{"id":25776,"date":"2019-04-22T12:08:00","date_gmt":"2019-04-22T16:08:00","guid":{"rendered":"http:\/\/mookseandgripes.com\/reviews\/?p=25776"},"modified":"2019-04-22T12:08:00","modified_gmt":"2019-04-22T16:08:00","slug":"greg-jackson-poetry","status":"publish","type":"post","link":"https:\/\/mookseandgripes.com\/reviews\/2019\/04\/22\/greg-jackson-poetry\/","title":{"rendered":"Greg Jackson: &#8220;Poetry&#8221;"},"content":{"rendered":"<p>[fusion_builder_container hundred_percent=&#8221;no&#8221; equal_height_columns=&#8221;no&#8221; menu_anchor=&#8221;&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; class=&#8221;&#8221; id=&#8221;&#8221; background_color=&#8221;&#8221; background_image=&#8221;&#8221; background_position=&#8221;center center&#8221; background_repeat=&#8221;no-repeat&#8221; fade=&#8221;no&#8221; background_parallax=&#8221;none&#8221; parallax_speed=&#8221;0.3&#8243; video_mp4=&#8221;&#8221; video_webm=&#8221;&#8221; video_ogv=&#8221;&#8221; 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class=&#8221;&#8221; id=&#8221;&#8221; content_align=&#8221;left&#8221; size=&#8221;3&#8243; font_size=&#8221;&#8221; line_height=&#8221;&#8221; letter_spacing=&#8221;&#8221; margin_top=&#8221;&#8221; margin_bottom=&#8221;&#8221; margin_top_mobile=&#8221;&#8221; margin_bottom_mobile=&#8221;&#8221; text_color=&#8221;&#8221; style_type=&#8221;underline solid&#8221; sep_color=&#8221;&#8221;]<\/p>\n<p><span style=\"color: #003366;\"><strong>&#8220;Poetry&#8221;<\/strong><\/span><br \/>\n<span style=\"color: #808080;\">by Greg Jackson<\/span><br \/>\n<span style=\"color: #808080;\">from the April 29, 2019 issue of\u00a0<em>The New Yorker<\/em><\/span><\/p>\n<p>[\/fusion_title][fusion_text columns=&#8221;&#8221; column_min_width=&#8221;&#8221; column_spacing=&#8221;&#8221; rule_style=&#8221;default&#8221; rule_size=&#8221;&#8221; rule_color=&#8221;&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; class=&#8221;&#8221; id=&#8221;&#8221;]<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"25779\" data-permalink=\"https:\/\/mookseandgripes.com\/reviews\/2019\/04\/22\/greg-jackson-poetry\/april-29-2019\/#main\" data-orig-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/04\/April-29-2019.jpg?fit=387%2C530&amp;ssl=1\" data-orig-size=\"387,530\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"April 29, 2019\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/04\/April-29-2019.jpg?fit=387%2C530&amp;ssl=1\" class=\"alignright size-full wp-image-25779\" src=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/04\/April-29-2019.jpg?resize=387%2C530\" alt=\"\" width=\"387\" height=\"530\" srcset=\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/04\/April-29-2019.jpg?w=387&amp;ssl=1 387w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/04\/April-29-2019.jpg?resize=219%2C300&amp;ssl=1 219w, https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/04\/April-29-2019.jpg?resize=200%2C274&amp;ssl=1 200w\" sizes=\"auto, (max-width: 387px) 100vw, 387px\" \/>[fusion_dropcap boxed=&#8221;no&#8221; boxed_radius=&#8221;&#8221; class=&#8221;&#8221; id=&#8221;&#8221; color=&#8221;#003366&#8243;]A[\/fusion_dropcap] few years ago Greg Jackson&#8217;s &#8220;Wagner in the Desert&#8221; was published in\u00a0<em>The New Yorker<\/em>. I really liked it, and that was the common reaction in the comments (you can see our thoughts <a href=\"http:\/\/mookseandgripes.com\/reviews\/2014\/07\/14\/greg-jackson-wagner-in-the-desert\/\">here<\/a>). Later Jackson published\u00a0<em>Prodigals<\/em>, his debut collection of short stories. I&#8217;m afraid that I never followed up on my admiration, and that collection remains unread by me. I&#8217;m glad to see Jackson is still writing, and I&#8217;m curious what he&#8217;s got coming next. <a href=\"https:\/\/www.newyorker.com\/books\/this-week-in-fiction\/greg-jackson-04-29-19\">From his interview with Deborah Treisman<\/a>, he makes it clear that he is working on his first novel, but this story is not part of it.