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. from Other Press&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Meursault-Investigation-US.jpg?fit=194%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Meursault-Investigation-US.jpg?fit=662%2C1024&amp;ssl=1\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-17809'>\n\t\t\t\tAvailable in the U.S. from Other Press\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"195\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Meursault-Investigation-UK.jpg?fit=195%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-17810\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Meursault-Investigation-UK.jpg?resize=195%2C300&amp;ssl=1 195w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Meursault-Investigation-UK.jpg?fit=325%2C500&amp;ssl=1 325w\" sizes=\"(max-width: 195px) 100vw, 195px\" data-attachment-id=\"17810\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/the-meursault-investigation-uk\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Meursault-Investigation-UK.jpg?fit=325%2C500&amp;ssl=1\" data-orig-size=\"325,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Meursault Investigation UK\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.K. from Oneworld Publications&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Meursault-Investigation-UK.jpg?fit=195%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Meursault-Investigation-UK.jpg?fit=325%2C500&amp;ssl=1\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-17810'>\n\t\t\t\tAvailable in the U.K. from Oneworld Publications\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>He was the brother of \u201cthe Arab\u201d killed by the infamous Meursault, the antihero of Camus\u2019s classic novel. Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling\u2019s memory, refuses to let him remain anonymous: he gives his brother a story and a name &#8212; Musa &#8212; and describes the events that led to Musa\u2019s casual murder on a dazzlingly sunny beach.<\/p>\n<p>In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die.<\/p>\n<p><i>The Stranger <\/i>is of course central to Daoud\u2019s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, <i>The Meursault Investigation <\/i>is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.<\/p>\n<ul>\n<li>The novel is the poignant account of a man whose life has been warped, from the beginning, by his mother\u2019s legacy of rage and grief. This is a familiar theme of postcolonial literature and one that Daoud will shape into a critique of revolutionary and postrevolutionary Algeria, a country that, in Harun\u2019s view, is not much better off than in its previous incarnation. ~Claire Messud in <em>The New York Review of Books<\/em><\/li>\n<li>When it was published in Algeria in 2013, \u201cThe Meursault Investigation\u201d was rightly met with wide critical acclaim, but it was only after its phenomenal success in France last year (Daoud was a finalist for the Prix Goncourt) that a cleric named Abdelfatah Hamadache called the author an \u201capostate\u201d and demanded that he be tried for blasphemy. Daoud remains steadfast. He continues to live and work in Oran, where he writes for the newspaper Le Quotidien d\u2019Oran. By doing so, he honors the words of another Algerian writer, Tahar Djaout, murdered by the Armed Islamic Group during Algeria\u2019s civil war of the 1990s: \u201cIf you speak, you die. If you do not speak, you die. So, speak and die.\u201d ~Laila Lalami in <em>The New York Times Book Review<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">French\u00a0Perfume<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by Amir\u00a0Tag Elsir<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Arabic by\u00a0William M. Hutchins<\/span><br \/>\n<span style=\"color: #808080;\">Sudan<br \/>\n<\/span><\/p>\n<div id=\"attachment_17811\" style=\"width: 310px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17811\" data-attachment-id=\"17811\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/french-perfume-us\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/French-Perfume-US.jpg?fit=2048%2C1678&amp;ssl=1\" data-orig-size=\"2048,1678\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"French Perfume US\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. from Antibookclub&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/French-Perfume-US.jpg?fit=300%2C246&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/French-Perfume-US.jpg?fit=1024%2C839&amp;ssl=1\" class=\"size-medium wp-image-17811\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/French-Perfume-US-300x246.jpg?resize=300%2C246\" alt=\"Available in the U.S. from Antibookclub\" width=\"300\" height=\"246\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/French-Perfume-US.jpg?resize=300%2C246&amp;ssl=1 300w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/French-Perfume-US.jpg?resize=768%2C629&amp;ssl=1 768w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/French-Perfume-US.jpg?resize=1024%2C839&amp;ssl=1 1024w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/French-Perfume-US.jpg?fit=2048%2C1678&amp;ssl=1 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-17811\" class=\"wp-caption-text\">Available in the U.S. from Antibookclub<\/p><\/div>\n<p>A deliriously dark comedy exploring the absurd tragedy of the human condition when left to the devices of our tech-obsessed society. &#8220;I had many things in mind that I wanted to achieve before the Frenchwoman Katia arrived . . .&#8221; So begins the story of Amir Tag Elsir&#8217;s <em>French Perfume<\/em> as told by Ali Jarjar the town gossip and schemer of a poor community rich with sleazy bachelors, desperate women, soothsayers and secret police. Tasked to introduce his impoverished town to a chic foreign visitor, Ali&#8217;s attempts to make the best first impression are left in limbo as the newcomer perpetually postpones her trip. Quickly escalating to a terrifying conclusion, Spike Jonze&#8217;s <em>Her<\/em> crashes into Samuel Beckett&#8217;s <em>Waiting for Godot<\/em> as our charming narrator allows his attraction for a stranger s online existence to become a frightening obsession in the real world.<\/p>\n<ul>\n<li>I cannot find a review of this book. If you know of one, please direct me to it so I can post an excerpt here.<\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">The Story of the Lost Child<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Elena Ferrante<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Italian by\u00a0Ann Goldstein<\/span><br \/>\n<span style=\"color: #808080;\">Italy<br \/>\n<\/span><\/p>\n<div id=\"attachment_17704\" style=\"width: 200px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17704\" data-attachment-id=\"17704\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/09\/2016-man-booker-international-prize-longlist\/the-story-of-the-lost-child\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Story-of-the-Lost-Child.jpg?fit=584%2C920&amp;ssl=1\" data-orig-size=\"584,920\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Story of the Lost Child\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Story-of-the-Lost-Child.jpg?fit=190%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Story-of-the-Lost-Child.jpg?fit=584%2C920&amp;ssl=1\" class=\"size-medium wp-image-17704\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Story-of-the-Lost-Child-190x300.jpg?resize=190%2C300\" alt=\"Available in the U.S. and U.K. from Europa Editions.\" width=\"190\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Story-of-the-Lost-Child.jpg?resize=190%2C300&amp;ssl=1 190w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Story-of-the-Lost-Child.jpg?fit=584%2C920&amp;ssl=1 584w\" sizes=\"(max-width: 190px) 100vw, 190px\" \/><p id=\"caption-attachment-17704\" class=\"wp-caption-text\">Available in the U.S. and in the\u00a0U.K. from Europa Editions.<\/p><\/div>\n<p>Here is the dazzling saga of two women, the brilliant, bookish Elena and the fiery uncontainable Lila. In this book, both are adults; life\u2019s great discoveries have been made, its vagaries and losses have been suffered. Through it all, the women\u2019s friendship, examined in its every detail over the course of four books, remains the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up &#8212; a prison of conformity, violence, and inviolable taboos. Elena married, moved to Florence, started a family, and published several well-received books. But now, she has returned to Naples to be with the man she has always loved. Lila, on the other hand, never succeeded in freeing herself from Naples. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect her neighborhood. Yet somehow this proximity to a world she has always rejected only brings her role as unacknowledged leader of that world into relief. For Lila is unstoppable, unmanageable, unforgettable!<\/p>\n<p>Against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, this story of a lifelong friendship is told with unmatched honesty. Lila and Elena clash, drift apart, reconcile, and clash again, in the process revealing new facets of their friendship.<\/p>\n<ul>\n<li>The notion of tracing the stories of two women over the long arc of their lives is hardly new \u2014 Arnold Bennett and Richard Yates both drew powerful portraits of two very different sisters in their novels \u201cThe Old Wives\u2019 Tale\u201d (1908) and \u201cThe Easter Parade\u201d (1976) \u2014 but Ms. Ferrante\u2019s Neapolitan quartet is utterly distinctive, immersing us not just in a time and place, but deep within the psychological consciousness of its narrator, Elena (who, not coincidentally, shares the first part of her creator\u2019s pen name). ~Michiko Kakutani in <em>The New York Times<\/em><\/li>\n<li>Ferrante\u2019s writing seems to say something that hasn\u2019t been said before \u2013 it isn\u2019t easy to specify what this is \u2013 in a way so compelling its readers forget where they are, abandon friends and disdain sleep. It would be enough to have books in which we recognise the truth of women\u2019s lives in all its darkness, but the Neapolitan quartet also has an almost deranging narrative pleasure, delivered in a style that\u2019s more of an admission that the author cares too much about the truth to bother with style. ~Joanna Biggs in <em>The London Review of Books<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">Sphinx<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Anne Garr\u00e9ta<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0French by\u00a0Emma Ramadan<\/span><br \/>\n<span style=\"color: #808080;\">France<br \/>\n<\/span><\/p>\n<div id=\"attachment_15418\" style=\"width: 201px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-15418\" data-attachment-id=\"15418\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2015\/03\/27\/anne-garreta-sphinx\/sphinx\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2015\/03\/Sphinx.jpg?fit=1575%2C2475&amp;ssl=1\" data-orig-size=\"1575,2475\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Sphinx\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. and the U.K. from Deep Vellum&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2015\/03\/Sphinx.jpg?fit=191%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2015\/03\/Sphinx.jpg?fit=652%2C1024&amp;ssl=1\" class=\"size-medium wp-image-15418\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2015\/03\/Sphinx-191x300.jpg?resize=191%2C300\" alt=\"Available in the U.S. and the U.K. from Deep Vellum\" width=\"191\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2015\/03\/Sphinx.jpg?resize=191%2C300&amp;ssl=1 191w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2015\/03\/Sphinx.jpg?resize=652%2C1024&amp;ssl=1 652w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2015\/03\/Sphinx.jpg?fit=1575%2C2475&amp;ssl=1 1575w\" sizes=\"(max-width: 191px) 100vw, 191px\" \/><p id=\"caption-attachment-15418\" class=\"wp-caption-text\">Available in the U.S. and in the U.K. from Deep Vellum<\/p><\/div>\n<p><i>Sphinx<\/i> is the remarkable debut novel, originally published in 1986, by the incredibly talented and inventive French author Anne Garr\u00e9ta, one of the few female members of Oulipo, the influential and exclusive French experimental literary group whose mission is to create literature based on mathematical and linguistic restraints, and whose ranks include Georges Perec and Italo Calvino, among others.