{"id":24213,"date":"2018-06-15T23:39:45","date_gmt":"2018-06-16T03:39:45","guid":{"rendered":"http:\/\/mookseandgripes.com\/reviews\/?p=24213"},"modified":"2018-06-21T18:39:35","modified_gmt":"2018-06-21T22:39:35","slug":"the-criterion-collection-announces-september-2018-releases","status":"publish","type":"post","link":"https:\/\/mookseandgripes.com\/reviews\/2018\/06\/15\/the-criterion-collection-announces-september-2018-releases\/","title":{"rendered":"The Criterion Collection Announces September 2018 Releases"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-image-element in-legacy-container\" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/mookseandgripes.com\/reviews\" target=\"_self\" aria-label=\"Header 2\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"929\" height=\"200\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2017\/04\/Header-2-1-e1493098728843.jpg?resize=929%2C200\" alt class=\"img-responsive wp-image-20947\"\/><\/a><\/span><\/div><div class=\"fusion-text fusion-text-1\"><p>The Criterion Collection has announced its releases for September 2018, which includes a couple of new release and three upgrades, including one &#8212; <em>Andrei Rublev<\/em> &#8212;\u00a0that is particularly overdue and very welcome!<\/p>\n<p>The blurbs are from The Criterion Collection\u2019s website (so are the links)\u00a0\u2014 go there to see the details on the supplements.<\/p>\n<hr \/>\n<p><strong>September 4, 2018<\/strong><\/p>\n<p><b><i><img data-recalc-dims=\"1\" decoding=\"async\" data-attachment-id=\"24218\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2018\/06\/15\/the-criterion-collection-announces-september-2018-releases\/scenes-from-a-marriage\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Scenes-from-a-Marriage.jpg?fit=427%2C530&amp;ssl=1\" data-orig-size=\"427,530\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Scenes from a Marriage\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Scenes-from-a-Marriage.jpg?fit=242%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Scenes-from-a-Marriage.jpg?fit=427%2C530&amp;ssl=1\" class=\"alignright size-full wp-image-24218\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Scenes-from-a-Marriage.jpg?resize=427%2C530\" alt=\"\" width=\"427\" height=\"530\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Scenes-from-a-Marriage.jpg?resize=200%2C248&amp;ssl=1 200w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Scenes-from-a-Marriage.jpg?resize=242%2C300&amp;ssl=1 242w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Scenes-from-a-Marriage.jpg?resize=400%2C496&amp;ssl=1 400w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Scenes-from-a-Marriage.jpg?fit=427%2C530&amp;ssl=1 427w\" sizes=\"(max-width: 427px) 100vw, 427px\" \/>Scenes from a Marriage<\/i><\/b> (1973)<b><i><br \/>\n<\/i><\/b>d. Ingmar Bergman<\/p>\n<p><em>From\u00a0<a href=\"https:\/\/www.criterion.com\/films\/710-scenes-from-a-marriage\">The Criterion Collection<\/a>:<\/em><\/p>\n<blockquote>\n<p><span style=\"color: #003366;\"><em>Scenes from a Marriage<\/em> chronicles the many years of love and turmoil that bind Marianne and Johan, tracking their relationship through matrimony, infidelity, divorce, and subsequent partnerships. Originally conceived by director Ingmar Bergman as a five-hour, six-part television miniseries, the film is also presented in its three-hour theatrical cut. Shot largely in intense, intimate close-ups by cinematographer Sven Nykvist and featuring flawless performances by Liv Ullmann and Erland Josephson, Bergman\u2019s emotional X-ray reveals the deep joys and pains of a complex bond.<\/span><\/p>\n<\/blockquote>\n<hr \/>\n<p><strong>September 11, 2018<\/strong><\/p>\n<p><b><em><img data-recalc-dims=\"1\" decoding=\"async\" data-attachment-id=\"24216\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2018\/06\/15\/the-criterion-collection-announces-september-2018-releases\/cold-water\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Cold-Water.jpg?fit=427%2C530&amp;ssl=1\" data-orig-size=\"427,530\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Cold Water\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Cold-Water.jpg?fit=242%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Cold-Water.jpg?fit=427%2C530&amp;ssl=1\" class=\"alignright size-full