Buy from Amazon.com here<\/a>.<\/p>\n Here is the blurb from Europa Editions:<\/p>\n \u201cI was the\u00a0Arminuta<\/i>, the girl returned. I spoke another language, I no longer knew who I belonged to. The word \u2018mama\u2019 stuck in my throat like a toad. And, nowadays, I really have no idea what kind of place mother is. It is not mine in the way one might have good health, a safe place, certainty.\u201d<\/p>\n Told with an immediacy and a rare expressive intensity that has earned it countless adoring readers and one of Italy\u2019s most prestigious literary prizes,\u00a0A Girl Returned<\/i> marks the English-language debut of an extraordinary literary talent. Set against the stark, beautiful landscape of Abruzzo in central Italy, this is a compelling story about mothers and daughters, about responsibility, siblings, and caregiving.<\/p>\n Without warning or explanation, an unnamed 13-year-old girl is sent away from the family she has always thought of as hers to live with her birth family: a large, chaotic assortment of individuals whom she has never met and who seem anything but welcoming. Thus begins a new life, one of struggle, tension, and conflict, especially between the young girl and her mother. But in her relationship with Adriana and Vincenzo, two of her newly acquired siblings, she will find the strength to start again and to build a new and enduring sense of self.<\/p>\n Buy from Amazon.com here<\/a>.<\/p>\n Here is the blurb from Farrar, Straus and Giroux:<\/p>\n One of Russia\u2019s most renowned literary figures and a Man Booker International Prize nominee, Ludmila Ulitskaya presents what may be her final novel.\u00a0Jacob\u2019s Ladder<\/i> is a family saga spanning a century of recent Russian history — and represents the summation of the author\u2019s career, devoted to sharing the absurd and tragic tales of twentieth-century life in her nation.<\/p>\n Jumping between the diaries and letters of Jacob Ossetsky in Kiev in the early 1900s and the experiences of his granddaughter Nora in the theatrical world of Moscow in the 1970s and beyond,\u00a0Jacob\u2019s Ladder<\/i>\u00a0guides the reader through some of the most turbulent times in the history of Russia and Ukraine, and draws suggestive parallels between historical events of the early twentieth century and those of more recent memory.<\/p>\n Spanning the seeming promise of the prerevolutionary years, to the dark Stalinist era, to the corruption and confusion of the present day,\u00a0Jacob\u2019s Ladder<\/i>\u00a0is a pageant of romance, betrayal, and memory. With a scale worthy of Tolstoy, it asks how much control any of us have over our lives?and how much is in fact determined by history, by chance, or indeed by the genes passed down by the generations that have preceded us into the world.<\/p>\n Buy from Amazon.com here<\/a>.<\/p>\n Here is the blurb from Picador:<\/p>\n For young writers of a certain temperament?if they haven\u2019t had such notions beaten out of them by MFA programs and the Internet?the delusion persists that great writing must be sought in what W. B. Yeats once called the \u201cfoul rag and bone shop of the heart.\u201d That\u2019s where Peter Cunningham has been looking for inspiration for his novel?that is, when he isn\u2019t teaching at the local women\u2019s prison, walking his dog, getting high, and wondering whether it\u2019s time to tie the knot with his college girlfriend, a medical student whose night shifts have become a standing rebuke to his own lack of direction. When Peter meets Leslie, a sexual adventurer taking a break from her fianc\u00e9, he gets a glimpse of what he wishes and imagines himself to be: a writer of talent and nerve. Her rag-and-bone shop may be as squalid as his own, but at least she knows her way around the shelves. Over the course of a Virginia summer, their charged, increasingly intimate friendship opens the door to difficult questions about love and literary ambition.