<\/p>\n<p>A beautiful and complex love story between two characters, the narrator, &#8220;I,&#8221; and their lover, A***, written without using any gender markers to refer to the main characters, <i>Sphinx<\/i> is a remarkable linguistic feat and paragon of experimental literature that has never been accomplished before or since in the strictly-gendered French language.<\/p>\n<ul>\n<li>The porous membranes of <em><span style=\"font-family: Thread-00000d9c-Id-0000001d;\">Sphinx <\/span><\/em>let it be a novel of openness, as if a living being, letting you in and out, affected and changed each time you begin or cease reading. Those membranes are all over, walls put up so they can be phased through. ~P.T. Smith in <em>The Mookse and the Gripes<\/em><\/li>\n<li>At times a frustrating read, <em>Sphinx<\/em> unexpectedly prompts feelings of liberation, too. While <em>j<\/em><em>e<\/em>\u2019s description of the first time they have sex\u2014\u201cCrotches crossed and sexes mixed, I no longer knew how to distinguish anything\u201d\u2014isn\u2019t lush with details, it also doesn\u2019t rely on gender tropes to move the action forward. It\u2019s easier to focus on emotions as well, without associating them with female or male points of view. ~Jane Yong Kim in <em>Words without Borders<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">The Physics of Sorrow<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Georgi Gospodinov<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Bulgarian by\u00a0Angela Rodel<\/span><br \/>\n<span style=\"color: #808080;\">Bulgaria<br \/>\n<\/span><\/p>\n<div id=\"attachment_15549\" style=\"width: 204px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-15549\" data-attachment-id=\"15549\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2015\/04\/23\/georgi-gospodinov-the-physics-of-sorrow\/the-physics-of-sorrow\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2015\/04\/The-Physics-of-Sorrow.jpg?fit=1000%2C1545&amp;ssl=1\" data-orig-size=\"1000,1545\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Physics of Sorrow\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. and the U.K. from Open Letter&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2015\/04\/The-Physics-of-Sorrow.jpg?fit=194%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2015\/04\/The-Physics-of-Sorrow.jpg?fit=663%2C1024&amp;ssl=1\" class=\"size-medium wp-image-15549\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2015\/04\/The-Physics-of-Sorrow-194x300.jpg?resize=194%2C300\" alt=\"Available in the U.S. and the U.K. from Open Letter\" width=\"194\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2015\/04\/The-Physics-of-Sorrow.jpg?resize=194%2C300&amp;ssl=1 194w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2015\/04\/The-Physics-of-Sorrow.jpg?resize=663%2C1024&amp;ssl=1 663w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2015\/04\/The-Physics-of-Sorrow.jpg?fit=1000%2C1545&amp;ssl=1 1000w\" sizes=\"(max-width: 194px) 100vw, 194px\" \/><p id=\"caption-attachment-15549\" class=\"wp-caption-text\">Available in the U.S. and in the U.K. from Open Letter<\/p><\/div>\n<p>Using the myth of the Minotaur as its organizing image, the narrator of Gospodinov&#8217;s long-awaited novel constructs a labyrinth of stories about his family, jumping from era to era and viewpoint to viewpoint, exploring the mindset and trappings of Eastern Europeans. Incredibly moving\u2014such as with the story of his grandfather accidentally being left behind at a mill\u2014and extraordinarily funny\u2014see the section on the awfulness of the question &#8220;how are you?&#8221;\u2014<i>Physics<\/i> is a book that you can inhabit, tracing connections, following the narrator down various &#8220;side passages,&#8221; getting pleasantly lost in the various stories and empathizing with the sorrowful, misunderstood Minotaur at the center of it all.<\/p>\n<ul>\n<li>Despite this playfulness and deliberate \u201cobvious discrepancies,\u201d the book is surprisingly coherent, both in narrative and theme, though that\u2019s not to suggest it isn\u2019t rich. After all, along with the consistent playfulness in structure, theme, and tone, loneliness exists. The book is highly personal, so how could it not?\u00a0Children are placed in basements or abandoned. There\u2019s the confusion of life. ~Trevor Berrett in <em>The Mookse and the Gripes<\/em><\/li>\n<li>Readers who tire of the endless parade of triteness of contemporary life and contemporary creative work will no doubt find solace in Gospodinov\u2019s work, and that is a commendable feat on the author\u2019s part. Gospodinov tells us the truth, and that is a rare and wonderful thing indeed. ~Jordan Anderson in <em>The Quarterly Conversation<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">Signs Preceding the End of the World<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Yuri Herrera<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Spanish by\u00a0Lisa Dillman<\/span><br \/>\n<span style=\"color: #808080;\">Mexico<br \/>\n<\/span><\/p>\n<div id=\"attachment_17812\" style=\"width: 206px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17812\" data-attachment-id=\"17812\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/signs-preceding-the-end-of-the-world\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Signs-Preceding-the-End-of-the-World.jpg?fit=326%2C499&amp;ssl=1\" data-orig-size=\"326,499\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Signs Preceding the End of the World\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Signs-Preceding-the-End-of-the-World.jpg?fit=196%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Signs-Preceding-the-End-of-the-World.jpg?fit=326%2C499&amp;ssl=1\" class=\"size-medium wp-image-17812\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Signs-Preceding-the-End-of-the-World-196x300.jpg?resize=196%2C300\" alt=\"Available in the U.S. and the U.K. from And Other Stories\" width=\"196\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Signs-Preceding-the-End-of-the-World.jpg?resize=196%2C300&amp;ssl=1 196w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Signs-Preceding-the-End-of-the-World.jpg?fit=326%2C499&amp;ssl=1 326w\" sizes=\"(max-width: 196px) 100vw, 196px\" \/><p id=\"caption-attachment-17812\" class=\"wp-caption-text\">Available in the U.S. and in\u00a0the U.K. from And Other Stories<\/p><\/div>\n<p><em>Signs Preceding the End of the World<\/em> is one of the most arresting novels to be published in Spanish in the last ten years. Yuri Herrera does not simply write about the border between Mexico and the United States and those who cross it. He explores the crossings and translations people make in their minds and language as they move from one country to another, especially when there\u2019s no going back.<\/p>\n<p>Traversing this lonely territory is Makina, a young woman who knows only too well how to survive in a violent, macho world. Leaving behind her life in Mexico to search for her brother, she is smuggled into the USA carrying a pair of secret messages \u2013 one from her mother and one from the Mexican underworld.<\/p>\n<ul>\n<li><em>Signs <\/em>is a novel of language, meant to be translated because it is so aware of the journeys language takes, from one to another, and within their boundaries. ~P.T. Smith in <em>Bookslut<\/em><\/li>\n<li>Packed into a tidy hundred and seven pages, some will view <em>Signs Preceding the End of the World<\/em> as a forthright comment on the imagination of national boundaries, the shared fate of all to be experienced at the end of the world, or the eternal separation between \u201cus\u201d and \u201cthem.\u201d But all will be sure to regard this novel as an enduring document of world literature. ~Ethan Perets in <em>Asymptote<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">The Sleep of the\u00a0Righteous<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Wolfgang Hilbig<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0German by\u00a0Isabel Fargo Cole<\/span><br \/>\n<span style=\"color: #808080;\">Germany\u00a0<\/span><\/p>\n<div>\n<div id=\"attachment_17813\" style=\"width: 198px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17813\" data-attachment-id=\"17813\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/the-sleep-of-the-righteous\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Sleep-of-the-Righteous.jpg?fit=313%2C499&amp;ssl=1\" data-orig-size=\"313,499\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Sleep of the Righteous\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. and the U.K. from Two Lines&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Sleep-of-the-Righteous.jpg?fit=188%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Sleep-of-the-Righteous.jpg?fit=313%2C499&amp;ssl=1\" class=\"size-medium wp-image-17813\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Sleep-of-the-Righteous-188x300.jpg?resize=188%2C300\" alt=\"Available in the U.S. and the U.K. from Two Lines\" width=\"188\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Sleep-of-the-Righteous.jpg?resize=188%2C300&amp;ssl=1 188w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Sleep-of-the-Righteous.jpg?fit=313%2C499&amp;ssl=1 313w\" sizes=\"(max-width: 188px) 100vw, 188px\" \/><p id=\"caption-attachment-17813\" class=\"wp-caption-text\">Available in the U.S. and in\u00a0the U.K. from Two Lines Press<\/p><\/div>\n<p>Doppelg\u00e4ngers, a murderer\u2019s guilt, pulp noir, fanatical police, and impossible romances &#8212; these are the pieces from which German master Wolfgang Hilbig builds a divided nation battling its demons. Delving deep into the psyches of both East and West Germany, <i>The Sleep of the Righteous<\/i> reveals a powerful, apocalyptic account of the century-defining nation\u2019s trajectory from 1945 to 1989. From a youth in a war-scarred industrial town to wearying labor as a factory stoker, surreal confrontations with the Stasi, and, finally, a conflicted escape to the West, Hilbig creates a cipher that is at once himself and so many of his fellow Germans. Evoking the eerie bleakness of films like Tarkovsky\u2019s <i>Stalker<\/i> and <i>The Lives of Others,<\/i> this titan of German letters combines the Romanticism of Poe with the absurdity of Kafka to create a visionary, somber statement on the ravages of history and the promises of the future.