{"id":26798,"date":"2019-10-16T21:13:48","date_gmt":"2019-10-17T01:13:48","guid":{"rendered":"http:\/\/mookseandgripes.com\/reviews\/?p=26798"},"modified":"2019-10-16T21:13:48","modified_gmt":"2019-10-17T01:13:48","slug":"the-criterion-collection-announces-january-2020-releases","status":"publish","type":"post","link":"https:\/\/mookseandgripes.com\/reviews\/2019\/10\/16\/the-criterion-collection-announces-january-2020-releases\/","title":{"rendered":"The Criterion Collection Announces January 2020 Releases"},"content":{"rendered":"
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With today's announcements of their January releases, Criterion has given us reason to look forward to the new year! Hepburn, Grant, Lumet, Almod\u00f3var, Godard, Brando . . . sheesh! I hope you find something you'll enjoy!<\/p>\n

The blurbs are from The Criterion Collection's website (so are the links)\u00a0\u2014 go there to see the details on the supplements.<\/p>\n

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January 7, 2020<\/strong><\/p>\n

\"\"Holiday<\/i><\/b> (1938)
\n<\/i><\/b>d. George Cukor<\/p>\n

From The Criterion Collection<\/a>:<\/em><\/p>\n

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Two years before stars Katharine Hepburn and Cary Grant and director George Cukor would collaborate on The Philadelphia Story,<\/em> they brought their timeless talents to this delectable slice of 1930s romantic-comedy perfection, the second film adaptation of a hit 1928 play by Philip Barry. Grant is at his charismatic best as the acrobatically inclined free spirit who, following a whirlwind engagement, literally tumbles into the lives of his fianc\u00e9e's aristocratic family\u2014setting up a clash of values with her staid father while firing the rebellious imagination of her brash, black-sheep sister (Hepburn). With a sparkling surface and an undercurrent of melancholy, Holiday<\/em> is an enchanting ode to nonconformists and pie-in-the-sky dreamers everywhere, as well as a thoughtful reflection on what it truly means to live well.<\/span><\/p>\n<\/blockquote>\n

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January 14, 2020<\/strong><\/p>\n

\"\"The\u00a0Fugitive Kind\u00a0<\/i><\/b>(1960)
\n<\/em>d. Sidney Lumet<\/p>\n

From\u00a0The Criterion Collection<\/a>:<\/em><\/p>\n

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Four Oscar-winning actors\u2014Marlon Brando, Anna Magnani, Joanne Woodward, and Maureen Stapleton\u2014sink their teeth into this enthralling film, which brings together the legendary talents of director Sidney Lumet and writer Tennessee Williams. A smoldering, snakeskin-jacketed Brando is Val Xavier, a drifter trying to go straight. He finds work and solace in a southern small-town variety store run by the married, sexually frustrated Lady Torrance (Magnani), who proves as much a temptation for Val as local wild child Carol Cutrere (Woodward). Lumet captures the intense, fearless performances and Williams's hot-blooded storytelling and social critique with his customary restraint, resulting in a drama of uncommon sophistication and craft.<\/span><\/p>\n<\/blockquote>\n

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January 21, 2020<\/strong><\/p>\n

\"\"Le petit soldat\u00a0<\/i><\/b>(1963)
\n<\/em>d. Jean Luc Godard<\/p>\n

From\u00a0The Criterion Collection<\/a>:<\/em><\/p>\n

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Before his convention-shattering debut, Breathless,<\/em> had even premiered, Jean-Luc Godard leapt into the making of his second feature, a thriller that would tackle the most controversial subject in France: the use of torture in the Algerian War. Despite his lack of political convictions, photojournalist Bruno Forestier (Michel Subor) is roped into a paramilitary group waging a shadow war in Geneva against the Algerian independence movement. Anna Karina (in her first collaboration with Godard, whose camera is visibly besotted with her) is beguiling as the mysterious woman with whom Forrestier becomes infatuated. Banned for two and a half years by French censors for its depiction of brutal tactics on the part of the French government and the Algerian fighters alike, Le petit soldat<\/em> finds the young Godard already retooling cinema as a vehicle for existential inquiry, political argument, and ephemeral portraiture\u2014in other words, as a medium for delivering \"truth twenty-four times per second.\"<\/span><\/p>\n<\/blockquote>\n

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January 28, 2020<\/strong><\/p>\n

\"\"Fail Safe\u00a0<\/i><\/b>(1964)
\n<\/em>d. Sidney Lumet<\/p>\n

From\u00a0The Criterion Collection<\/a>:<\/em><\/p>\n

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This unnerving procedural thriller painstakingly details an all-too-plausible nightmare scenario in which a mechanical failure jams the United States military's chain of command and sends the country hurtling toward nuclear war with the Soviet Union. Working from a contemporary best seller, screenwriter Walter Bernstein and director Sidney Lumet wrench harrowing suspense from the doomsday fears of the Cold War era, making the most of a modest budget and limited sets to create an atmosphere of clammy claustrophobia and astronomically high stakes. Starring Henry Fonda as a coolheaded U.S. president and Walter Matthau as a trigger-happy political theorist, Fail Safe<\/em> is a long-underappreciated alarm bell of a film, sounding an urgent warning about the deadly logic of mutually assured destruction.<\/span><\/p>\n<\/div>\n

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January 28, 2020<\/strong><\/p>\n

\"\"All About My Mother<\/i><\/b> (1999)
\n<\/em>d. Pedro Almod\u00f3var<\/p>\n

From\u00a0The Criterion Collection<\/a>:<\/em><\/p>\n

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This Oscar-winning melodrama, one of Pedro Almod\u00f3var's most beloved films, provides a dizzying, moving exploration of the meaning of motherhood. In an instant, nurse Manuela (Cecilia Roth) loses the teenage son she raised on her own. Grief-stricken, she sets out to search for the boy's long-lost father in Barcelona, where she reawakens into a new maternal role, at the head of a surrogate family that includes a pregnant, HIV-positive nun (Pen\u00e9lope Cruz); an illustrious star of the stage (Marisa Paredes); and a transgender sex worker (Antonia San Juan). Beautifully performed and bursting with cinematic references, All About My Mother<\/em> is a vibrant tribute to female fortitude, a one-of-a-kind family portrait, and a work of boundless compassion.<\/span><\/p>\n<\/blockquote>\n<\/div>

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