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October 11, 2016<\/strong><\/p>\nPan’s Labyrinth<\/em>\u00a0(2006) From The Criterion Collection<\/a>:<\/em><\/p>\n An Academy Award\u2013winning dark fable set five years after the end of the Spanish Civil War, Pan\u2019s Labyrinth<\/em> encapsulates the rich visual style and genre-defying craft of Guillermo del Toro. Eleven-year-old Ofelia (Ivana Baquero, in a mature and tender performance) comes face to face with the horrors of fascism when she and her pregnant mother are uprooted to the countryside, where her new stepfather (Sergi L\u00f3pez), a sadistic captain in General Franco\u2019s army, hunts down Republican guerrillas who refuse to give up the fight. The violent reality in which she lives merges seamlessly with a fantastical interior world when Ofelia meets a faun in a decaying labyrinth and is set on a strange, mythic journey that is at once terrifying and beautiful. In his revisiting of this bloody period in Spanish history, del Toro creates a vivid depiction of the monstrosities of war infiltrating a child\u2019s imagination and threatening the innocence of youth.<\/span><\/p><\/blockquote>\n This release will also be available in a box set that includes the already available\u00a0Criterion releases of del Toro’s Cronos<\/em> and The Devil’s Backbone<\/em>.<\/p>\n Throughout a career that encompasses both visually arresting art-house hits and big-budget Hollywood spectacles, director Guillermo del Toro has continually redefined and elevated the horror genre with his deeply personal explorations of myths and monsters. These three Spanish-language films, each a tale of childhood in troubled times, showcase his singular fusion of the fantastic and the real. Drawing inspiration from a rich variety of sources, from Alfred Hitchcock to Francisco de Goya, the gothic-infused stories collected here\u2014populated by vampires, ghosts, and a fairy-tale princess\u2014make evident why del Toro is considered the master cinematic fabulist of our time.<\/span><\/p><\/blockquote>\n Boyhood<\/em>\u00a0(2014) From The Criterion Collection<\/a>:<\/em><\/p>\n There has never been another movie like Boyhood,<\/em> from director Richard Linklater. An event film of the utmost modesty, it was shot over the course of twelve years in the director\u2019s native Texas and charts the physical and emotional changes experienced by a child named Mason (Ellar Coltrane), his divorced parents (Patricia Arquette, who won an Oscar for her performance, and Ethan Hawke), and his older sister (Lorelei Linklater). Alighting not on milestones but on the small, in-between moments that make up our lives, Linklater fashions a flawlessly acted, often funny portrait that flows effortlessly from one year to the next. Allowing us to watch people age on film with documentary realism while gripping us in a fictional narrative of exquisite everydayness, Boyhood<\/em> has a power that only the art of cinema could harness.<\/span><\/p><\/blockquote>\n Short Cuts<\/em> (1993) From The Criterion Collection<\/a>:<\/em><\/p>\n The work of two great American artists merges in Short Cuts,<\/em> a kaleidoscopic adaptation of the stories of renowned author Raymond Carver by maverick director Robert Altman. Epic in scale yet meticulously observed, the film interweaves the stories of twenty-two characters as they struggle to find solace and meaning in contemporary Los Angeles. The extraordinary ensemble cast includes Tim Robbins, Julianne Moore, Robert Downey Jr., Jack Lemmon, and Jennifer Jason Leigh\u2014all giving fearless performances in what is one of Altman\u2019s most compassionate creations.<\/span><\/p><\/blockquote>\n The Tree of Wooden Clogs\u00a0<\/em>(1978) From The Criterion Collection<\/a>:<\/em><\/p>\n A painterly and sensual immersion in late nineteenth-century Italian farm life, Ermanno Olmi\u2019s The Tree of Wooden Clogs<\/em> lovingly focuses on four families working for one landowner on an isolated estate in the province of Bergamo. Filming on an abandoned farm for four months, Olmi adapted neorealist techniques to tell his story, enlisting local people to live as their own ancestors had, speaking in their native dialect on locations with which they were intimately familiar. Through the cycle of seasons, of back-breaking labor, love and marriage, birth and death, faith and superstition, Olmi naturalistically evokes an existence very close to nature, one that celebrates its beauty, humor, and simplicity but also acknowledges the feudal cruelty that governs it. Winner of the Palme d\u2019Or at Cannes in 1978, The Tree of Wooden Clogs<\/em> is at once intimate in scale and epic in scope\u2014a towering, heart-stirring work of humanist filmmaking.<\/span><\/p><\/blockquote>\n
\nd. Guillermo del Toro<\/p>\n![\"\"](\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2016\/07\/Del-Toro-Blu-ray-Box.jpg?fit=213%2C300&ssl=1\")
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October 18, 2016<\/strong><\/p>\n
\nd. Richard Linklater<\/p>\n
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October 18, 2016<\/strong><\/p>\n
\n<\/em>d. Robert Altman
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October 25, 2016<\/strong><\/p>\n
\nd.\u00a0Ermanno Olmi<\/p>\n
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October\u00a025, 2016<\/strong><\/p>\n