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Email me at mookseandgripes [at] gmail [dot] com

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Transparency Statement

If the book reviewed was sent to me for free by the publisher, I have indicated as much in a caption under the book's cover image.

For a detailed explanation of my review policy, click here.

2013 Book Awards

  • National Book Critics Circle Award
    • Winner: Ben Fountain's Billy Lynn's Long Halftime Walk
  • The Story Prize
    • Winner: Claire Vaye Watkins' Battleborn
  • PEN/Faulkner Award
    • Winner: Benjamin Alire Sáenz's Everything Begins and Ends at the Kentucky Club
  • Hemingway Foundation/PEN Award
    • Winner: Kevin Powers' The Yellow Birds
  • Pulitzer Prize
    • Winner: Adam Johnson's The Orphan Master's Son
  • Best Translated Book Award
  • PEN/Malamud Award
    • Winner: George Saunders
  • Women's Prize
    • Winner: A.M. Homes' May We Be Forgiven
  • International IMPAC Dublin Literary Award
    • Winner: Kevin Barry's City of Bohane
  • Man Booker Prize
    • Winner: October
  • Nobel Prize in Literature
    • Winner: October
  • Giller Prize
    • Shadow Winner: November
    • Winner: November
  • National Book Award
    • Winner: November
__________________________

2012 Book Awards

  • National Book Critics Circle Award
    • Winner: Edith Pearlman's Binocular Vision
  • The Story Prize
  • PEN/Faulkner Award
    • Winner: Julie Otsuka's The Buddha in the Attic
  • Hemingway Foundation/PEN Award
    • Winner: Teju Cole: Open City
  • Pulitzer Prize
    • Winner: No award given
  • Orange Prize
    • Winner: Madeline Miller: The Song of Achilles
  • International IMPAC Dublin Literary Award
    • Winner: Jon McGregor: Even the Dogs
  • Man Booker Prize
    • Winner: Hilary Mantel: Bring Up the Bodies
  • Nobel Prize in Literature
    • Winner: Mo Yan
__________________________

2011 Book Awards

  • The Story Prize
    • Winner: Anthony Doerr's Memory Wall
  • PEN/Faulkner Award
    • Winner: Deborah Eisenberg's The Collected Stories of Deborah Eisenberg
  • Hemingway Foundation/PEN Award
    • Winner: Brando Skyhorse: The Madonnas of Echo Park
  • PEN/Malamud Award
    • Winner: Edith Pearlman
  • International IMPAC Dublin Literary Award
    • Winner: Colum McCann's Let the Great World Spin
  • Nobel Prize in Literature
    • Winner: Tomas Tranströmer
  • National Book Award
    • Winner: Jesmyn Ward's Salvage the Bones
__________________________

2010 Book Awards

  • National Book Critics Circle Award
    • Winner: Hilary Mantel's Wolf Hall
  • The Story Prize
    • Winner: Daniyal Mueenuddin's In Other Rooms, Other Wonders
  • PEN/Faulkner Award
    • Winner: Sherman Alexie's War Dances
  • Hemingway Foundation/PEN Award
    • Winner: Brigid Pasulka's A Long, Long Time Ago and Essentially True
  • Pulitzer Prize
  • PEN/Malamud Award
    • Winner: Nam Le & Edward P. Jones
  • Orange Prize
    • Winner: Barbara Kingsolver's The Lacuna
  • International IMPAC Dublin Literary Award
  • Nobel Prize in Literature
    • Winner: Mario Vargas Llosa
__________________________

2009 Book Awards

  • National Book Critics Circle Award
    • Winner: Roberto Bolano's 2666
  • PEN/Faulkner Award
  • Hemingway Foundation/PEN Award
    • Winner: Michael Dahlie's A Gentleman's Guide to Graceful Living
  • Best Translated Book Award
    • Winner: Attila Bartis: Tranquility
  • Orange Prize
    • Winner: Marilynne Robinson's Home
  • International IMPAC Dublin Literary Award
    • Winner: Michael Thomas's Man Gone Down
  • Man Booker Prize
    • Winner: Hilary Mantel's Wolf Hall
  • Nobel Prize in Literature
    • Winner: Herta Müller
  • National Book Award
    • Winner: Colum McCann's Let the Great World Spin

Tribeca with Joseph O’Neill

This post will be a bit different only because I was away tonight and unable to polish off a review.  However, I was away on official book enjoyment business, so I think a brief post about my delayed review is appropriate.