<\/p>\n<ul>\n<li>In this accretion of detail, \u00adHilbig\u2019s masterly work captures the angst of a man unable to escape the wreckage of his past. ~Joshua Hammer in <em>The New York Times<\/em><\/li>\n<li>In a brief but effusive introduction to the text, Hungarian novelist L\u00e1szl\u00f3 Krasznahorkai has this to say about Hilbig: \u201cHe discovered a wondrous language to describe a horrific world. I admit this is a sick illumination. Nonetheless, it is illumination.\u201d Krasznahorkai, himself no stranger to \u201csick illuminations,\u201d is an ideal candidate for such prefatory remarks, as both he and Hilbig share certain sensibilities: endlessly unspooling sentences; revelatory prose styles; incandescent moral outrage. They are poets of disintegration, Stygian fabulists in whom one locates a kind of profane radiance. But whereas I read Krasznahorkai\u2019s work as insular and claustrophobic, Hilbig\u2019s <em>The Sleep of the Righteous<\/em> emerges as something that feels somehow both intimate and cosmic.\u00a0~Dustin Illingworth in <em>Words without Borders<\/em><\/li>\n<\/ul>\n<\/div>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">Moods<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Yoel Hoffmann<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Hebrew by\u00a0Peter Cole<\/span><br \/>\n<span style=\"color: #808080;\">Israel\u00a0<\/span><\/p>\n<div id=\"attachment_17816\" style=\"width: 205px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17816\" data-attachment-id=\"17816\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/moods-us\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Moods-US.jpg?fit=324%2C499&amp;ssl=1\" data-orig-size=\"324,499\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Moods US\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. and in the U.K. from New Directions&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Moods-US.jpg?fit=195%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Moods-US.jpg?fit=324%2C499&amp;ssl=1\" class=\"size-medium wp-image-17816\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Moods-US-195x300.jpg?resize=195%2C300\" alt=\"Available in the U.S. and in the U.K. from New Directions\" width=\"195\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Moods-US.jpg?resize=195%2C300&amp;ssl=1 195w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Moods-US.jpg?fit=324%2C499&amp;ssl=1 324w\" sizes=\"(max-width: 195px) 100vw, 195px\" \/><p id=\"caption-attachment-17816\" class=\"wp-caption-text\">Available in the U.S. and in the U.K. from New Directions<\/p><\/div>\n<p>Part novel and part memoir, Yoel Hoffmann\u2019s Moods is flooded with feelings, evoked by his family, losses, loves, the soul\u2019s hidden powers, old phone books, and life in the Galilee &#8212; with its every scent, breeze, notable dog, and odd neighbor.\u00a0Carrying these shards is a general tenderness, accentuated by a new dimension brought along by \u201cthat great big pill of Prozac.\u201d Beautifully translated by Peter Cole, <em>Moods<\/em> is fiction for lovers of poetry and poetry for lovers of fiction &#8212; a small marvel of a book, and with its pockets of joy, a curiously cheerful book by an author who once compared himself to \u201ca praying mantis inclined to melancholy.\u201d<\/p>\n<ul>\n<li>Despite what seem like so many tangents, and the short chapters with their often stray bits and pieces, <i>Moods<\/i> is far from a halting narrative and it easily pulls readers in. The structure appears loose, almost preciously delicate, in contrast to the concrete blocks of so much essay-argument, but the ultimate impression is one of considerable resonant substance. ~M.A. Orthofer in <em>The Complete Review<\/em><\/li>\n<li>Reading <em>Moods<\/em> is not unlike the experience of reading the fictions of Jorge Luis Borges, as it compels an immediate reassessment upon conclusion, and rewards an immediate rereading. The work that particularly comes to mind is \u201cBorges and I,\u201d which contains a sentence that could have been written by Hoffmann, \u201cSo my life is a point-counterpoint, a kind of fugue, and a falling away\u00a0&#8212; and everything winds up being lost to me, and everything falls into oblivion, or into the hands of the other man,\u201d and it shares the contemplative, almost despairing mood over creation that seems to recur most frequently in <em>Moods<\/em>, hits the same minor key of a book that Hoffmann describes as \u201cmostly blues.\u201d And if the reader passes through the book\u2019s short passages a second time, noting the finer patterning that contributed to the book\u2019s ultimate success, and is left recalling this passage, \u201cWe realize that these words don\u2019t amount to what\u2019s usually called belles letters. If there were a bank where one could exchange literary currency for the currency of life we\u2019d go there and ask for the latter, even if it cost us greatly,\u201d which is unambiguous about the relative importance of writing novels, even good novels, in the face of death, they need only need to read the first line and remember that the beginning is everything: Hoffmann has undoubtedly begun again.~Sho Spaeth in <em>Full Stop<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">Beauty Is a Wound<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Eka Kurniawan<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Indonesian by\u00a0Annie Tucker<\/span><br \/>\n<span style=\"color: #808080;\">Indonesia<br \/>\n<\/span><\/p>\n<div id=\"attachment_17817\" style=\"width: 206px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17817\" data-attachment-id=\"17817\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/beauty-is-a-wound\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Beauty-Is-a-Wound.jpg?fit=1807%2C2764&amp;ssl=1\" data-orig-size=\"1807,2764\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Beauty Is a Wound\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. and in the U.K. from New Directions&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Beauty-Is-a-Wound.jpg?fit=196%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Beauty-Is-a-Wound.jpg?fit=669%2C1024&amp;ssl=1\" class=\"size-medium wp-image-17817\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Beauty-Is-a-Wound-196x300.jpg?resize=196%2C300\" alt=\"Available in the U.S. and in the U.K. from New Directions\" width=\"196\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Beauty-Is-a-Wound.jpg?resize=196%2C300&amp;ssl=1 196w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Beauty-Is-a-Wound.jpg?resize=669%2C1024&amp;ssl=1 669w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Beauty-Is-a-Wound.jpg?resize=768%2C1175&amp;ssl=1 768w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Beauty-Is-a-Wound.jpg?fit=1807%2C2764&amp;ssl=1 1807w\" sizes=\"(max-width: 196px) 100vw, 196px\" \/><p id=\"caption-attachment-17817\" class=\"wp-caption-text\">Available in the U.S. and in the U.K. from New Directions<\/p><\/div>\n<p>The epic novel <em>Beauty Is a Wound<\/em> combines history, satire, family tragedy, legend, humor, and romance in a sweeping polyphony. The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan\u2019s gleefully grotesque hyperbole functions as a scathing critique of his young nation\u2019s troubled past:the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million \u201cCommunists,\u201d followed by three decades of Suharto\u2019s despotic rule.<\/p>\n<p><em>Beauty Is a Wound<\/em> astonishes from its opening line: One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years . . . . Drawing on local sources &#8212; folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope &#8212; and inspired by Melville and Gogol, Kurniawan\u2019s distinctive voice brings something luscious yet astringent to contemporary literature.<\/p>\n<ul>\n<li>Disaster upon disaster has been visited upon Dewi Ayu\u2019s daughters and grandchildren. She realizes that her family has been targeted by an evil spirit, the ghost of a long-dead fisherman exacting revenge for an injustice committed by her grandfather, the Dutch plantation owner. You can read that as a metaphor for how Dutch colonial rule caused generations of tragedy in Indonesia, or you can read it as a tale of the supernatural. It works either way. ~Sarah Lyall in <em>The New York Times<\/em><\/li>\n<li><em>Beauty is a Wound<\/em> is a sweeping saga, focused on one family in a provincial Indonesian city, but reaching far beyond, as the complicated family-tree, like Indonesia&#8217;s own complicated history, lead repeatedly to terrible tragedy. Yet for all that, and its length, Kurniawan&#8217;s novel never bogs down, flitting across the decades, Indonesian history passing through it yet never weighing it down too much. There&#8217;s also considerable humor to it &#8212; even if it is often sharp, and sly &#8212; making for a welcome lightness (though it never becomes a complete relief).\u00a0~M.A. Orthofer in <em>The Complete Review<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">The Complete Stories<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Clarice\u00a0Lispector<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Portuguese by\u00a0Katrina Dodson<\/span><br \/>\n<span style=\"color: #808080;\">Brazil<br \/>\n<\/span><\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div data-carousel-extra='{\"blog_id\":1,\"permalink\":\"https:\\\/\\\/mookseandgripes.com\\\/reviews\\\/2016\\\/03\\\/29\\\/the-2016-best-translated-book-award-longlist\\\/\"}' id='gallery-3' class='gallery galleryid-17803 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"195\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Complete-Stories-Lispector-US.jpg?fit=195%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-17818\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Complete-Stories-Lispector-US.jpg?resize=195%2C300&amp;ssl=1 195w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Complete-Stories-Lispector-US.jpg?fit=324%2C499&amp;ssl=1 324w\" sizes=\"(max-width: 195px) 100vw, 195px\" data-attachment-id=\"17818\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/complete-stories-lispector-us\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Complete-Stories-Lispector-US.jpg?fit=324%2C499&amp;ssl=1\" data-orig-size=\"324,499\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Complete Stories Lispector US\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. from New Directions&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Complete-Stories-Lispector-US.jpg?fit=195%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Complete-Stories-Lispector-US.jpg?fit=324%2C499&amp;ssl=1\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-17818'>\n\t\t\t\tAvailable in the U.S. from New Directions\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"195\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Complete-Stories-Lispector-UK.jpg?fit=195%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-17819\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Complete-Stories-Lispector-UK.jpg?resize=195%2C300&amp;ssl=1 195w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Complete-Stories-Lispector-UK.jpg?fit=325%2C500&amp;ssl=1 325w\" sizes=\"(max-width: 195px) 100vw, 195px\" data-attachment-id=\"17819\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/complete-stories-lispector-uk\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Complete-Stories-Lispector-UK.jpg?fit=325%2C500&amp;ssl=1\" data-orig-size=\"325,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Complete Stories Lispector UK\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Availalbe in the U.K. from Penguin Modern Classics&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Complete-Stories-Lispector-UK.jpg?fit=195%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Complete-Stories-Lispector-UK.jpg?fit=325%2C500&amp;ssl=1\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-17819'>\n\t\t\t\tAvailalbe in the U.K. from Penguin Modern Classics\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>The recent publication by New Directions of five Lispector novels revealed to legions of new readers her darkness and dazzle. Now, for the first time in English, are all the stories that made her a Brazilian legend: from teenagers coming into awareness of their sexual and artistic powers to humdrum housewives whose lives are shattered by unexpected epiphanies to old people who don\u2019t know what to do with themselves. Clarice\u2019s stories take us through their lives &#8212; and ours.