The Criterion Collection announced what they’re releasing in June 2023. As seems to be the pattern these days, we get a couple of new releases and a couple of UHD upgrades (one of one of the greatest films ever made) — but this time we also get a new big box set!
The blurbs are from The Criterion Collection’s website (so are the links) — go there to see the details on the supplements.
June 6, 2023
The Rules of the Game — 4K
d. Jean Renoir (1939)
From The Criterion Collection:
Considered one of the greatest films ever made, Jean Renoir’s The Rules of the Game is a scathing critique of corrupt French society cloaked in a comedy of manners in which a weekend at a marquis’s country château lays bare some ugly truths about a group of haut bourgeois acquaintances. The film has had a tumultuous history: it was subjected to cuts after the violent response of the audience at its 1939 premiere, and the original negative was destroyed during World War II; it wasn’t reconstructed until 1959. That version, which has stunned viewers for decades, is presented here.
June 13, 2023
Time Bandits (1981) -4K
-d. Seijun Suzuki
From The Criterion Collection:
In this fantastic voyage through time and space from Terry Gilliam, a boy named Kevin (Craig Warnock) escapes his gadget-obsessed parents to join a band of time travelers. Armed with a map stolen from the Supreme Being (Ralph Richardson), they plunder treasure from Napoleon (Ian Holm) and Agamemnon (Sean Connery)—but the Evil Genius (David Warner) is watching their every move. Featuring a darkly playful script by Gilliam and his Monty Python cohort Michael Palin (who also appears in the film), Time Bandits is at once a giddy fairy tale, a revisionist history lesson, and a satire of technology gone awry.
June 20, 2023
The Servant (1963)
-d. Joseph Losey
From The Criterion Collection:
The prolific, ever provocative Joseph Losey, blacklisted from Hollywood and living in England, delivered a coolly modernist shock to the system of that nation’s cinema with this mesmerizing dissection of class, sexuality, and power. A dissolute scion of the upper crust (James Fox) finds the seemingly perfect manservant (a diabolical Dirk Bogarde, during his transition from matinee idol to art-house icon) to oversee his new London town house. But not all is as it seems, as traditional social hierarchies are gradually, disturbingly destabilized. Lustrously disorienting cinematography and a masterful script by playwright Harold Pinter merge in The Servant, a tour de force of mounting psychosexual menace.
June 20, 2023
Medicine for Melancholy
-d. Barry Jenkins (2008)
From The Criterion Collection:
One of the great debut features of the twenty-first century, Barry Jenkins’s captivating, lo-fi romance Medicine for Melancholy unfolds against the backdrop of a rapidly gentrifying San Francisco, where a one-night stand between two young bohemians, Micah (Wyatt Cenac) and Jo’ (Tracey Heggins), spins off into a woozy daylong affair marked by moments of tenderness, friction, joy, and intellectual sparring as they explore their relationships to each other, the city, and their own Blackness. Shooting on desaturated video, Jenkins crafts an intimate exploration of alienation and connection graced with the evocative visual palette and empathetic emotional charge that has come to define his work.
June 27, 2023
Passolini 101
–Accattone (1961)
–Mamma Roma (1962)
–Love Meetings (1964)
–The Gospel According to Matthew (1964)
–The Hawks and the Sparrows (1966)
–Oedipus Rex (1967)
–Teorema (1968)
–Porcile (1969)
–Medea (1969)
From The Criterion Collection:
One of the most original and controversial thinkers of the twentieth century, Italian polymath Pier Paolo Pasolini embodied a multitude of often seemingly contradictory ideologies and identities—and he expressed them all in his provocative, lyrical, and indelible films. Relentlessly concerned with society’s downtrodden and marginalized, he elevated pimps, hustlers, sex workers, and vagabonds to the realm of saints, while depicting actual saints with a radical earthiness. Traversing the sacred and the profane, the ancient and the modern, the mythic and the personal, the nine uncompromising, often scandal-inciting features he made in the 1960s still stand—on this, the 101st anniversary of his birth—as a monument to his daring vision of cinema as a form of resistance.
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