wp-image-24216\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Cold-Water.jpg?resize=427%2C530\" alt=\"\" width=\"427\" height=\"530\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Cold-Water.jpg?resize=200%2C248&amp;ssl=1 200w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Cold-Water.jpg?resize=242%2C300&amp;ssl=1 242w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Cold-Water.jpg?resize=400%2C496&amp;ssl=1 400w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Cold-Water.jpg?fit=427%2C530&amp;ssl=1 427w\" sizes=\"(max-width: 427px) 100vw, 427px\" \/>Cold Water<\/em><\/b> (1994)<b><br \/>\n<\/b>d. Olivier Assayas<\/p>\n<p><em>From\u00a0<a href=\"https:\/\/www.criterion.com\/films\/29385-cold-water\">The Criterion Collection<\/a>:<\/em><\/p>\n<blockquote>\n<p><span style=\"color: #003366;\">An acclaimed early work by Olivier Assayas, the long-unavailable, deeply felt coming-of-age drama <em>Cold Water<\/em> can at last be seen in the United States. Drawing from his own youthful experiences, Assayas revisits the outskirts of Paris in the early 1970s, telling the story of teenage lovers Gilles (Cyprien Fouquet) and Christine (Virginie Ledoyen), whose rebellions against family and society threaten to tear them apart. The visceral realism of the movie\u2019s narrative and the near experimentalism of its camera work come together effortlessly thanks to a rock soundtrack that vividly evokes the period. With one of the most memorable party sequences ever committed to film as a centerpiece, <em>Cold Water<\/em>is a heartbreaking immersion in the emotional tumult of being young.<\/span><\/p>\n<\/blockquote>\n<hr \/>\n<p><strong>August 21, 2018<\/strong><\/p>\n<p><b><i><img data-recalc-dims=\"1\" decoding=\"async\" data-attachment-id=\"24217\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2018\/06\/15\/the-criterion-collection-announces-september-2018-releases\/my-man-godfrey\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/My-Man-Godfrey.jpg?fit=427%2C530&amp;ssl=1\" data-orig-size=\"427,530\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"My Man Godfrey\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/My-Man-Godfrey.jpg?fit=242%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/My-Man-Godfrey.jpg?fit=427%2C530&amp;ssl=1\" class=\"alignright size-full wp-image-24217\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/My-Man-Godfrey.jpg?resize=427%2C530\" alt=\"\" width=\"427\" height=\"530\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/My-Man-Godfrey.jpg?resize=200%2C248&amp;ssl=1 200w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/My-Man-Godfrey.jpg?resize=242%2C300&amp;ssl=1 242w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/My-Man-Godfrey.jpg?resize=400%2C496&amp;ssl=1 400w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/My-Man-Godfrey.jpg?fit=427%2C530&amp;ssl=1 427w\" sizes=\"(max-width: 427px) 100vw, 427px\" \/>My Man Godfrey<\/i><\/b>\u00a0(1936)<em><br \/>\n<\/em>d. Gregory La Cava<\/p>\n<p><em>From\u00a0<a href=\"https:\/\/www.criterion.com\/films\/653-my-man-godfrey\">The Criterion Collection<\/a>:<\/em><\/p>\n<blockquote>\n<p><span style=\"color: #003366;\">Carole Lombard and William Powell dazzle in this definitive screwball comedy, directed by Gregory La Cava\u2014a potent cocktail of romantic repartee and Depression-era social critique. Irene (Lombard), an eccentric Manhattan socialite, wins a society-ball scavenger hunt after finding one of the \u201citems\u201d on the list, a \u201clost man\u201d (Powell), at a dump. She gives the man she believes to be a down-and-out drifter work as the family butler, and soon falls head over heels in love. Her attempts to both woo Godfrey and indoctrinate him in the dysfunctional ways of the household make for an unbeatable series of madcap hijinks. La Cava\u2019s deft film was the first to garner Oscar nominations in all four acting categories, and it is one of Hollywood\u2019s greatest commentaries on class and the social unrest of its time.