<\/p>\n<p>From one of the greatest modern writers, these stories, gathered from the nine collections published during her lifetime, follow an unbroken time line of success as a writer, from her adolescence to her death bed.<\/p>\n<ul>\n<li>On the very first page of the Brazilian writer Clarice Lispector\u2019s \u201cThe Complete Stories,\u201d she signals that hers was never an ordinary sensibility, but one capable of perceiving anxiety and menace in even the most routine phenomena. ~Larry Rohter in <em>The New York Times<\/em><\/li>\n<li>While some stories appear whimsical and read like exercises, and others muse at length and almost absent-mindedly, almost abstractly, on habit and motive, or something that happened, others have an exquisite sharpness, the fruit of a most original and daring mind. In the best stories, something deeply strange is fully visualized by Lispector, as though it had come in a waking dream and it needed to be given urgent substance.\u00a0~Colm T\u00f3ib\u00edn in <em>The New York Review of Books<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">The Story of My Teeth<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Valeria Luiselli<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Spanish by\u00a0Christina MacSweeney<\/span><br \/>\n<span style=\"color: #808080;\">Mexico<br \/>\n<\/span><\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-4 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-4 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div data-carousel-extra='{\"blog_id\":1,\"permalink\":\"https:\\\/\\\/mookseandgripes.com\\\/reviews\\\/2016\\\/03\\\/29\\\/the-2016-best-translated-book-award-longlist\\\/\"}' id='gallery-4' class='gallery galleryid-17803 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"200\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/01\/The-Story-of-My-Teeth.jpg?fit=200%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-4-17365\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/01\/The-Story-of-My-Teeth.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/01\/The-Story-of-My-Teeth.jpg?fit=400%2C600&amp;ssl=1 400w\" sizes=\"(max-width: 200px) 100vw, 200px\" data-attachment-id=\"17365\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/01\/19\/national-book-critics-circle-finalists-2\/the-story-of-my-teeth\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/01\/The-Story-of-My-Teeth.jpg?fit=400%2C600&amp;ssl=1\" data-orig-size=\"400,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Story of My Teeth\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. from Coffee House Press&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/01\/The-Story-of-My-Teeth.jpg?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/01\/The-Story-of-My-Teeth.jpg?fit=400%2C600&amp;ssl=1\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-17365'>\n\t\t\t\tAvailable in the U.S. from Coffee House Press\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"195\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Story-of-My-Teeth-UK.jpg?fit=195%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-4-17820\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Story-of-My-Teeth-UK.jpg?resize=195%2C300&amp;ssl=1 195w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Story-of-My-Teeth-UK.jpg?fit=325%2C500&amp;ssl=1 325w\" sizes=\"(max-width: 195px) 100vw, 195px\" data-attachment-id=\"17820\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/the-story-of-my-teeth-uk\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Story-of-My-Teeth-UK.jpg?fit=325%2C500&amp;ssl=1\" data-orig-size=\"325,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Story of My Teeth UK\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.K. from Granta Books&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Story-of-My-Teeth-UK.jpg?fit=195%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Story-of-My-Teeth-UK.jpg?fit=325%2C500&amp;ssl=1\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-17820'>\n\t\t\t\tAvailable in the U.K. from Granta Books\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Highway is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the &#8220;notorious infamous&#8221; like Plato, Petrarch, and Virginia Woolf. Written in collaboration with the workers at a Jumex juice factory, <i>Teeth <\/i>is an elegant, witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli&#8217;s own literary influences.<\/p>\n<ul>\n<li>Valeria Luiselli is as much a cartographer as a writer, interested in finding areas still unmapped. As in her first novel, \u201cFaces in the Crowd,\u201d she combines fictional narrative with historical and intellectual points of reference, and the result is writing without preconceptions, as airy and open as a soccer field. Prefigured by her excellent book of essays, \u201cSidewalks,\u201d \u201cThe Story of My Teeth\u201d is playful, attentive and very smart without being for a minute pretentious. ~Jim Krusoe in <em>The New York Times Book Review<\/em><\/li>\n<li>Translated into a colloquial, idiosyncratic, and thoroughly enjoyable English by Christina MacSweeney (who also created a timeline at the end of the novel, which, according to Luiselli, \u201cboth destabilizes the obsolete dictum of the translator\u2019s invisibility and suggests a new way of engaging with translation\u201d), <em>The Story of My Teeth<\/em> ends up containing the truths and delusions of a fabulist, elements of the picaresque, unresolved preoccupations, wonderful asides, and a whole house of mirrors constructed with so much mirth and skill that it seems to avoid the glumly highbrow label of \u201cpostmodernism.\u201d Instead, Luiselli\u2019s work echoes Mann\u2019s appraisal of <em>Don Quixote<\/em>: falling into that category of writers who, with style and ease, engage the reader on an intellectual level yet are compulsively readable, without all that self-seriousness or reckless headiness. ~Tynan Kogane in <em>Words without Borders<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">Tram 83<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Fiston Mwanza Mujila<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0French by\u00a0Roland Glasser<\/span><br \/>\n<span style=\"color: #808080;\">Democratic Republic of the Congo\u00a0<\/span><\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-5 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-5 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div data-carousel-extra='{\"blog_id\":1,\"permalink\":\"https:\\\/\\\/mookseandgripes.com\\\/reviews\\\/2016\\\/03\\\/29\\\/the-2016-best-translated-book-award-longlist\\\/\"}' id='gallery-5' class='gallery galleryid-17803 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"194\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Tram-83-US.jpg?fit=194%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-5-17724\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Tram-83-US.jpg?resize=194%2C300&amp;ssl=1 194w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Tram-83-US.jpg?resize=663%2C1024&amp;ssl=1 663w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Tram-83-US.jpg?resize=768%2C1187&amp;ssl=1 768w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Tram-83-US.jpg?fit=1650%2C2550&amp;ssl=1 1650w\" sizes=\"(max-width: 194px) 100vw, 194px\" data-attachment-id=\"17724\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/09\/2016-man-booker-international-prize-longlist\/tram-83-us\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Tram-83-US.jpg?fit=1650%2C2550&amp;ssl=1\" data-orig-size=\"1650,2550\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Tram 83 US\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. from Deep Vellum&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Tram-83-US.jpg?fit=194%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Tram-83-US.jpg?fit=663%2C1024&amp;ssl=1\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-17724'>\n\t\t\t\tAvailable in the U.S. from Deep Vellum\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"196\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Tram-83.jpg?fit=196%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-5-17709\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Tram-83.jpg?resize=196%2C300&amp;ssl=1 196w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Tram-83.jpg?fit=326%2C500&amp;ssl=1 326w\" sizes=\"(max-width: 196px) 100vw, 196px\" data-attachment-id=\"17709\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/09\/2016-man-booker-international-prize-longlist\/tram-83\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Tram-83.jpg?fit=326%2C500&amp;ssl=1\" data-orig-size=\"326,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Tram 83\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.K. from Jacaranda Books&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Tram-83.jpg?fit=196%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Tram-83.jpg?fit=326%2C500&amp;ssl=1\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-17709'>\n\t\t\t\tAvailable in the U.K. from Jacaranda Books\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Two friends, one a budding writer home from abroad, the other an ambitious racketeer, meet in the most notorious nightclub &#8212; Tram 83 &#8212; in a war-torn city-state in secession, surrounded by profit-seekers of all languages and nationalities. <i>Tram 83 <\/i>plunges the reader into the modern African gold rush as cynical as it is comic and colorfully exotic, using jazz rhythms to weave a tale of human relationships in a world that has become a global village.