{"id":24837,"date":"2018-10-15T18:23:04","date_gmt":"2018-10-15T22:23:04","guid":{"rendered":"http:\/\/mookseandgripes.com\/reviews\/?p=24837"},"modified":"2018-11-01T14:26:23","modified_gmt":"2018-11-01T18:26:23","slug":"the-criterion-collection-announces-january-2019-releases","status":"publish","type":"post","link":"https:\/\/mookseandgripes.com\/reviews\/2018\/10\/15\/the-criterion-collection-announces-january-2019-releases\/","title":{"rendered":"The Criterion Collection Announces January 2019 Releases"},"content":{"rendered":"<p>[fusion_builder_container hundred_percent=&#8221;no&#8221; equal_height_columns=&#8221;no&#8221; menu_anchor=&#8221;&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; class=&#8221;&#8221; id=&#8221;&#8221; background_color=&#8221;&#8221; background_image=&#8221;&#8221; background_position=&#8221;center center&#8221; background_repeat=&#8221;no-repeat&#8221; fade=&#8221;no&#8221; background_parallax=&#8221;none&#8221; parallax_speed=&#8221;0.3&#8243; video_mp4=&#8221;&#8221; video_webm=&#8221;&#8221; video_ogv=&#8221;&#8221; video_url=&#8221;&#8221; video_aspect_ratio=&#8221;16:9&#8243; video_loop=&#8221;yes&#8221; video_mute=&#8221;yes&#8221; overlay_color=&#8221;&#8221; video_preview_image=&#8221;&#8221; border_size=&#8221;&#8221; border_color=&#8221;&#8221; border_style=&#8221;solid&#8221; padding_top=&#8221;&#8221; padding_bottom=&#8221;&#8221; padding_left=&#8221;&#8221; padding_right=&#8221;&#8221;][fusion_builder_row][fusion_builder_column type=&#8221;1_1&#8243; layout=&#8221;1_1&#8243; background_position=&#8221;left top&#8221; background_color=&#8221;&#8221; border_size=&#8221;&#8221; border_color=&#8221;&#8221; border_style=&#8221;solid&#8221; border_position=&#8221;all&#8221; spacing=&#8221;yes&#8221; background_image=&#8221;&#8221; background_repeat=&#8221;no-repeat&#8221; padding_top=&#8221;&#8221; padding_right=&#8221;&#8221; padding_bottom=&#8221;&#8221; padding_left=&#8221;&#8221; margin_top=&#8221;0px&#8221; margin_bottom=&#8221;0px&#8221; class=&#8221;&#8221; id=&#8221;&#8221; animation_type=&#8221;&#8221; animation_speed=&#8221;0.3&#8243; animation_direction=&#8221;left&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; center_content=&#8221;no&#8221; last=&#8221;no&#8221; min_height=&#8221;&#8221; hover_type=&#8221;none&#8221; link=&#8221;&#8221;][fusion_imageframe image_id=&#8221;20947&#8243; style_type=&#8221;none&#8221; stylecolor=&#8221;&#8221; hover_type=&#8221;none&#8221; bordersize=&#8221;&#8221; bordercolor=&#8221;&#8221; borderradius=&#8221;&#8221; align=&#8221;none&#8221; lightbox=&#8221;no&#8221; gallery_id=&#8221;&#8221; lightbox_image=&#8221;&#8221; alt=&#8221;&#8221; link=&#8221;http:\/\/mookseandgripes.com\/reviews&#8221; linktarget=&#8221;_self&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; class=&#8221;&#8221; id=&#8221;&#8221; animation_type=&#8221;&#8221; animation_direction=&#8221;left&#8221; animation_speed=&#8221;0.3&#8243; animation_offset=&#8221;&#8221;]http:\/\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2017\/04\/Header-2-1-e1493098728843.jpg[\/fusion_imageframe][fusion_text columns=&#8221;&#8221; column_min_width=&#8221;&#8221; column_spacing=&#8221;&#8221; rule_style=&#8221;default&#8221; rule_size=&#8221;&#8221; rule_color=&#8221;&#8221; class=&#8221;&#8221; id=&#8221;&#8221;]<\/p>\n<p>The Criterion Collection has announced its releases for January 2019. Yes, we are already looking at next year! And Criterion is looking to start things off well. Probably the one that is generally the best known is Jewison&#8217;s <em>In the Heat of the Night<\/em>. Hitchcock&#8217;s <em>Notorious<\/em> is a welcome return to the collection since they lost the rights to the film years ago. But look at the other three! Kiarostami&#8217;s final film! More Mungiu! And Elaine May finally enters the collection with her gritty gangster film\u00a0<em>Mikey and Nicky<\/em>!<\/p>\n<p>The blurbs are from The Criterion Collection\u2019s website (so are the links)\u00a0\u2014 go there to see the details on the supplements.