<\/p>\n With a keen irony reminiscent of Sam Lipsyte or Lorrie Moore, and a romantic streak as wide as Roberto Bola\u00f1o\u2019s, Andrew Martin\u2019s\u00a0Early Work<\/i>\u00a0marks the debut of a writer as funny and attentive as any novelist of his generation.<\/p>\n Buy from Amazon.com here<\/a>.<\/p>\n Here is the blurb from NYRB Classics:<\/p>\n Three Summers<\/i>\u00a0is the story of three sisters growing up in the countryside near Athens before the Second World War. Living in a big old house surrounded by a beautiful garden are Maria, the oldest sister, as sexually bold as she is eager to settle down and have a family of her own; beautiful but distant Infanta; and dreamy and rebellious Katerina, through whose eyes the story is mostly observed. Over three summers, the girls share and keep secrets, fall in and out of love, try to figure out their parents and other members of the tribe of adults, take note of the weird ways of friends and neighbors, worry about and wonder who they are. Karen Van Dyck\u2019s translation captures all the light and warmth of this modern Greek classic.<\/p>\n Buy from Amazon.com here<\/a>.<\/p>\n Here is the blurb from NYRB Classics:<\/p>\n \u201cThe Storyteller\u201d is one of Walter Benjamin\u2019s most important essays, a beautiful and suggestive meditation on the relation between narrative form, social life, and individual existence\u2014and the product of at least a decade\u2019s work. What might be called the story of\u00a0The Storyteller Essays<\/i>starts in 1926, with a piece Benjamin wrote about the German romantic Johann Peter Hebel. It continues in a series of short essays, book reviews, short stories, parables, and even radio shows for children. This collection brings them all together to give readers a new appreciation of how Benjamin\u2019s thinking changed and ripened over time, while including several key readings of his own\u2014texts by his contemporaries Ernst Bloch and Georg Luk\u00e1cs; by Paul Val\u00e9ry; and by Herodotus and Montaigne. Finally, to bring things around, there are three short stories by \u201cthe incomparable Hebel\u201d with whom the whole intellectual adventure began.<\/p>\n Buy from Amazon.com here<\/a>.<\/p>\n Here is the blurb from Doubleday:<\/p>\n As the Civil Rights movement begins to reach the black enclave of Frenchtown in segregated Tallahassee, Elwood Curtis takes the words of Dr. Martin Luther King to heart: He is “as good as anyone.” Abandoned by his parents, but kept on the straight and narrow by his grandmother, Elwood is about to enroll in the local black college. But for a black boy in the Jim Crow South of the early 1960s, one innocent mistake is enough to destroy the future. Elwood is sentenced to a juvenile reformatory called the Nickel Academy, whose mission statement says it provides “physical, intellectual and moral training” so the delinquent boys in their charge can become “honorable and honest men.”<\/p>\n In reality, the Nickel Academy is a grotesque chamber of horrors where the sadistic staff beats and sexually abuses the students, corrupt officials and locals steal food and supplies, and any boy who resists is likely to disappear “out back.” Stunned to find himself in such a vicious environment, Elwood tries to hold onto Dr. King’s ringing assertion “Throw us in jail and we will still love you.” His friend Turner thinks Elwood is worse than naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble.<\/p>\n The tension between Elwood’s ideals and Turner’s skepticism leads to a decision whose repercussions will echo down the decades. Formed in the crucible of the evils Jim Crow wrought, the boys’ fates will be determined by what they endured at the Nickel Academy.<\/p>\n Based on the real story of a reform school in Florida that operated for one hundred and eleven years and warped the lives of thousands of children,\u00a0The Nickel Boys<\/i>\u00a0is a devastating, driven narrative that showcases a great American novelist writing at the height of his powers.<\/p>\n Buy from Amazon.com here<\/a>.<\/p>\n Here is the blurb from Open Letter Books:<\/p>\n While studying a seventeenth-century diary, the protagonist of\u00a0History. A Mess.