<\/p>\n<ul>\n<li>For years now, postcolonial studies have battled ethnocentrism, and writers like Mujila\u2019s compatriot, V.Y. Mudimbe, have asserted Africa\u2019s centrality to any thorough understanding of human history. Still, an interest in the continent\u2019s art, literature, or cinema has an air of the exotic or offbeat. Eventually, this will have to change. With Deep Vellum\u2019s release of this remarkable debut and such honorable initiatives as Tilted Axis Press, which will be publishing translations exclusively from outside of Europe, perhaps this will happen sooner rather than later. ~Adrian Nathan West in <em>Words without Borders<\/em><\/li>\n<li>Structured more around refrains than it is around plot, <i>Tram 83<\/i> is as much a musical work as it is a fictional one. The most frequent refrain is \u201cDo you have the time?,\u201d the come-on repeated by the baby-chicks, single-mamas, and other carefully delineated species of hookerdom who pass their days and nights at Tram 83. ~Geoff Wisner in <em>The Quarterly Conversation<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">The Body Where I\u00a0Was Born<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Guadaulpe Nettel<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Spanish by\u00a0J.T. Lichtenstein<\/span><br \/>\n<span style=\"color: #808080;\">Mexico<br \/>\n<\/span><\/p>\n<div id=\"attachment_17821\" style=\"width: 216px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17821\" data-attachment-id=\"17821\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/the-body-where-i-was-born\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Body-Where-I-Was-Born.jpg?fit=344%2C500&amp;ssl=1\" data-orig-size=\"344,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Body Where I Was Born\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. and in the U.K. from Seven Stories Press&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Body-Where-I-Was-Born.jpg?fit=206%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Body-Where-I-Was-Born.jpg?fit=344%2C500&amp;ssl=1\" class=\"size-medium wp-image-17821\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Body-Where-I-Was-Born-206x300.jpg?resize=206%2C300\" alt=\"Available in the U.S. and in the U.K. from Seven Stories Press\" width=\"206\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Body-Where-I-Was-Born.jpg?resize=206%2C300&amp;ssl=1 206w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Body-Where-I-Was-Born.jpg?fit=344%2C500&amp;ssl=1 344w\" sizes=\"(max-width: 206px) 100vw, 206px\" \/><p id=\"caption-attachment-17821\" class=\"wp-caption-text\">Available in the U.S. and in the U.K. from Seven Stories Press<\/p><\/div>\n<p>From a psychoanalyst&#8217;s couch, the narrator looks back on her bizarre childhood &#8212; in which she was born with an abnormality in her eye into a family intent on fixing it. In a world without the time and space for innocence, the narrator intimately recalls her younger self &#8212; a fierce and discerning girl open to life\u2019s pleasures and keen to its ruthless cycle of tragedy.<\/p>\n<p>With raw language and a brilliant sense of humor, both delicate and unafraid, Nettel strings together hard-won, unwieldy memories &#8212; taking us from Mexico City to Aix-en-Provence, France, then back home again &#8212; to create a portrait of the artist as a young girl. In these pages, Nettel\u2019s art of storytelling transforms experience into inspiration and a new startling perception of reality.<\/p>\n<ul>\n<li>One of the fascinating qualities of this book is the unsparing testimony, somewhere between religious confession and secular disclosure, that gives a sharp sense of a woman\u2019s harrowing girlhood. Nettel\u2019s candid, unaffected prose hews closely to the strictures of the therapy session. In this, she runs the risk of turning her story into a \u201ccase.\u201d We\u2019re listening to a voice tell of the speaker\u2019s childhood, often with metaphor in place of reflection. ~Amy Rowland in <em>The New York Times<\/em><\/li>\n<li>The present-tense version of Nettel&#8217;s narrator is never developed; &#8220;The Body&#8221; is told as a series of disconnected stories from the narrator&#8217;s past. Is this deliberate obfuscation of the present central to the narrator&#8217;s idea of how she defines her adult self? If so, a piece is missing that would orient the reader. Nettel hints that she wants to blur what is real. &#8220;Perhaps when I finally finish [telling my story],&#8221; the narrator says, &#8220;for my parents and brother this book will be nothing but a string of lies. I take comfort in thinking that objectivity is always subjective.&#8221; ~Heather Scott Partington in <em>The Los Angeles Times<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">The Things We Don&#8217;t Do<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0And\u00e9s Neuman<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Spanish by\u00a0Nick Caistor and Lorenza Garcia<\/span><br \/>\n<span style=\"color: #808080;\">Argentina\u00a0<\/span><\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-6 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-6 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div data-carousel-extra='{\"blog_id\":1,\"permalink\":\"https:\\\/\\\/mookseandgripes.com\\\/reviews\\\/2016\\\/03\\\/29\\\/the-2016-best-translated-book-award-longlist\\\/\"}' id='gallery-6' class='gallery galleryid-17803 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"194\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/01\/The-Things-We-Dont-Do.jpg?fit=194%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-6-17286\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/01\/The-Things-We-Dont-Do.jpg?resize=194%2C300&amp;ssl=1 194w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/01\/The-Things-We-Dont-Do.jpg?resize=663%2C1024&amp;ssl=1 663w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/01\/The-Things-We-Dont-Do.jpg?resize=768%2C1186&amp;ssl=1 768w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/01\/The-Things-We-Dont-Do.jpg?fit=777%2C1200&amp;ssl=1 777w\" sizes=\"(max-width: 194px) 100vw, 194px\" data-attachment-id=\"17286\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/01\/13\/andres-neuman-the-things-we-dont-do\/the-things-we-dont-do\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/01\/The-Things-We-Dont-Do.jpg?fit=777%2C1200&amp;ssl=1\" data-orig-size=\"777,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Things We Don&amp;#8217;t Do\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. from Open Letter&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/01\/The-Things-We-Dont-Do.jpg?fit=194%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/01\/The-Things-We-Dont-Do.jpg?fit=663%2C1024&amp;ssl=1\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-17286'>\n\t\t\t\tAvailable in the U.S. from Open Letter\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"192\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Things-We-Dont-Do-UK.jpg?fit=192%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-6-17822\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Things-We-Dont-Do-UK.jpg?resize=192%2C300&amp;ssl=1 192w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Things-We-Dont-Do-UK.jpg?resize=657%2C1024&amp;ssl=1 657w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Things-We-Dont-Do-UK.jpg?resize=768%2C1197&amp;ssl=1 768w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Things-We-Dont-Do-UK.jpg?fit=1538%2C2397&amp;ssl=1 1538w\" sizes=\"(max-width: 192px) 100vw, 192px\" data-attachment-id=\"17822\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/the-things-we-dont-do-uk\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Things-We-Dont-Do-UK.jpg?fit=1538%2C2397&amp;ssl=1\" data-orig-size=\"1538,2397\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Things We Don&amp;#8217;t Do UK\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.K. from Pushkin Press&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Things-We-Dont-Do-UK.jpg?fit=192%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Things-We-Dont-Do-UK.jpg?fit=657%2C1024&amp;ssl=1\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-17822'>\n\t\t\t\tAvailable in the U.K. from Pushkin Press\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Playful, philosophizing, and gloriously unpredictable, Andr\u00e9s Neuman&#8217;s short stories consider love, lechery, history, mortality, family secrets, therapy, Borges,\u00a0mysterious underwear, translators, and storytelling itself.<\/p>\n<p>Here a relationship turns on a line drawn in the sand; an analyst treats a patient who believes <i>he&#8217;s <\/i>the real analyst; a discovery in a secondhand shop takes on a cruel significance; a man decides to go to work naked one day. In these small scenes and brief moments Neuman confounds our expectations with dazzling sleight of hand.<\/p>\n<p>With a variety of forms and styles, Neuman opens up the possibilities for fiction, calling to mind other greats of Latin American letters, such as Cort\u00e1zar, Bola\u00f1o, and Bioy Casares. Intellectually stimulating and told with a voice that is wry, questioning, sometimes mordantly funny, yet always generously humane, <i>The Things We Don&#8217;t Do <\/i>confirms Neuman&#8217;s place as one of the most dynamic authors writing today.<\/p>\n<ul>\n<li>After reading his coda to this collection, I realized that Neuman is the rare storyteller who not only\u00a0understands\u00a0but also feels\u00a0how to go about his job. He takes it seriously because it\u2019s part of what keeps his own heart beating.\u00a0I went back and admired his work even more. ~Trevor Berrett in<em> The Mookse and the Gripes<\/em><\/li>\n<li>Neuman\u2019s forte is observational philosophy. On occasion, this means too much technical analysis of the emotions while his storylines are suggestive and implicit. The autobiographical pieces which allude to his East European Jewish-Argentine roots come nearest to a satisfying narrative. The sketches of totalitarian politics may be the most accessible but the more abstract jottings compliment them well. ~Joseph Crilly in <em>The Irish Times<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">I Refuse<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Per Petterson<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Norwegian by Don Bartlett<\/span><br \/>\n<span style=\"color: #808080;\">Norway<br \/>\n<\/span><\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-7 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-7 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div data-carousel-extra='{\"blog_id\":1,\"permalink\":\"https:\\\/\\\/mookseandgripes.com\\\/reviews\\\/2016\\\/03\\\/29\\\/the-2016-best-translated-book-award-longlist\\\/\"}' id='gallery-7' class='gallery galleryid-17803 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"185\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-US.jpg?fit=185%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-7-17824\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-US.jpg?resize=185%2C300&amp;ssl=1 185w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-US.jpg?resize=632%2C1024&amp;ssl=1 632w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-US.jpg?resize=768%2C1244&amp;ssl=1 768w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-US.jpg?fit=1400%2C2267&amp;ssl=1 1400w\" sizes=\"(max-width: 185px) 100vw, 185px\" data-attachment-id=\"17824\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/i-refuse-us\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-US.jpg?fit=1400%2C2267&amp;ssl=1\" data-orig-size=\"1400,2267\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"I Refuse US\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. from Graywolf Press&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-US.jpg?fit=185%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-US.jpg?fit=632%2C1024&amp;ssl=1\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-17824'>\n\t\t\t\tAvailable in the U.S. from Graywolf Press\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"196\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-UK.jpg?fit=196%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-7-17823\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-UK.jpg?resize=196%2C300&amp;ssl=1 196w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-UK.jpg?resize=670%2C1024&amp;ssl=1 