<\/p>\n<hr \/>\n<p><strong>January 8, 2019<\/strong><\/p>\n<p><b><i><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"24841\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2018\/10\/15\/the-criterion-collection-announces-january-2019-releases\/24-frames\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/24-Frames.jpg?fit=427%2C530&amp;ssl=1\" data-orig-size=\"427,530\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"24 Frames\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/24-Frames.jpg?fit=427%2C530&amp;ssl=1\" class=\"alignright size-full wp-image-24841\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/24-Frames.jpg?resize=427%2C530\" alt=\"\" width=\"427\" height=\"530\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/24-Frames.jpg?w=427&amp;ssl=1 427w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/24-Frames.jpg?resize=242%2C300&amp;ssl=1 242w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/24-Frames.jpg?resize=200%2C248&amp;ssl=1 200w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/24-Frames.jpg?resize=400%2C496&amp;ssl=1 400w\" sizes=\"auto, (max-width: 427px) 100vw, 427px\" \/>24 Frames<\/i><\/b>\u00a0(2017)<b><i><br \/>\n<\/i><\/b>d. Abbas Kiarostami<\/p>\n<p><em>From\u00a0<a href=\"https:\/\/www.criterion.com\/films\/29399-24-frames\">The Criterion Collection<\/a>:<\/em><\/p>\n<blockquote><p><span style=\"color: #003366;\">For what would prove to be his final film, Iranian director Abbas Kiarostami gave himself a challenge: to create a dialogue between his work as a filmmaker and his work as a photographer, bridging the two art forms to which he had dedicated his life. Setting out to reconstruct the moments immediately before and after a photograph is taken, Kiarostami selected twenty-four still images\u2014most of them stark landscapes inhabited only by foraging birds and other wildlife\u2014and digitally animated each one into its own subtly evolving four-and-a-half-minute vignette, creating a series of poignant studies in movement, perception, and time. A sustained meditation on the process of image making,\u00a0<em>24 Frames<\/em>\u00a0is a graceful and elegiac farewell from one of the giants of world cinema.<\/span><\/p><\/blockquote>\n<hr \/>\n<p><strong>January 15, 2019<\/strong><\/p>\n<p><b><em><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"24844\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2018\/10\/15\/the-criterion-collection-announces-january-2019-releases\/notorious\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/Notorious.jpg?fit=427%2C530&amp;ssl=1\" data-orig-size=\"427,530\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Notorious\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/Notorious.jpg?fit=427%2C530&amp;ssl=1\" class=\"alignright size-full wp-image-24844\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/Notorious.jpg?resize=427%2C530\" alt=\"\" width=\"427\" height=\"530\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/Notorious.jpg?w=427&amp;ssl=1 427w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/Notorious.jpg?resize=242%2C300&amp;ssl=1 242w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/Notorious.jpg?resize=200%2C248&amp;ssl=1 200w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/Notorious.jpg?resize=400%2C496&amp;ssl=1 400w\" sizes=\"auto, (max-width: 427px) 100vw, 427px\" \/>Notorious<\/em><\/b>\u00a0(1946)<b><br \/>\n<\/b>d. Alfred Hitchock<\/p>\n<p><em>From\u00a0<a href=\"https:\/\/www.criterion.com\/films\/682-notorious\">The Criterion Collection<\/a>:<\/em><\/p>\n<blockquote>\n<div class=\"product-summary\">\n<p><span style=\"color: #003366;\">With this twisting love story, Alfred Hitchcock summoned darker shades of suspense and passion by casting two of Hollywood\u2019s most beloved stars starkly against type. Ingrid Bergman stars as Alicia, an alluring woman of ill repute recruited by Devlin (Cary Grant), a suave but mysterious intelligence agent, to spy for the U.S. Only after she has fallen for Devlin does she learn that her mission is to seduce a Nazi industrialist (Claude Rains) hiding out in South America. Coupling inventive cinematography with brilliantly subtle turns from his mesmerizing leads, Hitchcock orchestrates an anguished romance shot through with deception and moral ambiguity. A thriller of rare perfection,\u00a0<em>Notorious<\/em>represents a pinnacle in both its director\u2019s legendary career and the pantheon of classic Hollywood cinema.