This month, we are joined by Alan Bowden of wordsofmercury.wordpress.com to discuss Vivant Denon’s novella, No Tomorrow.
In 1777, No Tomorrow was published anonymously. We have the pleasure of reading Lydia Davis’ translation which is based on the 1814 edition.
NYRB Classics published their bilingual edition of No Tomorrow in October of 2009, and it is the book we’ll be talking about in Episode 7 of The Mookse and the Gripes Podcast.
In Episode 8 we will be discussing two books that will be issued by NYRB Classics next month (May 7, 2013): Kingsley Amis’s novels, The Green Man and The Alteration. If you have any thoughts on Kingsley Amis, we’d love to hear from you via email, via comments, or via Twitter. Perhaps we can set up a Skype call to pull some sound bites of your thoughts.
Show Notes (1:13:03)
- Intro
- Brief look at Vivant Denon (14:40)
- Non-spoiler section (19:56)
- Spoiler section (42:12)
Some Links
- NYRB Classics publicity page
- Mookse Review of No Tomorrow
- To join or browse the forum dedicated to reading Ian Banks click here: Banks Read Forum
Episode Credits
- Co-Host Trevor Berrett
- Co-Host Brian Berrett
- Guest Alan Bowden of wordsofmercury.wordpress.com
- Introduction Music — “Where We Fall We’ll Lie” by Jeff Zentner, from his album The Dying Days of Summer (used with permission)
- Outro Music — “Promise Me That You Will Never Die” by Jeff Zentner, from his album Hymns to the Darkness (used with permission)
This month, we are joined by Tara Olmsted of booksexyreview.com to discuss Nancy Mitford’s biography of Louix XIV, The Sun King.
This month, we are joined by Nick During of NYRB Classics to discuss Friedrich Reck’s political memoir, Diary of a Man in Despair.
Though not officially state policy until 1932, socialist realism had been the unofficial type of art in Russia since the October Revolution of 1917, when the Bolsheviks sought to put art into the service of the state. Art had to be easily understood and should convey a positive message about the Soviet Union and the struggle of the Proletariat. In Memories of the Future we find seven stories by Sigizmund Krzhizhanovsky that, as the book’s blurb says, were considered too subversive even to show to a publisher. These seven stories not only examine the underbelly of Soviet Moscow but they also indulge in and praise the life of the imagination, the ability to tell a story that seemingly has no relationship with reality, all in an effort to convey that reality more fully.