670w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-UK.jpg?resize=768%2C1175&amp;ssl=1 768w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-UK.jpg?fit=1500%2C2294&amp;ssl=1 1500w\" sizes=\"(max-width: 196px) 100vw, 196px\" data-attachment-id=\"17823\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/i-refuse-uk\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-UK.jpg?fit=1500%2C2294&amp;ssl=1\" data-orig-size=\"1500,2294\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"I Refuse UK\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.K. from Vintage&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-UK.jpg?fit=196%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/I-Refuse-UK.jpg?fit=670%2C1024&amp;ssl=1\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-17823'>\n\t\t\t\tAvailable in the U.K. from Vintage\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Per Petterson&#8217;s hotly anticipated new novel,<i> I Refuse<\/i>, is the work of an internationally acclaimed novelist at the height of his powers. In Norway the book has been a huge bestseller, and rights have already been sold into sixteen countries. In his signature spare style, Petterson weaves a tale of two men whose accidental meeting one morning recalls their boyhood thirty-five years ago. Back then, Tommy was separated from his sisters after he stood up to their abusive father. Jim was by Tommy&#8217;s side through it all. But one winter night, a chance event on a frozen lake forever changed the balance of their friendship. Now Jim fishes alone on a bridge as Tommy drives by in a new Mercedes, and it&#8217;s clear their fortunes have reversed. Over the course of the day, the life of each man will be irrevocably altered. <i>I Refuse<\/i> is a powerful, unforgettable novel, and its publication is an event to be celebrated.<\/p>\n<ul>\n<li>Yet Petterson also transforms the unremarkable into magic. ~Harriet Lane in <em>The New York Times Book Review<\/em><\/li>\n<li>The Nobel laureate Patrick Modiano claims to have written a version of the same novel throughout his career; in a sense so has Petterson, but his anguished precision is such that no one should complain. ~Catherine Taylor in <em>The Telegraph<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">War, So Much War<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Merc\u00e8 Rodoreda<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Catalan by\u00a0Maruxa Rela\u00f1o<\/span><br \/>\n<span style=\"color: #808080;\">Spain\u00a0<\/span><\/p>\n<div id=\"attachment_17825\" style=\"width: 204px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17825\" data-attachment-id=\"17825\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/war-so-much-war\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/War-So-Much-War.jpg?fit=323%2C500&amp;ssl=1\" data-orig-size=\"323,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"War So Much War\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. from Open Letter&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/War-So-Much-War.jpg?fit=194%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/War-So-Much-War.jpg?fit=323%2C500&amp;ssl=1\" class=\"size-medium wp-image-17825\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/War-So-Much-War-194x300.jpg?resize=194%2C300\" alt=\"Available in the U.S. from Open Letter\" width=\"194\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/War-So-Much-War.jpg?resize=194%2C300&amp;ssl=1 194w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/War-So-Much-War.jpg?fit=323%2C500&amp;ssl=1 323w\" sizes=\"(max-width: 194px) 100vw, 194px\" \/><p id=\"caption-attachment-17825\" class=\"wp-caption-text\">Available in the U.S. and in the U.K. from Open Letter<\/p><\/div>\n<p>Despite its title, there is little of war and much of the fantastic in this coming-of-age story, which was the last novel Merc\u00e8 Rodoreda published during her lifetime.<\/p>\n<p>We first meet its young protagonist, Adri\u00e0 Guinart, as he is leaving Barcelona out of boredom and a thirst for freedom, embarking on a long journey through the backwaters of a rural land that one can only suppose is Catalonia, accompanied by the interminable, distant rumblings of an indefinable war. In vignette-like chapters and with a narrative style imbued with the fantastic, Guinart meets with numerous adventures and peculiar characters who offer him a composite, if surrealistic, view of an impoverished, war-ravaged society and shape his perception of his place in the world.<\/p>\n<p>As in Rodoreda&#8217;s <i>Death in Spring<\/i>, nature and death play an fundamental role in a narrative that often takes on a phantasmagoric quality and seems to be a meditation on the consequences of moral degradation and the inescapable presence of evil.<\/p>\n<ul>\n<li>What we take away mostly, then, from this overwhelmingly honest work of fiction is less the power of this author\u2019s imagination and capacity for human excavation &#8212; though that of course is there, and an artistic truth if there ever was one; it\u2019s more the sense that there are some truths too painfully real to be relayed as such, and thus need a scrim of fiction to be bearable at all. Fashioning a dream-self, tree-self, or any non-self provides a necessary counterpart to what would otherwise be a state of constant incarceration: where \u201cmy prison is not these walls, but my own flesh and bones.\u201d ~Jennifer Kurdyla in <em>Music &amp; Literature<\/em><\/li>\n<li>The war described in this book is mostly internal, and the large conflicts are more conceptual\u2014young and old, life and death, present and past. Rodoreda\u2019s dreamy, poetic prose is served well by Rela\u00f1o and Tennent\u2019s remarkable translation. A significant entry among the works in the Catalan language. ~<em>Publishers Weekly<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">One Out of Two<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Daniel Sada<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Spanish by Katherine Silver<\/span><br \/>\n<span style=\"color: #808080;\">Mexico<br \/>\n<\/span><\/p>\n<div id=\"attachment_17826\" style=\"width: 210px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17826\" data-attachment-id=\"17826\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/one-out-of-two\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/One-Out-of-Two.jpg?fit=333%2C499&amp;ssl=1\" data-orig-size=\"333,499\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"One Out of Two\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. and the U.K. from Graywolf Press&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/One-Out-of-Two.jpg?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/One-Out-of-Two.jpg?fit=333%2C499&amp;ssl=1\" class=\"size-medium wp-image-17826\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/One-Out-of-Two-200x300.jpg?resize=200%2C300\" alt=\"Available in the U.S. and the U.K. from Graywolf Press\" width=\"200\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/One-Out-of-Two.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/One-Out-of-Two.jpg?fit=333%2C499&amp;ssl=1 333w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><p id=\"caption-attachment-17826\" class=\"wp-caption-text\">Available in the U.S. and the U.K. from Graywolf Press<\/p><\/div>\n<p>The most distinctive thing about the Gamal sisters is that they are, essentially, indistinguishable (except for a modest mole). The twin spinsters spend their time trying to mask any perceptible differences they have while working hard at their thriving tailoring business in a small town in rural northern Mexico. When? Thirty years ago? Fifty years ago? Who can say &#8212; the world seems not to intrude on Ocampo very much.<\/p>\n<p>Gloria and Constitution take an almost perverse delight in confusing people about which one is which. But then a suitor enters the picture, and one of the sisters decides that she doesn&#8217;t want to live a life without romance and all the good things that come with it. The ensuing competition between the sisters brings their relationship to the breaking point until they come up with an ingenious solution that carries this buoyant farce to its tender and even liberating conclusion.<\/p>\n<p>Suffused with the tension between our desire for union and our desire for independence, Daniel Sada&#8217;s <i>One Out of Two<\/i> is a giddy and comic fable by one of the giants of contemporary Latin American literature.<\/p>\n<ul>\n<li>\u00a0This brief book lacks the emotional heft of some of Sada\u2019s longer novels, but for readers new to his work, \u201cOne Out of Two\u201d offers a bewitching introduction to one of Mexico\u2019s most inventive prose stylists of the last 50 years. ~Idra Novey in <em>The New York Times Book Review<\/em><\/li>\n<li>Despite the hazards of translation, this ticklish, deceptively slim treat of a novel is suffused with the timelessness of a fable. ~Marie Mutsuki Mockett in <em>The Los Angeles Book Review<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">Berlin<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Ale\u0161 \u0160teger<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Sloven by\u00a0Brian Henry, Forrest\u00a0Gander, and Aljaz Kovac<\/span><br \/>\n<span style=\"color: #808080;\">Slovenia\u00a0<\/span><\/p>\n<div id=\"attachment_17827\" style=\"width: 210px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17827\" data-attachment-id=\"17827\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/berlin-us\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Berlin-US.jpg?fit=333%2C499&amp;ssl=1\" data-orig-size=\"333,499\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Berlin US\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Berlin-US.jpg?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Berlin-US.jpg?fit=333%2C499&amp;ssl=1\" class=\"size-medium wp-image-17827\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Berlin-US-200x300.jpg?resize=200%2C300\" alt=\"Available in the U.S. from Counterpath\" width=\"200\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Berlin-US.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Berlin-US.jpg?fit=333%2C499&amp;ssl=1 333w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><p id=\"caption-attachment-17827\" class=\"wp-caption-text\">Available in the U.S. from Counterpath<\/p><\/div>\n<p><em>Berlin<\/em> is a lyrical account of the city as well as a book of discoveries, allusions, and traces, an homage to great literary figures who have lived in Berlin. 31 prose miniatures are combined with 21 black-and-white photos taken by \u0160teger in the city. Instead of describing, \u0160teger works to create a web of Benjaminian passages and allusions, a flaneurian book full of small details that takes the reader on a smooth yet unpredictable journey through the city, which turns out to be a city of texts.