{"id":24744,"date":"2018-10-01T11:41:00","date_gmt":"2018-10-01T15:41:00","guid":{"rendered":"http:\/\/mookseandgripes.com\/reviews\/?p=24744"},"modified":"2018-10-01T11:41:00","modified_gmt":"2018-10-01T15:41:00","slug":"john-lheureux-the-rise-and-rise-of-annie-clark","status":"publish","type":"post","link":"https:\/\/mookseandgripes.com\/reviews\/2018\/10\/01\/john-lheureux-the-rise-and-rise-of-annie-clark\/","title":{"rendered":"John L&#8217;Heureux: &#8220;The Rise and Rise of Annie Clark&#8221;"},"content":{"rendered":"<p>[fusion_builder_container hundred_percent=&#8221;no&#8221; equal_height_columns=&#8221;no&#8221; menu_anchor=&#8221;&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; class=&#8221;&#8221; id=&#8221;&#8221; background_color=&#8221;&#8221; background_image=&#8221;&#8221; background_position=&#8221;center center&#8221; background_repeat=&#8221;no-repeat&#8221; fade=&#8221;no&#8221; background_parallax=&#8221;none&#8221; parallax_speed=&#8221;0.3&#8243; 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animation_offset=&#8221;&#8221;]http:\/\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2017\/04\/Header-2-1-e1493098728843.jpg[\/fusion_imageframe][fusion_title margin_top=&#8221;&#8221; margin_bottom=&#8221;&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; class=&#8221;&#8221; id=&#8221;&#8221; size=&#8221;3&#8243; content_align=&#8221;left&#8221; style_type=&#8221;underline solid&#8221; sep_color=&#8221;&#8221;]<\/p>\n<p><span style=\"color: #003366;\"><strong>&#8220;The Rise and Rise of Annie Clark&#8221;<\/strong><\/span><br \/>\n<span style=\"color: #808080;\">by John L&#8217;Heureux<\/span><br \/>\n<span style=\"color: #808080;\">from the October 8, 2018 issue of\u00a0<em>The New Yorker<\/em><\/span><\/p>\n<p>[\/fusion_title][fusion_text]<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"24746\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2018\/10\/01\/john-lheureux-the-rise-and-rise-of-annie-clark\/october-8-2018\/#main\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/October-8-2018.jpg?fit=387%2C530&amp;ssl=1\" data-orig-size=\"387,530\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"October 8, 2018\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/October-8-2018.jpg?fit=387%2C530&amp;ssl=1\" class=\"alignright size-full wp-image-24746\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/October-8-2018.jpg?resize=387%2C530\" alt=\"\" width=\"387\" height=\"530\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/October-8-2018.jpg?w=387&amp;ssl=1 387w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/October-8-2018.jpg?resize=219%2C300&amp;ssl=1 219w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/October-8-2018.jpg?resize=200%2C274&amp;ssl=1 200w\" sizes=\"auto, (max-width: 387px) 100vw, 387px\" \/>[fusion_dropcap boxed=&#8221;no&#8221; boxed_radius=&#8221;&#8221; class=&#8221;&#8221; id=&#8221;&#8221; color=&#8221;#003366&#8243;]A[\/fusion_dropcap]fter reading just a couple of stories by John L&#8217;Heureux, I&#8217;m now always very excited to see his work show up in the magazine. He is about to turn 84, and I only started hearing about him a few years ago when\u00a0<em>The New Yorker<\/em> published one of his stories, &#8220;Three Short Moments in a Long Life.&#8221; I like L&#8217;Heureux&#8217;s calm, direct style as he explores the strangeness of life&#8217;s journeys.<\/p>\n<p>I&#8217;m very curious about &#8220;The Rise and Rise of Annie Clark.&#8221; For one, here is a white man in his 80s writing about women&#8217;s experience. This is perilous territory, and rightly so. It begins<\/p>\n<blockquote><p><span style=\"color: #003366;\">Annie Clark is a modern woman. It\u2019s 1950, smack in the middle of the century, and she knows that the Second Great War is over and women were the real winners. Everywhere, women are taking charge of their lives. But Annie is Catholic, so she has to go slow.<\/span><\/p>\n<p><span style=\"color: #003366;\">Today, for instance, she is being extra patient with this young waitress &#8212; Patsy P. &#8212; who is stout and clumsy and may be new to the job. Annie is waiting for dessert, apple pie with cheese, and she figures they must be baking the pie fresh, because it\u2019s taking forever. Finally, the girl brings the pie and shoves it in front of Annie and heads off without a word. Annie looks at the speck of cheese on her plate and immediately says, \u201cMiss,\u201d but the girl keeps going, so Annie raises her napkin in the air and says loudly, \u201cMiss!\u201d Everybody turns to look at Annie except the waitress. She\u2019s gone. After several minutes, she comes back from wherever she\u2019s been hiding.<\/span><\/p>\n<p><span style=\"color: #003366;\">\u201cMiss,\u201d Annie says, the voice of endurance. \u201cWhat is this, please?\u201d<\/span><\/p>\n<p><span style=\"color: #003366;\">\u201cIt\u2019s what you ordered.\u201d<\/span><\/p>\n<p><span style=\"color: #003366;\">\u201cNo. I ordered apple pie with cheese.\u201d<\/span><\/p>\n<p><span style=\"color: #003366;\">\u201cThat\u2019s what you\u2019ve got,\u201d the girl says, staring beyond Annie at a future without people like this.<\/span><\/p>\n<p><span style=\"color: #003366;\">Annie is about to say, \u201cBring me a slice of cheese big enough for me to see!,\u201d when suddenly she is struck by how much the girl resembles her as she was at twenty. Patsy P. is unattractive, with bad skin, and she is running to fat already, so nobody notices her now and nobody ever will, except to take advantage of her. It was that way for Annie, too. In her teens, she used to joke that she was Cinderella, but without the fairy godmother. She\u2019s been taken advantage of always. Even in the convent. Faced now with Patsy P. in all her unloveliness, Annie is moved nearly to tears at her own life.<\/span><\/p>\n<p><span style=\"color: #003366;\">She manages, nonetheless, to as for &#8212; and get &#8212; a larger piece of cheese.<\/span><\/p><\/blockquote>\n<p>Does L&#8217;Heureux pull it off? I think that&#8217;s a very compelling opening section, and I&#8217;m curious to see how the rest of the piece plays out.<\/p>\n<p>Please let us know your thoughts on the story below!<\/p>\n<p>[\/fusion_text][fusion_builder_row_inner][fusion_builder_column_inner type=&#8221;1_2&#8243; layout=&#8221;1_2&#8243; background_position=&#8221;left top&#8221; background_color=&#8221;&#8221; border_size=&#8221;0&#8243; border_color=&#8221;&#8221; border_style=&#8221;solid&#8221; spacing=&#8221;&#8221; background_image=&#8221;&#8221; background_repeat=&#8221;no-repeat&#8221; padding_top=&#8221;&#8221; padding_right=&#8221;&#8221; padding_bottom=&#8221;&#8221; padding_left=&#8221;&#8221; margin_top=&#8221;&#8221; margin_bottom=&#8221;&#8221; class=&#8221;&#8221; id=&#8221;&#8221; animation_type=&#8221;&#8221; animation_speed=&#8221;0.3&#8243; animation_direction=&#8221;left&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; center_content=&#8221;no&#8221; 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