<\/i>\u00a0uncovers information about the first documented professional female artist. This discovery promises to change her academic career, and life in general . . . until she realizes that her “discovery” was nothing more than two pages stuck together. At this point there’s no going back though, and she goes to great lengths to hide her mistake\u2014undermining her sanity in the process. A shifty, satirical novel that’s funny and colorful, while also raising essential questions about truth, research, and the very nature of belief.<\/p>\n Buy from Amazon.com here<\/a>.<\/p>\n Here is the blurb from NYRB Classics:<\/p>\n In Berlin, 1930, the name K\u00e4sebier is on everyone\u2019s lips. A literal combination of the German words for \u201ccheese\u201d and \u201cbeer,\u201d it\u2019s an unglamorous name for an unglamorous man\u2014a small-time crooner who performs nightly on a shabby stage for laborers, secretaries, and shopkeepers. Until the press shows up.<\/p>\n In the blink of an eye, this everyman is made a star: a star who can sing songs for a troubled time. Margot Weissmann, the arts patron, hosts champagne breakfasts for K\u00e4sebier; Muschler the banker builds a theater in his honor; Willi Fr\u00e4chter, a parvenu writer, makes a mint off K\u00e4sebier-themed business ventures and books. All the while, the journalists who catapulted K\u00e4sebier to fame watch the monstrous media machine churn in amazement\u2014and are aghast at the demons they have unleashed.<\/p>\n In\u00a0K\u00e4sebier Takes Berlin<\/i>, the journalist Gabriele Tergit wrote a searing satire of the excesses and follies of the Weimar Republic. Chronicling a country on the brink of fascism and a press on the edge of collapse, Tergit\u2019s novel caused a sensation when it was published in 1931. As witty as Kurt Tucholsky and as trenchant as Karl Kraus, Tergit portrays a world too entranced by fireworks to notice its smoldering edges.<\/p>\n![\"\"](\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/07\/A-Girl-Returned.jpg?resize=290%2C450\")
A Girl Returned<\/strong><\/em>
\nby Donatella Di Pietrantonio
\ntranslated from the Italian by Ann Goldstein
\nEuropa Editions<\/p>\n
\nJuly 9<\/strong><\/h3>\n
![\"\"](\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/07\/Jacobs-Ladder.jpg?resize=300%2C450\")
Jacob’s Ladder
\n<\/strong><\/em>by Ludmilla Ulitskaya
\ntranslated from the Russian by Polly Gannon
\nFarrar, Straus and Giroux<\/p>\n![\"\"](\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/07\/Early-Work.jpg?resize=293%2C450\")
Early Work
\n<\/strong><\/em>by Andrew Martin
\nPicador<\/p>\n![\"\"](\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/07\/Three-Summers.jpg?resize=281%2C450\")
Three Summers
\n<\/strong><\/em>by Margarita Liberaki
\ntranslated from the Greek by Karen Van Dyck
\nNYRB Classics<\/p>\n
\nJuly 16<\/h3>\n
![\"\"](\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/07\/The-Storyteller-Essays.jpg?resize=281%2C450\")
The Storyteller Essays
\n<\/strong><\/em>by Walter Benjamin
\ntranslated from the German by Tess Lewis
\nNYRB Classics<\/p>\n![\"\"](\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/07\/The-Nickel-Boys.jpg?resize=298%2C450\")
The Nickel Boys
\n<\/strong><\/em>by Colson Whitehead
\nDoubleday<\/p>\n
\nJuly 23<\/h3>\n
![\"\"](\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/07\/History-a-Mess.jpg?resize=291%2C450\")
History. A Mess
\n<\/strong><\/em>by Sigr\u00fan P\u00e1lsd\u00f3ttir
\ntranslated from the Icelandic by Lytton Smith
\nOpen Letter Books<\/p>\n
\nJuly 30<\/h3>\n
![\"\"](\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/07\/Kasebier-Takes-Berlin.jpg?resize=281%2C450\")
K\u00e4sebier Takes Berlin
\n<\/strong><\/em>by Gabriele Tergit
\ntranslated from the German by Sophie Duvernoy
\nNYRB Classics<\/p>\n
![\"\"](\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/07\/Chances-Are.jpg?resize=302%2C450\")
Chances Are . . .![\"\"](\"https:\/\/i0.wp.com\/mookseandgripes.com\/reviews\/wp-content\/uploads\/2019\/07\/Professor-Andersens-Night.jpg?resize=302%2C450\")
Professor Andersen’s Night