<\/span><\/p>\n<\/blockquote>\n<hr \/>\n<p><strong>September 25, 2018<\/strong><\/p>\n<p class=\"movietitle\"><em><b><img data-recalc-dims=\"1\" decoding=\"async\" data-attachment-id=\"24214\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2018\/06\/15\/the-criterion-collection-announces-september-2018-releases\/a-raisin-in-the-sun\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/A-Raisin-in-the-Sun.jpg?fit=427%2C530&amp;ssl=1\" data-orig-size=\"427,530\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"A Raisin in the Sun\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/A-Raisin-in-the-Sun.jpg?fit=242%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/A-Raisin-in-the-Sun.jpg?fit=427%2C530&amp;ssl=1\" class=\"alignright size-full wp-image-24214\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/A-Raisin-in-the-Sun.jpg?resize=427%2C530\" alt=\"\" width=\"427\" height=\"530\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/A-Raisin-in-the-Sun.jpg?resize=200%2C248&amp;ssl=1 200w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/A-Raisin-in-the-Sun.jpg?resize=242%2C300&amp;ssl=1 242w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/A-Raisin-in-the-Sun.jpg?resize=400%2C496&amp;ssl=1 400w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/A-Raisin-in-the-Sun.jpg?fit=427%2C530&amp;ssl=1 427w\" sizes=\"(max-width: 427px) 100vw, 427px\" \/>A Raisin in the Sun<\/b><\/em><b>\u00a0<\/b>(1961)<em><br \/>\n<\/em>d. Daniel Petrie<\/p>\n<p><em>From\u00a0<a href=\"https:\/\/www.criterion.com\/films\/28826-a-raisin-in-the-sun\">The Criterion Collection<\/a>:<\/em><\/p>\n<blockquote>\n<p><span style=\"color: #003366;\">Lorraine Hansberry\u2019s <em>A Raisin in the Sun<\/em> was the first play by a black woman to be on Broadway and is now an immortal part of the theatrical canon. Two years after its premiere, the production came to the screen, directed by Daniel Petrie. The original stars\u2014including Sidney Poitier and Ruby Dee\u2014reprise their roles as members of an African American family living in a cramped Chicago apartment, in this deeply resonant tale of dreams deferred. Following the death of their patriarch, the Youngers await a life insurance check they hope will change their circumstances, but tensions arise over how best to use the money. Vividly rendering Hansberry\u2019s intimate observations on generational conflict and housing discrimination, Petrie\u2019s film captures the high stakes, shifting currents, and varieties of experience within black life in midcentury America.<\/span><\/p>\n<\/blockquote>\n<hr \/>\n<p><strong>September 25, 2018<\/strong><\/p>\n<p class=\"movietitle\"><em><b><img data-recalc-dims=\"1\" decoding=\"async\" data-attachment-id=\"24215\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2018\/06\/15\/the-criterion-collection-announces-september-2018-releases\/andrei-rublev\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Andrei-Rublev.jpg?fit=427%2C530&amp;ssl=1\" data-orig-size=\"427,530\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Andrei Rublev\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Andrei-Rublev.jpg?fit=242%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Andrei-Rublev.jpg?fit=427%2C530&amp;ssl=1\" class=\"alignright size-full wp-image-24215\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Andrei-Rublev.jpg?resize=427%2C530\" alt=\"\" width=\"427\" height=\"530\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Andrei-Rublev.jpg?resize=200%2C248&amp;ssl=1 200w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Andrei-Rublev.jpg?resize=242%2C300&amp;ssl=1 242w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Andrei-Rublev.jpg?resize=400%2C496&amp;ssl=1 400w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/06\/Andrei-Rublev.jpg?fit=427%2C530&amp;ssl=1 427w\" sizes=\"(max-width: 427px) 100vw, 427px\" \/>Andrei Rublev<\/b><\/em> (1966)<em><br \/>\n<\/em>d. Andrei Tarkovsky<\/p>\n<p><em>From\u00a0<a href=\"https:\/\/www.criterion.com\/films\/300-andrei-rublev\">The Criterion Collection<\/a>:<\/em><\/p>\n<blockquote>\n<p><span style=\"color: #003366;\">Tracing the life of a renowned icon painter, the second feature by Andrei Tarkovsky vividly conjures the murky world of medieval Russia. This dreamlike and remarkably tactile film follows <em>Andrei Rublev<\/em> as he passes through a series of poetically linked scenes\u2014snow falls inside an unfinished church, naked pagans stream through a thicket during a torchlit ritual, a boy oversees the clearing away of muddy earth for the forging of a gigantic bell\u2014gradually emerging as a man struggling mightily to preserve his creative and religious integrity. Appearing here in the director\u2019s preferred 185-minute cut as well as the version that was originally suppressed by Soviet authorities, the masterwork <em>Andrei Rublev <\/em>is one of Tarkovsky\u2019s most revered films, an arresting meditation on art, faith, and endurance.