Trevor Berrett 
Every life, Epifanio said that night to Lalo Cura, no matter how happy it is, ends in pain and suffering. That depends, said Lalo Cura. Depends on what, champ? On lots of things, said Lalo Cura. Say you’re shot in the back of the head, for example, and you don’t hear the motherfucker come up … Read more
Trevor reviews Sanford Friedman’s brilliant final novel, Conversations with Beethoven, unpublished at his death in 2010 and just now put out by NYRB Classics. Read the full post.
Trevor reviews Jacques Tati’s film Monsieur Hulot’s Holiday, recently released by The Criterion Collection in its boxset The Complete Jacques Tati. Read the full post.
Trevor reviews Jacques Tati’s debut feature film Jour de fête, recently released by The Criterion Collection in its boxset The Complete Jacques Tati. Read the full post.
Trevor reviews Stephen Collins’ graphic novel The Gigantic Beard That Was Evil, out last year in the U.K. and just out from Picador in the U.S. Read the full post.
This week, The Criterion Collection is releasing The Complete Jacques Tati. We’ll be covering the set on The Mookse and the Gripes, and Trevor introduces it here. Read the full post.
In anticipation of next week’s post on David Lynch’s Eraserhead, Trevor takes a look at Lynch’s shorts included on The Criterion Collection’s new Blu-ray edition. Read the full post.
David and Trevor are back with The Eclipse Viewer 20: A Conversation with Michael Koresky. Read the full post and get the link to the podcast.
Trevor reviews Michael Koresky’s book on British film director Terrence Davies, just out in the University of Illinois’ Contemporary Film Directors series. Read the full post
Trevor reviews Yasushi Inoue’s 1951 novella Life of a Counterfeiter. Read the full post.