<\/p>\n<ul>\n<li>\u00a0<em>Berlin<\/em> is a book of quick prose pieces by a Slovenian poet about his time in Berlin. Most of the miniature essays are accompanied by photos, some of which make up the most stunning parts of the book. There are allusions to other great writers who walked the Berlin streets, as well as a humorous exchange with a fellow poet, and tiny details (food, bakeries, the weather) that add up to something indeed, though I will admit that I am not exactly sure what. This is evidence of my response as a reader, not \u0160teger\u2019s failure as a writer, though it makes an objective review difficult. ~Vincent Francone in <em>Three Percent<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">The Big Green\u00a0Tent<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Ludmilla Ulitskaya<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Russian by\u00a0Polly Gannon<\/span><br \/>\n<span style=\"color: #808080;\">Russia<br \/>\n<\/span><\/p>\n<div id=\"attachment_17828\" style=\"width: 209px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17828\" data-attachment-id=\"17828\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/biggreentent_f15-revised-indd\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Big-Green-Tent.jpg?fit=664%2C1000&amp;ssl=1\" data-orig-size=\"664,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;BigGreenTent_F15-revised.indd&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"BigGreenTent_F15-revised.indd\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. and in the U.K. from FSG&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Big-Green-Tent.jpg?fit=199%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Big-Green-Tent.jpg?fit=664%2C1000&amp;ssl=1\" class=\"size-medium wp-image-17828\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Big-Green-Tent-199x300.jpg?resize=199%2C300\" alt=\"Available in the U.S. and in the U.K. from FSG\" width=\"199\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Big-Green-Tent.jpg?resize=199%2C300&amp;ssl=1 199w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Big-Green-Tent.jpg?fit=664%2C1000&amp;ssl=1 664w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><p id=\"caption-attachment-17828\" class=\"wp-caption-text\">Available in the U.S. and in the U.K. from FSG<\/p><\/div>\n<p>With epic breadth and intimate detail, Ludmila Ulitskaya\u2019s remarkable work tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys &#8212; an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets &#8212; struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, <i>The Big Green Tent<\/i> offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for individual integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. A man and his wife each become collaborators, without the other knowing; an artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward. Ludmila Ulitskaya\u2019s novel belongs to the tradition of Dostoevsky, Tolstoy, and Pasternak: it is a work consumed with politics, love, and belief &#8212; and a revelation of life in dark times.<\/p>\n<ul>\n<li>Ludmila Ulitskaya\u2019s latest novel, \u201cThe Big Green Tent,\u201d is as grand, solid and impressively all-encompassing as its title implies. ~Lara Vapnyar in <em>The New York Times Book Review<\/em><\/li>\n<li>A book can be an inspiration or a murder weapon. Ulitskaya is fascinated by these transformations, but even more so by the peculiar trajectories that create fate &#8212; the travels of a person, a picture, a book. If there is a strange journey to be traced, she cannot resist the retelling. ~Masha Gessen in <em>The New Yorker<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">Murder Most Serene<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Gabrielle Wittkop<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0French by Louise Rogers Lalaurie<\/span><br \/>\n<span style=\"color: #808080;\">France<br \/>\n<\/span><\/p>\n<div id=\"attachment_17829\" style=\"width: 205px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17829\" data-attachment-id=\"17829\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/murder-most-serene\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Murder-Most-Serene.jpg?fit=780%2C1200&amp;ssl=1\" data-orig-size=\"780,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Murder Most Serene\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. and in the U.K. from Wakefield Press&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Murder-Most-Serene.jpg?fit=195%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Murder-Most-Serene.jpg?fit=666%2C1024&amp;ssl=1\" class=\"size-medium wp-image-17829\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Murder-Most-Serene-195x300.jpg?resize=195%2C300\" alt=\"Available in the U.S. and in the U.K. from Wakefield Press\" width=\"195\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Murder-Most-Serene.jpg?resize=195%2C300&amp;ssl=1 195w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Murder-Most-Serene.jpg?resize=666%2C1024&amp;ssl=1 666w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Murder-Most-Serene.jpg?resize=768%2C1182&amp;ssl=1 768w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Murder-Most-Serene.jpg?fit=780%2C1200&amp;ssl=1 780w\" sizes=\"(max-width: 195px) 100vw, 195px\" \/><p id=\"caption-attachment-17829\" class=\"wp-caption-text\">Available in the U.S. and in the U.K. from Wakefield Press<\/p><\/div>\n<p>In the last days of the Venetian Republic, the successive wives of Count Alvise Lanzi suffer mysterious, agonizing deaths. <i>Murder Most Serene<\/i> offers a cruel portrait of a beautiful but corrupt city-state and its equally extravagant and corrupt inhabitants. Redolent of darkness, death, poison and transgression, it is also an over-the-top, tongue-in-cheek Venetian romp. Rich in historical detail and bursting with bejeweled putrescence, Gabrielle Wittkop&#8217;s chilling memento mori eschews the murder mystery in which it is garbed for a scintillating depiction of physical, moral, societal and institutional corruption, in which the author plays the role of puppeteer&#8211;&#8220;present, masked as convention dictates, while in a Venice on the brink of downfall, women gorged with venom burst like wineskins.&#8221;<\/p>\n<ul>\n<li>This is dark, rich, deeply disturbing writing, conscious of its artifice and expertly manipulating that. ~M.A. Orthofer in <em>The Complete Review<\/em><\/li>\n<\/ul>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">The Four\u00a0Books<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by Yan Lianke<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Chinese by\u00a0Carlos Rojas<\/span><br \/>\n<span style=\"color: #808080;\">China<br \/>\n<\/span><\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-8 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-8 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-8 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-8 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div data-carousel-extra='{\"blog_id\":1,\"permalink\":\"https:\\\/\\\/mookseandgripes.com\\\/reviews\\\/2016\\\/03\\\/29\\\/the-2016-best-translated-book-award-longlist\\\/\"}' id='gallery-8' class='gallery galleryid-17803 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"199\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Four-Books-US.jpg?fit=199%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-8-17723\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Four-Books-US.jpg?resize=199%2C300&amp;ssl=1 199w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Four-Books-US.jpg?fit=332%2C500&amp;ssl=1 332w\" sizes=\"(max-width: 199px) 100vw, 199px\" data-attachment-id=\"17723\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/09\/2016-man-booker-international-prize-longlist\/the-four-books-us\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Four-Books-US.jpg?fit=332%2C500&amp;ssl=1\" data-orig-size=\"332,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Four Books US\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. from Grove Press&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Four-Books-US.jpg?fit=199%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Four-Books-US.jpg?fit=332%2C500&amp;ssl=1\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-17723'>\n\t\t\t\tAvailable in the U.S. from Grove Press\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img decoding=\"async\" width=\"195\" height=\"300\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Four-Books.jpg?fit=195%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Four-Books.jpg?resize=195%2C300&amp;ssl=1 195w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Four-Books.jpg?resize=667%2C1024&amp;ssl=1 667w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Four-Books.jpg?resize=768%2C1179&amp;ssl=1 768w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Four-Books.jpg?fit=1400%2C2149&amp;ssl=1 1400w\" sizes=\"(max-width: 195px) 100vw, 195px\" data-attachment-id=\"17708\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/09\/2016-man-booker-international-prize-longlist\/the-four-books\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Four-Books.jpg?fit=1400%2C2149&amp;ssl=1\" data-orig-size=\"1400,2149\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Four Books\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Four-Books.jpg?fit=195%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/The-Four-Books.jpg?fit=667%2C1024&amp;ssl=1\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<div>\n<p>From master storyteller Yan Lianke, winner of the prestigious Franz Kafka Prize and a finalist for the Man Booker International Prize, <i>The Four Books<\/i> is a powerful, daring novel of the dog-eat-dog psychology inside a labor camp for intellectuals during Mao\u2019s Great Leap Forward. A renowned author in China, and among its most censored, Yan\u2019s mythical, sometimes surreal tale cuts to the bone in its portrayal of the struggle between authoritarian power and man\u2019s will to prevail against the darkest odds through camaraderie, love, and faith.<\/p>\n<p>In the ninety-ninth district of a sprawling reeducation compound, freethinking artists and academics are detained to strengthen their loyalty to Communist ideologies. Here, the Musician and her lover, the Scholar &#8212; along with the Author and the Theologian &#8212; are forced to carry out grueling physical work and are encouraged to inform on each other for dissident behavior. The prize: winning the chance at freedom. They&#8217;re overseen by preadolescent supervisor, the Child, who delights in reward systems and excessive punishments. When agricultural and industrial production quotas are raised to an unattainable level, the ninety-ninth district dissolves into lawlessness. And then, as inclement weather and famine set in, they are abandoned by the regime and left alone to survive.<\/p>\n<ul>\n<li>With a creative structure, strong episodes, and some inspired inventions (and re-invention of myths, ranging from the ancient Greek to the Biblical to the Chinese), culminating in a powerful conclusion, <i>The Four Books<\/i> impresses more in the abstract. Still, it&#8217;s in many ways an impressive attempt at trying to convey this strange and horrible episode in Chinese history.