<\/span><\/p>\n<\/blockquote>\n<\/div><div class=\"fusion-text fusion-text-2\"><img decoding=\"async\" src=\"https:\/\/ir-na.amazon-adsystem.com\/e\/ir?t=mookse-20&l=alb&o=1&a=B07DS1ZQBZ\" width=\"1px\" height=\"1px\" alt=\"\" style=\"position: fixed !important; bottom: -1px !important; right: -1px !important; border:none !important; margin:0px !important;\" \/><img decoding=\"async\" src=\"https:\/\/ir-na.amazon-adsystem.com\/e\/ir?t=mookse-20&l=alb&o=1&a=B07DS3PR6L\" width=\"1px\" height=\"1px\" alt=\"\" style=\"position: fixed !important; bottom: -1px !important; right: -1px !important; border:none !important; margin:0px !important;\" \/><img decoding=\"async\" src=\"https:\/\/ir-na.amazon-adsystem.com\/e\/ir?t=mookse-20&l=alb&o=1&a=B07DS3PR8L\" width=\"1px\" height=\"1px\" alt=\"\" style=\"position: fixed !important; bottom: -1px !important; right: -1px !important; border:none !important; margin:0px !important;\" \/><img decoding=\"async\" src=\"https:\/\/ir-na.amazon-adsystem.com\/e\/ir?t=mookse-20&l=alb&o=1&a=B07DS2WKV5\" width=\"1px\" height=\"1px\" alt=\"\" style=\"position: fixed !important; bottom: -1px !important; right: -1px !important; border:none !important; margin:0px !important;\" \/><img decoding=\"async\" src=\"https:\/\/ir-na.amazon-adsystem.com\/e\/ir?t=mookse-20&l=alb&o=1&a=B07DS3XDWM\" width=\"1px\" height=\"1px\" alt=\"\" style=\"position: fixed !important; bottom: -1px !important; right: -1px !important; border:none !important; margin:0px !important;\" \/><!-- Ad Template with Carousel Layout-->\n <!--Section tag for iterating through the list of items-->\n<div class=\"aalb-product-carousel-unit\" id=\"aalb-B07DS1ZQBZ-B07DS3PR6L-B07DS3PR8L-B07DS2WKV5-B07DS3XDWM-US-mookse-20-ProductCarousel\">\n  <h2 class=\"aalb-pc-ad-header\">Products from Amazon.com<\/h2> <!-- Title of the ad localized according to the marketplace picked from the AalbHeader tag-->\n    <div class=\"aalb-pc-wrapper\">\n      <div class=\"aalb-pc-product-container\">\n        <ul class=\"aalb-pc-product-list\">\n                  <\/ul>\n      <\/div>\n    <\/div>\n    <a href=\"javascript:void(0);\" class=\"aalb-pc-btn-prev\">\u2039<\/a>\n    <a href=\"javascript:void(0);\" class=\"aalb-pc-btn-next\">\u203a<\/a>\n  <\/div>\n\n<script>\n  jQuery(document).ready(function() {\n\n    var CONSTANTS = {\n        productMinWidth : 185,\n        productMargin   : 20\n    };\n\n    var $adUnits = jQuery('.aalb-product-carousel-unit');\n    $adUnits.each(function() {\n        var $adUnit           = jQuery(this),\n            $wrapper          = $adUnit.find('.aalb-pc-wrapper'),\n            $productContainer = $adUnit.find('.aalb-pc-product-container'),\n            $btnNext          = $adUnit.find('.aalb-pc-btn-next'),\n            $btnPrev          = $adUnit.find('.aalb-pc-btn-prev'),\n            $productList      = $productContainer.find('.aalb-pc-product-list'),\n            $products         = $productList.find('.aalb-pc-product'),\n            productCount      = $products.length;\n\n        if (!productCount) {\n            return true;\n        }\n\n        var rows            = $adUnit.find('input[name=rows]').length && parseInt($adUnit.find('input[name=rows]').val(), 10);\n        var columns         = $adUnit.find('input[name=columns]').length && parseInt($adUnit.find('input[name=columns]').val(), 10);\n\n        if( columns ) {\n            var productContainerMinWidth = columns * (CONSTANTS.productMinWidth + CONSTANTS.productMargin) + 'px';\n            $adUnit.css( 'min-width', productContainerMinWidth );\n            $productContainer.css( 'min-width', productContainerMinWidth );\n            $products.filter( ':nth-child(' + columns + 'n + 1)' ).css( 'clear', 'both' );\n        }\n\n        if (rows && columns) {\n            var cutOffIndex = (rows * columns) - 1;\n            $products.filter(':gt(' + cutOffIndex + ')').remove();\n        }\n\n        function updateLayout() {\n            var wrapperWidth = $wrapper.width();\n            var possibleColumns = columns || parseInt( wrapperWidth \/ (CONSTANTS.productMinWidth + CONSTANTS.productMargin), 10 );\n            var actualColumns = columns || possibleColumns < productCount ? 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