<\/p>\n<p>So what do we have in &#8220;Poetry&#8221;? An insufferable narrator, perhaps? At least, that&#8217;s my feeling after reading the first short section:<\/p>\n<blockquote><p><span style=\"color: #003366;\">The volcano sat like a pointed cap at the head of the island. But this we knew only from photos, since, whenever we were near enough to see the volcano, it was covered in mist and clouds. The clouds suggested rain, and rain suggested that Celeste would not enjoy the hike, but so, frankly, did Celeste\u2019s dislike of hikes, and, anyway, I had convinced myself the weather would co\u00f6perate.<\/span><\/p>\n<p><span style=\"color: #003366;\">\u201cCo\u00f6perate\u201d is an interesting word in this context, because it implies a natural alignment of interests &#8212; mine and the volcano\u2019s &#8212; and the history of humans and volcanoes, as I understand it, does not encourage confidence in this direction. But the volcano was there, and so we had to climb it. That was how things shook out for me. Once, Celeste had spent the afternoon in a high-altitude <em class=\"\">rifugio<\/em> while I hiked to the top of an Italian mountain in sneakers and shorts, among people with poles and crampons, who looked outfitted, basically, for an expedition to Mars. So maybe Celeste did have a choice. But maybe not. There was the looming question of marriage and children, after all, and of the deeper compatibility of our interests, tendencies, compulsions, and so on.<\/span><\/p>\n<p><span style=\"color: #003366;\">\u201cJames needs harrowing ordeals to prove he\u2019s not already on the long downslope to death,\u201d I once heard her tell an acquaintance at a dinner party.<\/span><\/p>\n<p><span style=\"color: #003366;\">\u201cDeath?\u201d I said. \u201cI\u2019m worried about living. I\u2019m worried about embracing eternity before the time comes.\u201d<\/span><\/p>\n<p><span style=\"color: #003366;\">Celeste looked at me as though I\u2019d proved her point. And maybe I had.<\/span><\/p><\/blockquote>\n<p>I do hope that the rhythm, the self-conscious eloquence, the resulting pretentious tone are intended to make us resist the narrator a bit. If so &#8212; and I think that is the case, and I like James&#8217; brief willingness to concede at the end of the section &#8212; I&#8217;m on board to see what happens to James and Celeste as they climb this volcano.<\/p>\n<p>How about the rest of you? How did this story strike you? What&#8217;s going on in their ascent? I&#8217;d love to hear it. Please feel free to comment and discuss below!<\/p>\n<p>[\/fusion_text][fusion_builder_row_inner][fusion_builder_column_inner type=&#8221;1_2&#8243; layout=&#8221;1_2&#8243; background_position=&#8221;left top&#8221; background_color=&#8221;&#8221; border_size=&#8221;0&#8243; border_color=&#8221;&#8221; border_style=&#8221;solid&#8221; spacing=&#8221;&#8221; background_image=&#8221;&#8221; background_repeat=&#8221;no-repeat&#8221; padding_top=&#8221;&#8221; padding_right=&#8221;&#8221; padding_bottom=&#8221;&#8221; padding_left=&#8221;&#8221; margin_top=&#8221;&#8221; margin_bottom=&#8221;&#8221; class=&#8221;&#8221; id=&#8221;&#8221; animation_type=&#8221;&#8221; animation_speed=&#8221;0.3&#8243; animation_direction=&#8221;left&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; center_content=&#8221;no&#8221; last=&#8221;no&#8221; min_height=&#8221;&#8221; hover_type=&#8221;none&#8221; link=&#8221;&#8221; 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