<\/span><\/p>\n<\/div>\n<\/blockquote>\n<hr \/>\n<p><strong>January 22, 2019<\/strong><\/p>\n<p><b><i><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"24843\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2018\/10\/15\/the-criterion-collection-announces-january-2019-releases\/mikey-and-nicky\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/Mikey-and-Nicky.jpg?fit=427%2C530&amp;ssl=1\" data-orig-size=\"427,530\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mikey and Nicky\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/Mikey-and-Nicky.jpg?fit=427%2C530&amp;ssl=1\" class=\"alignright size-full wp-image-24843\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/Mikey-and-Nicky.jpg?resize=427%2C530\" alt=\"\" width=\"427\" height=\"530\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/Mikey-and-Nicky.jpg?w=427&amp;ssl=1 427w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/Mikey-and-Nicky.jpg?resize=242%2C300&amp;ssl=1 242w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/Mikey-and-Nicky.jpg?resize=200%2C248&amp;ssl=1 200w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/Mikey-and-Nicky.jpg?resize=400%2C496&amp;ssl=1 400w\" sizes=\"auto, (max-width: 427px) 100vw, 427px\" \/>Mikey and Nicky<\/i><\/b>\u00a0(1976)<em><br \/>\n<\/em>d. Elaine May<\/p>\n<p><em>From\u00a0<a href=\"https:\/\/www.criterion.com\/films\/27895-mikey-and-nicky\">The Criterion Collection<\/a>:<\/em><\/p>\n<blockquote><p><span style=\"color: #003366;\">Elaine May crafted a gangster film like no other in the nocturnal odyssey\u00a0<em>Mikey and Nicky,\u00a0<\/em>capitalizing on the chemistry between frequent collaborators John Cassavetes and Peter Falk by putting them on-screen together as small-time mobsters whose lifelong relationship has turned sour. Set over the course of one night, this restless drama finds Nicky holed up in a motel after the boss he stole money from puts a hit on him. Terrified, he calls on Mikey: the one person he thinks can save him. Scripted to match the live-wire energy of its stars\u2014alongside supporting players Ned Beatty, Joyce Van Patten, and Carol Grace\u2014and inspired by real-life characters from May\u2019s childhood, this unbridled portrait of male friendship turned tragic is an unsung masterpiece of American cinema.<\/span><\/p><\/blockquote>\n<hr \/>\n<p><strong>January 22, 2019<\/strong><\/p>\n<p class=\"movietitle\"><em><b><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"24840\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2018\/10\/15\/the-criterion-collection-announces-january-2019-releases\/4-months-3-weeks-and-2-days\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/4-Months-3-Weeks-and-2-Days.jpg?fit=427%2C530&amp;ssl=1\" data-orig-size=\"427,530\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"4 Months, 3 Weeks and 2 Days\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/4-Months-3-Weeks-and-2-Days.jpg?fit=427%2C530&amp;ssl=1\" class=\"alignright size-full wp-image-24840\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/4-Months-3-Weeks-and-2-Days.jpg?resize=427%2C530\" alt=\"\" width=\"427\" height=\"530\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/4-Months-3-Weeks-and-2-Days.jpg?w=427&amp;ssl=1 427w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/4-Months-3-Weeks-and-2-Days.jpg?resize=242%2C300&amp;ssl=1 242w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/4-Months-3-Weeks-and-2-Days.jpg?resize=200%2C248&amp;ssl=1 200w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/4-Months-3-Weeks-and-2-Days.jpg?resize=400%2C496&amp;ssl=1 400w\" sizes=\"auto, (max-width: 427px) 100vw, 427px\" \/>4 Months, 3 Weeks and 2 Days<\/b><\/em><b>\u00a0<\/b>(2007)<em><br \/>\n<\/em>d. Cristian Mungiu<\/p>\n<p><em>From\u00a0<a href=\"https:\/\/www.criterion.com\/films\/28617-4-months-3-weeks-and-2-days\">The Criterion Collection<\/a>:<\/em><\/p>\n<blockquote><p><span style=\"color: #003366;\">Romanian