\u00a0 ~M.A. Orthofer in <em>The Complete Review<\/em><\/li>\n<li>Stark, powerful and compelling, this book is not &#8220;a joy to read&#8221;, but reading it is certainly a privilege. ~Jonathan Gibbs in <em>The Independent<\/em><\/li>\n<\/ul>\n<\/div>\n<hr \/>\n<p><strong><em><span style=\"color: #003366;\">Mirages of the Mind<\/span><\/em><\/strong><br \/>\n<span style=\"color: #808080;\">by\u00a0Mushtaq Ahmed Yousufi<\/span><br \/>\n<span style=\"color: #808080;\">translated from the\u00a0Urdu by\u00a0Matt Reek and Aftab Ahmad<\/span><br \/>\n<span style=\"color: #808080;\">India<br \/>\n<\/span><\/p>\n<div id=\"attachment_17830\" style=\"width: 211px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-17830\" data-attachment-id=\"17830\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\/mirages-of-the-mind-us\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Mirages-of-the-Mind-US.jpg?fit=335%2C500&amp;ssl=1\" data-orig-size=\"335,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mirages of the Mind US\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Available in the U.S. and in the U.K. from New Directions&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Mirages-of-the-Mind-US.jpg?fit=201%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Mirages-of-the-Mind-US.jpg?fit=335%2C500&amp;ssl=1\" class=\"size-medium wp-image-17830\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Mirages-of-the-Mind-US-201x300.jpg?resize=201%2C300\" alt=\"Available in the U.S. and in the U.K. from New Directions\" width=\"201\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Mirages-of-the-Mind-US.jpg?resize=201%2C300&amp;ssl=1 201w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/Mirages-of-the-Mind-US.jpg?fit=335%2C500&amp;ssl=1 335w\" sizes=\"(max-width: 201px) 100vw, 201px\" \/><p id=\"caption-attachment-17830\" class=\"wp-caption-text\">Available in the U.S. and in the U.K. from New Directions<\/p><\/div>\n<p>Basharat and his family are Indian Muslims who have relocated to Pakistan, but who remain deeply steeped in the nostalgia of pre-Partition life in India. Through Mirages of the Mind\u2019s absurd anecdotes and unforgettable biographical sketches &#8212; which hide the deeper unease and sorrow of the family\u2019s journey from Kanpur to Karachi &#8212; Basharet emerges as a wise fool, and the host of this unique sketch comedy. From humorous scenes in colonial north India, to the heartbreak and homesickness of post-colonial life in Pakistan, Mirages of the Mind forms an authentic portrait of life among South Asia\u2019s Urdu speakers, rendered beautifully into English by Matt Reeck and Aftab Ahmad.<\/p>\n<ul>\n<li>Written in 1990, Yousufi\u2019s <em>Mirages of the Mind<\/em> describes with acuity the changed ambience of India after the Partition, We, twenty-five years after the novel&#8217;s release, having witnessed the demolition of the Babri Masjid, the rising military violence in Kashmir, the 2002 genocide in Gujarat, the innumerable fake encounter cases, the victory and rise of Hindutva politics, and the very recent execution of Yakub Memon (to name a few incidents) know that Yousufi\u2019s understanding of the Indian situation was nothing but prescient. ~Saudamini Deo in <em>Words without Borders<\/em><\/li>\n<li><em>Mirages of the Mind<\/em> is nothing like any sort of traditional novel, yet there&#8217;s no question that it is a larger, cohesive whole &#8212; just that instead of slowly building up a larger picture-portrait, Yousufi leaps all across his canvas, pointing here and then there and then adding a bit more about this or that corner. It makes for a work that can be exhaustingly anecdotal &#8212; but readers open to the experience can have a lot of fun with this. This is a very funny work, but there&#8217;s also more to it than just the humor. ~M.A. Orthofer in <em>The Complete Reivew<\/em><\/li>\n<\/ul>\n<hr \/>\n<p>The 2016 judging panel:<\/p>\n<ul>\n<li>Amanda Bullock<\/li>\n<li>Heather Cleary<\/li>\n<li>Kevin Elliott<\/li>\n<li>Kate Garber<\/li>\n<li>Jason Grunebaum<\/li>\n<li>Mark Haber<\/li>\n<li>Stacey Knecht<\/li>\n<li>Amanda Nelson<\/li>\n<li>P.T. Smith<\/li>\n<\/ul>\n<hr \/>\n<p>Let&#8217;s have some fun with statistics, even though the books themselves are far more important:<\/p>\n<ul>\n<li>This list features books from an astounding twenty-one countries. Only two countries feature more than once: France has two books on the list, and Mexico excelled with four.<\/li>\n<li>The books represent sixteen languages, with a few taking a larger portion: Portuguese has two on the list, but both Spanish and French have five apiece.<\/li>\n<li>Though still outnumbered, female authors did better on this year&#8217;s longlist than in years past. Nine of the authors above are female.<\/li>\n<li>As for U.S. publishers, there are eighteen represented. Those with multiple books are Deep Vellum (2), Graywolf Press (2) New Directions (4), and Open Letter (3).<\/li>\n<li>There is overlap with the recently unveiled longlist\u00a0Man Booker International Prize: seven of the thirteen titles on\u00a0that longlist\u00a0were eligible for this year&#8217;s Best Translated Book Award, and four of those are on both lists: <em>A General Theory of Oblivion<\/em>, <em>The Story of the Lost Child<\/em>, <em>Tram 83<\/em>, and <em>The Four Books<\/em> (though Eka Kurniawan has a book on each list).<\/li>\n<li>I myself have read only four of the twenty-five titles: <em>Arvida<\/em> (which I read because it was shortlisted for last years Giller Prize), <em><a href=\"http:\/\/mookseandgripes.com\/reviews\/2015\/04\/23\/georgi-gospodinov-the-physics-of-sorrow\/\" target=\"_blank\">The Physics of Sorrow<\/a><\/em>,\u00a0<a href=\"http:\/\/mookseandgripes.com\/reviews\/2016\/01\/13\/andres-neuman-the-things-we-dont-do\/\" target=\"_blank\"><em>The Things We Don&#8217;t Do<\/em><\/a>,\u00a0and <em>Murder Most Serene<\/em>. All were strong books in their ways, though I only pegged <em>The Physics of Sorrow<\/em> and <em>Murder Most Serene<\/em> (which I just finished) as personal longlistees. I&#8217;m personally happy to see <em>The Things We Don&#8217;t Do<\/em> on here. On this site we also have a review of <a href=\"http:\/\/mookseandgripes.com\/reviews\/2015\/03\/27\/anne-garreta-sphinx\/\" target=\"_blank\"><em>Sphinx<\/em><\/a>, from none other than judge P.T. Smith &#8212; we should have seen that coming . . . of course, we did.<\/li>\n<li>What didn&#8217;t make it that I expected would?\n<ul>\n<li>Any books by Nobel laureate Patrick Modiano. He had three eligible books: <em>After the Circus<\/em>, <em>Paris Nocturne<\/em>, and <em>So You Don&#8217;t Get Lost in the Neighborhood<\/em>. Did they work against each other, splitting Modiano&#8217;s votes?<\/li>\n<li>Speaking of Nobel laureates who failed to make the cut, Mario Vargas Llosa&#8217;s <em>The Discreet Hero<\/em>\u00a0and Orhan Pamuk&#8217;s\u00a0<em>A Strangeness in My Mind<\/em> (which did make the Man Booker International list) were left off.<\/li>\n<li>While not\u00a0Nobel laureates, Milan Kundera&#8217;s <em>The Festival of Insignificance<\/em> and Haruki Murakami&#8217;s\u00a0<em>Wind\/Pinball<\/em>\u00a0are also not going to win the BTBA this year.<\/li>\n<\/ul>\n<\/li>\n<li>What didn&#8217;t make it that I hoped would?\n<ul>\n<li>Any of the three excellent books by Enrique Vila-Matas, though my preferred title was <a href=\"http:\/\/mookseandgripes.com\/reviews\/2015\/12\/17\/enrique-vila-matas-because-she-never-asked\/\" target=\"_blank\"><em>Because She Never Asked<\/em><\/a>. Perhaps as I speculated above with Modiano,\u00a0they counted against each other, splitting Vila-Matas&#8217;s votes.<\/li>\n<li>Either of the two C\u00e9sar Aira books that were eligible, and I&#8217;m very surprised <em><a href=\"http:\/\/mookseandgripes.com\/reviews\/2015\/06\/24\/cesar-aira-the-musical-brain-and-other-stories\/\" target=\"_blank\">The Musical Brain<\/a><\/em> didn&#8217;t. Here we are waiting for a collection of Aira&#8217;s stories for years, and when we get it it&#8217;s as brilliant as we&#8217;d hoped! Oh well . . . we can still go out and enjoy it even if it isn&#8217;t on the list.<\/li>\n<\/ul>\n<\/li>\n<li>What&#8217;s going to be on the shortlist? I don&#8217;t know, but we&#8217;ll be speculating about just this thing while we discuss the books over at the new GoodReads Group (<a href=\"https:\/\/www.goodreads.com\/group\/show\/186163-the-mookse-and-the-gripes\" target=\"_blank\">here<\/a>). Please come join in!<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The 2016 longlist for The Best Translated Book Award is out! <a href=\"http:\/\/mookseandgripes.com\/reviews\/2016\/03\/29\/the-2016-best-translated-book-award-longlist\"><u>Read the full post<\/u><\/a>.<\/p>\n","protected":false},"author":1,"featured_media":17805,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"libsyn-item-id":0,"libsyn-show-id":0,"libsyn-post-error":"","libsyn-post-error_post-type":"","libsyn-post-error_post-permissions":"","libsyn-post-error_api":"","playlist-podcast-url":"","libsyn-episode-thumbnail":"","libsyn-episode-widescreen_image":"","libsyn-episode-blog_image":"","libsyn-episode-background_image":"","libsyn-post-episode-category-selection":"","libsyn-post-episode-player_use_thumbnail":"","libsyn-post-episode-player_use_theme":"","libsyn-post-episode-player_height":"","libsyn-post-episode-player_width":"","libsyn-post-episode-player_placement":"","libsyn-post-episode-player_use_download_link":"","libsyn-post-episode-player_use_download_link_text":"","libsyn-post-episode-player_custom_color":"","libsyn-post-episode-itunes-explicit":"","libsyn-post-episode":"","libsyn-post-episode-update-id3":"","libsyn-post-episode-release-date":"","libsyn-post-episode-simple-download":"","libsyn-release-date":"","libsyn-post-update-release-date":"","libsyn-is_draft":"","libsyn-new-media-media":"","libsyn-post-episode-subtitle":"","libsyn-new-media-image":"","libsyn-post-episode-keywords":"","libsyn-post-itunes":"","libsyn-post-episode-itunes-episode-number":"","libsyn-post-episode-itunes-season-number":"","libsyn-post-episode-itunes-episode-type":"","libsyn-post-episode-itunes-episode-title":"","libsyn-post-episode-itunes-episode-author":"","libsyn-destination-releases":"","libsyn-post-episode-advanced-destination-form-data":"","libsyn-post-episode-advanced-destination-form-data-enabled":"","libsyn-post-episode-advanced-destination-form-data-input-enabled":false,"libsyn-post-episode-premium_state":"","libsyn-episode-shortcode":"","libsyn-episode-embedurl":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[798],"tags":[],"coauthors":[505],"class_list":["post-17803","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/03\/BTBA-2016-Stamp.png?fit=451%2C451&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/pqqvZ-4D9","jetpack_sharing_enabled":true,"jetpack_likes_enabled":false,"_links":{"self":[{"href":"https:\/\/mookseandgripes.com\/reviews\/wp-json\/wp\/v2\/posts\/17803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mookseandgripes.com\/reviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mookseandgripes.com\/reviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mookseandgripes.com\/reviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mookseandgripes.com\/reviews\/wp-json\/wp\/v2\/comments?post=17803"}],"version-history":[{"count":6,"href":"https:\/\/mookseandgripes.com\/reviews\/wp-json\/wp\/v2\/posts\/17803\/revisions"}],"predecessor-version":[{"id":17834,"href":"https:\/\/mookseandgripes.com\/reviews\/wp-json\/wp\/v2\/posts\/17803\/revisions\/17834"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mookseandgripes.com\/reviews\/wp-json\/wp\/v2\/media\/17805"}],"wp:attachment":[{"href":"https:\/\/mookseandgripes.com\/reviews\/wp-json\/wp\/v2\/media?parent=17803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mookseandgripes.com\/reviews\/wp-json\/wp\/v2\/categories?post=17803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mookseandgripes.com\/reviews\/wp-json\/wp\/v2\/tags?post=17803"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/mookseandgripes.com\/reviews\/wp-json\/wp\/v2\/coauthors?post=17803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}