Those of you who read my blog during this year’s Booker Prize probably already know that my favorite book on the longlist was Joseph O’Neill’s Netherland, a nuanced look at post-9/11 New York City in which O’Neill recasts the American Dream.  I’m still pushing for O’Neill to win a major literary award for this book.  Maybe this weekend we’ll see his name on the NBCC shortlist.  Maybe he’ll even be a finalist if not the winner of the Pulitzer in April. 

Anyway, tonight Joseph O’Neill came to the Barnes & Noble in Tribeca to meet on a panel with Senior Editor of the New York Times Book Review, Sam Tanenhaus, and reviewers Liesl Schillinger and Dwight Garner (who loved Netherland).  The official discussion was supposed to be about the New York Times Book Review’s Ten Best Books of 2008, but mostly O’Neill was asked about his book and the reviewers were asked about the pracitice of reviewing. 

And I got to speak for a brief minute with Joseph O’Neill.  It was, after all, his book I took with me to the hospital when my second son was born – whom we named Holland, but not after this book, its narrator, or O’Neill’s adolescence.  So here’s my copy of Netherland now.

netherland-signature

My review will be up tomorrow.

12 comments to Tribeca with Joseph O’Neill

  • How cool!

    I am glad that you can take a little time to go to listen to the talk.

    And that Mrs. B. understands that you need to “go out” sometimes.

  • What a nice story! I wish I lived in a city that authors visited more frequently. What a perfect way to make a special book even more personal!

  • sherryberrett

    Mrs. B wouldn’t mind more opportunities to “go out.”

  • Andy

    I have always been with you on Netherland and believe it would have been a worthy Booker winner. In the end I put it neck and neck with Sebastian Barry on the longlist.
    I was lucky enough to see the 6 short-listed nominees speaking in London the day before the announcement. It is a great experience to see them in the flesh and listen to what they have to say. So I enjoyed this post very much and hope that you will continue to take advantage of the possibilities in New York and let us all know about the experience. Kate Grenville is in London next month – I am tempted to go along and get my copy of The Secret River signed.

  • I can’t help but thinking that more replies from sherryberrett would be welcome on this blog. She adds another dimension to a very good analysis.

  • Alright, alright. Let’s set the record straight ;) . Mrs. B and the boys came along for the ride. I held the baby, while she read a book. The older boy played with the Thomas the Tank Engine wooden train set they have set up in the Barnes & Noble. So all in all, a good night for everyone!

    And, Kevin, it’s possible that that sherryberrett character could distort the picture!

    And Andy and Steph, it was a wonderful opportunity that I hope to take advantage of again – with Mrs. B, again :).

  • Picture distortions are always welcome.

  • sherryberrett

    Kevin-
    I’d love to distort (as Trevor did when he “set the record straight”), but Trevor is less accomodating and doesn’t want the blog to turn into a “domestic dispute.” So sorry to disappoint.

  • Hopes raised, hopes dashed.

    Edith Wharton would whup Trevor’s you-know-what, given the chance. He should be lashed.

  • Oh, I am a ‘late’ reader for all sort of things. Most things, really, because I really didn’t read much but light fiction up until a few years ago.

    A world has opened up.

    I like that you mentioned pacing: I felt as if I were racing through the book, the words piling up, one after the other. Is this an effect of French to English, or authorial?

  • oops, that was suppose to go under the Madame Bovary post, obviously…

  • For those of you who’d like to listen to what I heard in Tribeca, here is the podcast from the New York Times. Not sure if it’ll be there, but if you listen closely you might be able to hear my son, the only baby in the group.

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