filmmaker Cristian Mungiu shot to international prominence with this rigorously realistic Palme d\u2019Or\u2013winning second feature. In 1987, during the dictatorship of Nicolae Ceau?escu, college roommates Otilia (Anamaria Marinca) and G?bi?a (Laura Vasiliu) seek an illegal abortion for G?bi?a. In unflinching but empathetic detail,\u00a0<em>4 Months, 3 Weeks and 2 Days<\/em>recounts the events of twenty-four perilous hours in their lives, culminating in their encounter with a manipulative and menacing abortionist (Vlad Ivanov). With powerful performances that accentuate the characters\u2019 flawed humanity,\u00a0<em>4 Months, 3 Weeks and 2 Days<\/em>\u00a0is a gutting account of the impossible choices women face when taking control of their bodies means breaking the law.<\/span><\/p><\/blockquote>\n<hr \/>\n<p><strong>January 29, 2019<\/strong><\/p>\n<p class=\"movietitle\"><em><b><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"24842\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2018\/10\/15\/the-criterion-collection-announces-january-2019-releases\/in-the-heat-of-the-night\/\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/In-the-Heat-of-the-Night.jpg?fit=427%2C530&amp;ssl=1\" data-orig-size=\"427,530\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"In the Heat of the Night\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/In-the-Heat-of-the-Night.jpg?fit=427%2C530&amp;ssl=1\" class=\"alignright size-full wp-image-24842\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/In-the-Heat-of-the-Night.jpg?resize=427%2C530\" alt=\"\" width=\"427\" height=\"530\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/In-the-Heat-of-the-Night.jpg?w=427&amp;ssl=1 427w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/In-the-Heat-of-the-Night.jpg?resize=242%2C300&amp;ssl=1 242w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/In-the-Heat-of-the-Night.jpg?resize=200%2C248&amp;ssl=1 200w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2018\/10\/In-the-Heat-of-the-Night.jpg?resize=400%2C496&amp;ssl=1 400w\" sizes=\"auto, (max-width: 427px) 100vw, 427px\" \/>In the Heat of the Night<\/b><\/em><b>\u00a0<\/b>(1967)<em><br \/>\n<\/em>d. Norman Jewison<\/p>\n<p><em>From\u00a0<a href=\"https:\/\/www.criterion.com\/films\/29459-in-the-heat-of-the-night\">The Criterion Collection<\/a>:<\/em><\/p>\n<blockquote><p><span style=\"color: #003366;\">Passing through the backwoods town of Sparta, Mississippi, Philadelphia detective Virgil Tibbs (Sidney Poitier) becomes embroiled in a murder case. He forms an uneasy alliance with the bigoted police chief (Rod Steiger), who faces mounting pressure from Sparta\u2019s hostile citizens to catch the killer and run the African American interloper out of town. Director Norman Jewison splices incisive social commentary into this thrilling police procedural with the help of Haskell Wexler\u2019s vivid cinematography, Quincy Jones\u2019s eclectic score, and two indelible lead performances\u2014a career-defining display of seething indignation and moral authority from Poitier and an Oscar-winning master class in Method acting from Steiger. Winner of five Academy Awards, including for best picture,\u00a0<em>In the Heat of the Night<\/em>\u00a0is one of the most courageous Hollywood films of the civil rights era.<\/span><\/p><\/blockquote>\n<p>[\/fusion_text][fusion_text columns=&#8221;&#8221; column_min_width=&#8221;&#8221; column_spacing=&#8221;&#8221; rule_style=&#8221;default&#8221; rule_size=&#8221;&#8221; rule_color=&#8221;&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; class=&#8221;&#8221; id=&#8221;&#8221;]<\/p>\n<img decoding=\"async\" src=\"https:\/\/ir-na.amazon-adsystem.com\/e\/ir?t=mookse-20&l=alb&o=1&a=B07J35QFYD\" width=\"1px\" height=\"1px\" alt=\"\" style=\"position: fixed !important; bottom: -1px !important; right: -1px !important; border:none !important; margin:0px !important;\" \/><img decoding=\"async\" src=\"https:\/\/ir-na.amazon-adsystem.com\/e\/ir?t=mookse-20&l=alb&o=1&a=B07JVF7M7M\" width=\"1px\" height=\"1px\" alt=\"\" style=\"position: fixed !important; 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